{"title":"Microphones","description":"\u003cp\u003eShop Microphones for vocals, instruments, presenters, worship teams, schools, studios, and live production.\u003c\/p\u003e\n\u003cp\u003eVictory brings more than product listings to technical audio and video purchases. Our background in music, systems engineering, network infrastructure, AV integration, Dante-certified workflows, change management, disaster recovery, and business continuity helps customers plan scalable solutions built for dependable performance and long-term reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuestions before you buy?\u003c\/strong\u003e \u003ca href=\"\/pages\/benny-ai\"\u003eBenny AI\u003c\/a\u003e, our 24\/7 product advisor, can help you get started, compare options, and ask product questions anytime. For personal support, quotes, school orders, church systems, special orders, or final confirmation, call Victory Musical Instruments at \u003ca href=\"tel:+18446874208\"\u003e+1-844-687-4208\u003c\/a\u003e or email \u003ca href=\"mailto:sales@victorymusical.com\"\u003esales@victorymusical.com\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"streampath-sp3-d-dynamic-microphone","title":"StreamPath SP31DM Dynamic Microphone","description":"\u003cp\u003eThe StreamPath SP31DM is a dynamic cardioid microphone built for working vocalists, speakers, and performers who need a dependable mic that just shows up and does its job. Whether you're fronting a band on a Friday night, leading worship on Sunday morning, running a karaoke setup, or stepping up to a podium, the SP31DM delivers clear, present vocal reproduction without fuss.\u003c\/p\u003e\n\u003cp\u003eThe cardioid polar pattern keeps focus on the source in front of the mic while rejecting bleed from monitors, side conversations, and room noise — exactly what you want when you're working a live stage. A tailored 50 Hz to 16 kHz frequency response brings vocals forward in the mix with natural midrange presence and controlled low-end, so your voice cuts through without sounding harsh or muddy.\u003c\/p\u003e\n\u003cp\u003eBecause it's a dynamic mic, the SP31DM needs no phantom power and no batteries. Plug it into any mixer, interface, or PA system with an XLR cable and you're ready to go. The rugged housing is built to handle the realities of gigging life — load-ins, load-outs, the occasional drop, and long nights on the road.\u003c\/p\u003e\n\u003cp\u003eBest for: Live vocals, speech and spoken word, karaoke, houses of worship, rehearsal spaces, podcasts on a budget, and anywhere you need a reliable handheld mic.\u003c\/p\u003e\n\u003cp\u003eKey Features\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic cardioid design for focused pickup and feedback rejection\u003c\/li\u003e\n\u003cli\u003eClear, present vocal response tuned for live performance\u003c\/li\u003e\n\u003cli\u003e50 Hz – 16 kHz frequency range\u003c\/li\u003e\n\u003cli\u003eNo phantom power required — works with any XLR input\u003c\/li\u003e\n\u003cli\u003eDurable construction built for regular stage use\u003c\/li\u003e\n\u003cli\u003eIdeal for vocals, speech, and karaoke applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTechnical Specifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: Dynamic\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid (uni-directional)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 50 Hz – 16 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: -54 dB ± 3 dB (0 dB = 1V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 500 ohms ± 30%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhat's in the Box\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSP31DM Microphone\u003c\/li\u003e\n\u003cli\u003eMicrophone holder\u003c\/li\u003e\n\u003cli\u003eCarrying pouch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"StreamPath","offers":[{"title":"Default Title","offer_id":43837371744307,"sku":"SP31DM","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/rn-image_picker_lib_temp_e3634e46-7cb4-40a6-9d8f-f252d5e28908.png?v=1779143983"},{"product_id":"streampath-sp3-c-condenser-microphone","title":"StreamPath SP32CM Condenser Microphone","description":"\u003cp\u003eThe StreamPath SP32CM is a small-diaphragm cardioid condenser designed for engineers and musicians who need accurate, detailed instrument capture in the studio or on stage. Acoustic guitar, piano, strings, drum overheads, hi-hat, classical and orchestral work — this is the kind of mic you reach for when transient detail and tonal honesty actually matter.\u003c\/p\u003e\n\u003cp\u003eA 16 mm electret condenser capsule paired with a cardioid pattern gives you focused pickup with low self-noise (20 dB A), so quiet sources stay clean and natural without picking up unwanted room reflections or off-axis bleed. The extended 30 Hz to 18 kHz frequency response captures the full body of low-end instruments while preserving the air and shimmer in the top end — the kind of detail that makes a recording sound real instead of flat.\u003c\/p\u003e\n\u003cp\u003eWith a 135 dB max SPL, the SP32CM handles louder sources confidently too. Use it as a drum overhead, on a guitar cab, or under a piano lid without worrying about distortion. The all-metal construction is built to last, and the included accessories get you set up and tracking right out of the box.\u003c\/p\u003e\n\u003cp\u003eRequires 9V–52V phantom power (48V recommended) from your mixer or audio interface.\u003c\/p\u003e\n\u003cp\u003eBest for: Acoustic guitar, piano, strings, orchestral and ensemble recording, drum overheads, hi-hat, percussion, and live capture of acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eKey Features\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 mm electret condenser capsule for detailed instrument capture\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern for focused pickup and reduced bleed\u003c\/li\u003e\n\u003cli\u003eLow 20 dB A self-noise for clean recordings of quiet sources\u003c\/li\u003e\n\u003cli\u003e135 dB max SPL handles loud instruments without distortion\u003c\/li\u003e\n\u003cli\u003eWide 30 Hz – 18 kHz frequency response\u003c\/li\u003e\n\u003cli\u003eDurable all-metal construction\u003c\/li\u003e\n\u003cli\u003eIncludes windscreen and accessories for flexible setup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTechnical Specifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: 16 mm electret condenser\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid (uni-directional)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 Hz – 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dB ± 3 dB (0 dB = 1V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 ohms ± 30%\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 20 dB A\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (@ 1 kHz ≤ 1% THD)\u003c\/li\u003e\n\u003cli\u003eSignal-to-Noise Ratio: 74 dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: 9V – 52V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhat's in the Box\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSP32CM Microphone\u003c\/li\u003e\n\u003cli\u003eMicrophone holder\u003c\/li\u003e\n\u003cli\u003eWindscreen\u003c\/li\u003e\n\u003cli\u003eCarrying pouch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"StreamPath","offers":[{"title":"Default Title","offer_id":43837372334131,"sku":"SP32CM","price":89.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/rn-image_picker_lib_temp_3bdab5b3-38be-4461-adaf-84af1c5440da.png?v=1779143158"},{"product_id":"esi-cosmik-ucast","title":"ESI cosMik uCast USB Condenser Microphone","description":"\u003cp\u003e\u003cstrong\u003eESI cosMik uCast USB Condenser Microphone\u003c\/strong\u003e is a \u003cstrong\u003emicrophone\u003c\/strong\u003e designed for voice, instrument, podcast, streaming, or content recording. It is intended for vocalists, musicians, podcasters, streamers, and content creators who need verified features, specifications, and compatibility details before ordering.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCapture voice or instruments with a microphone designed for recording and content production.\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eOverview\u003c\/h2\u003e\u003cp\u003eThe all-in-one USB microphone Online meetings, podcasting, Twitch streams, YouTube content - you can do it all and much more with cosMik uCast. This USB microphone combines ESI's characteristic outstanding sound quality with a bundle of powerful software so start recording or streaming straight out of the box. Perfect control cosMik uCast can be connected to any modern Mac or PC using the included USB cables (USB 2.0 and USB-C). It also works seamlessly with your iPhone or iPad with an appropriate adapter. The cardioid polar pattern captures musical details, harmonics, and subtle nuances crystal clear, while background noises from behind the microphone is nearly inaudible. Controll your sound with the help of user-friendly knobs on the front of the mic. You can adjust input gain and output volume for the headphone output seamlessly or mute your own voice while still hearing the computer signal. Realtime hardware input monitoring can be controlled via the included software. Recording As a podcaster or content creator you often need to record your voice and edit or master your track before providing it to your audience. With cosMik uCast, there is no need to look for external software, because it's all included: WaveLab LE for audio editing, Bitwig Studio 8-Track as a multitrack digital audio workstation (DAW), inTone 2 ESI Edition to play files and prepare streams for online broadcasting as well as Cubasis LE, an optimized multi touch sequencer for iPad and iPhone users. Live broadcasting Enrich your live streams on Twitch, Facebook or Instagram: the ASIO driver based on ESI's own EWDM technology guarantees extremely low latency, so you can interact with your audience immediately. Moreover, the ESI-only feature DirectWIRE enables you to integrate external sound sources in your live performance (e.g. background music or effects such as laughter or applause). You can even run your voice through a DAW and alter it in the process (e.g. a reverb or other effects and plugins). Online meetings and more The DirectWIRE technology can help you to avoid feedback in your online meeting on Zoom or Skype. By using the DirectWIRE virtual channels, it is possible to separate the signal that is being played out on the monitors from the streamed signal. Unwanted mixing and feedback can be eliminated completely. The ASIO driver and the DirectWIRE feature can be used with any modern Windows PC. Users of a Mac benefit from the plug \u0026amp; play experience and mobile users of an iPad or iPhone have even access to the powerful Cubasis LE App. Included accessories cosMik uCast does not only come with the cables needed to connect it to any USB 2.0 \/ 3.0 or USB.C (3.1) port of a modern PC or Mac, it also includes a tripod table stand and a microphone holder clip which helps to mount it to a common microphone stand. Features condenser studio microphone with USB-C audio interface\ncardioid polar pattern\nspecial 1\" diaphragm size\nfrequency response: 30Hz - 18kHz\nmax. SPL: 130 dB\ndynamic range: 89 dB (ADC), 93dB (DAC)\nsignal-to-noise ratio: 89 dB (ADC), 93dB (DAC)\ngain and mute controls\n1\/8\" \/ 3.5mm headphone output with volume control\ndimensions aprox. 176mm x 50mm\nweight: around 250g\ntripod table stand and microphone holder clip included\nUSB bus powered\nboth USB-C and USB 2.0 cables included (each ca. 2m)\n100% class compliant\ncompatible with PC systems using Windows 7 \/ 8.1 \/ 10 \/ 11 and many Linux distributions\ncompatible with Mac systems using OS X \/ macOS, native CoreAudio support (32-bit and 64-bit)\ncompatible with iPhone and iPad (connection adapter required)\nEWDM driver for Windows 7 \/ 8 \/ 8.1 \/ 10 \/ 11 with ASIO 2.0, MME, WDM and DirectSound (32-bit and 64-bit)\nDirectWIRE support under Windows with virtual audio channels for internal loopback recording\nrealtime input monitoring can be controlled via the Windows or Mac control panel application\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Black\/Orange\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 10 x 8 x 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 2 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBrand\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eESI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ecosMik uCast\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMicrophone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is the ESI cosMik uCast USB Condenser Microphone Used For?\u003c\/h2\u003e\u003cp\u003eESI cosMik uCast USB Condenser Microphone is intended for voice, instrument, podcast, streaming, or content recording. It is identified as ESI model cosMik uCast, which should be used when confirming the exact product or matching it to an existing setup.\u003c\/p\u003e\u003ch2\u003eWho Is the ESI cosMik uCast USB Condenser Microphone For?\u003c\/h2\u003e\u003cp\u003eIt is designed for vocalists, musicians, podcasters, streamers, and content creators. Review the documented features and specifications to make sure they match the room, instrument, computer, or performance workflow.\u003c\/p\u003e\u003ch2\u003eWhat Comes in the Box?\u003c\/h2\u003e\u003cp\u003eOnly the product and components specifically stated in the listing are included. Instruments, stands, cables, computers, or other equipment shown for context are not included unless stated.\u003c\/p\u003e\u003ch2\u003eWhat Should I Confirm Before Ordering?\u003c\/h2\u003e\u003cp\u003eConfirm model cosMik uCast, the listed connections, physical dimensions, included components, and compatibility with the rest of the setup. Call 844-687-4208 if one part of the system is uncertain.\u003c\/p\u003e\u003ch2\u003eWhy ESI?\u003c\/h2\u003e\u003cp\u003eESI develops audio and MIDI tools for recording, monitoring, production, and performance. Its range includes interfaces, monitors, controllers, microphones, and studio accessories.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine ESI product?\u003c\/h3\u003e\u003cp\u003eYes. Victory Musical Instruments supplies genuine ESI products, new and in the original packaging.\u003c\/p\u003e\u003ch3\u003eWhat is model cosMik uCast used for?\u003c\/h3\u003e\u003cp\u003eESI cosMik uCast USB Condenser Microphone is a microphone designed for voice, instrument, podcast, streaming, or content recording.\u003c\/p\u003e\u003ch3\u003eHow do I confirm compatibility?\u003c\/h3\u003e\u003cp\u003eUse model cosMik uCast and the listed specifications, connections, dimensions, and included items to confirm the match. Call 844-687-4208 if any part of the setup is uncertain.\u003c\/p\u003e\u003ch3\u003eDoes it include a manufacturer warranty?\u003c\/h3\u003e\u003cp\u003eIt carries the ESI manufacturer warranty. Call 844-687-4208 with any coverage question.\u003c\/p\u003e\u003ch3\u003eDoes the listing include everything shown in a complete setup?\u003c\/h3\u003e\u003cp\u003eOnly the product and components specifically stated in the listing are included. Instruments, stands, cables, computers, or other equipment shown for context are not included unless stated.\u003c\/p\u003e","brand":"ESI","offers":[{"title":"Default Title","offer_id":44084188086323,"sku":"cosMik uCast","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/cosMik_uCast-Angle-2.jpg?v=1785088244"},{"product_id":"ik-multimedia-ip-irig-mic-in","title":"IK Multimedia iRig Mic Handheld Condenser Microphone for Phones and Tablets","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Mic\u003c\/strong\u003e is a \u003cstrong\u003ehandheld electret condenser microphone\u003c\/strong\u003e with a unidirectional cardioid pattern, 100 Hz to 15 kHz response at -3 dB and a three position sensitivity switch giving maximum sound pressure levels of 75 dB, 90 dB and 120 dB. It connects through the device headset jack and ships with a storage bag, a mic clamp and a 5\/8 in. to 3\/8 in. thread adapter.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne microphone that handles a quiet voice or a loud amplifier, switched on the body.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe three position sensitivity switch is what separates iRig Mic from a simple plug-in microphone. Low handles up to 120 dB SPL, which covers a guitar cabinet or a drum kit. Mid handles 90 dB for close vocals and instruments. High handles 75 dB for distant and quiet sources. Setting it correctly on the body means the signal arrives at a sensible level rather than clipped or buried.\u003c\/p\u003e\u003cp\u003eThe capsule is a cardioid electret condenser responding from 100 Hz to 15 kHz at -3 dB, with a built-in windscreen. Distortion is specified at 3 percent THD at 120 dB and 1 kHz. The body measures 225 x 45 x 45 mm and weighs 300 g.\u003c\/p\u003e\u003cp\u003eIt connects through the headset jack, so it works with iOS, most CTIA and AHJ compliant Android devices, and most Mac computers with no interface and no batteries. A zippered storage bag, a mic clamp and a 5\/8 in. to 3\/8 in. thread adapter are included, so it mounts on a standard stand.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHandheld electret condenser microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnidirectional cardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 Hz to 15 kHz at -3 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 dB low setting, 90 dB mid setting, 75 dB high setting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 percent THD at 120 dB and 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWindscreen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuilt in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMic clamp and 5\/8 in. to 3\/8 in. thread adapter included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize and weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e225 x 45 x 45 mm, 8.85 x 1.77 x 1.77 in., 300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Does the Sensitivity Switch Do?\u003c\/h2\u003e\u003cp\u003eIt sets how loud a source the microphone can handle before distorting. Low takes up to 120 dB SPL for amplifiers and drums, mid takes 90 dB for close vocals and acoustic instruments, high takes 75 dB for quiet and distant sources. Choosing the right setting is what keeps the recording clean.\u003c\/p\u003e\u003ch2\u003eWho Is iRig Mic For?\u003c\/h2\u003e\u003cp\u003eMobile recording of live music, rehearsals, interviews and vocals where the source level varies. The stand adapter also makes it practical as a fixed microphone rather than only a handheld.\u003c\/p\u003e\u003ch2\u003eWhat Comes in the Box?\u003c\/h2\u003e\u003cp\u003eThe iRig Mic microphone, a zippered protective storage bag, a mic clamp and a 5\/8 in. to 3\/8 in. thread adapter.\u003c\/p\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eDoes it need batteries?\u003c\/h3\u003e\u003cp\u003eNo. It draws power from the connected device through the headset jack.\u003c\/p\u003e\u003ch3\u003eHow does it compare to iRig Mic HD 2?\u003c\/h3\u003e\u003cp\u003eiRig Mic HD 2 is a digital USB microphone with its own 24-bit converter, a wider 20 Hz to 20 kHz response and onboard gain and headphone controls. iRig Mic is the analog headset jack version with a three position sensitivity switch.\u003c\/p\u003e\u003ch3\u003eCan I mount it on a stand?\u003c\/h3\u003e\u003cp\u003eYes. A mic clamp and a 5\/8 in. to 3\/8 in. thread adapter are included, so it fits standard microphone stands.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909720627,"sku":"IP-IRIG-MIC-IN","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/iRigMic_front_comp_402x_05555626-2e2f-4ad1-843f-9d9d5b999015.jpg?v=1772680778"},{"product_id":"ik-multimedia-ip-irig-miclav-in","title":"IK Multimedia iRig Mic Lav Lavalier Microphone for Phones and Tablets","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Mic Lav\u003c\/strong\u003e is an \u003cstrong\u003eomnidirectional electret condenser lavalier microphone\u003c\/strong\u003e with a 6 mm capsule, 30 Hz to 16 kHz response at -3 dB, 120 dB maximum SPL and sensitivity of -35 dB at 1 kHz. It terminates in a 1\/8 in. TRRS connector on a 150 cm cable and weighs 22 g.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA broadcast lavalier that fits a coat pocket.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eDistance is what ruins recorded speech. Doubling the distance between mouth and microphone roughly quarters the direct-to-reverberant ratio, so a camera microphone across a room picks up more of the room than the person. A lavalier fixes it by sitting on the lapel, six inches from the source, regardless of where the camera is.\u003c\/p\u003e\u003cp\u003eThe capsule is omnidirectional, which is standard for lavaliers because it stays consistent when the wearer turns their head. Response runs 30 Hz to 16 kHz at -3 dB with 120 dB of headroom, so it is not going to be overloaded by a raised voice.\u003c\/p\u003e\u003cp\u003eThe 1\/8 in. TRRS connector wired to the CTIA and AHJ standard means it plugs straight into a phone or tablet. The 150 cm cable is long enough to reach from a lapel to a device in a pocket or on a tripod. A foam windshield, a mounting clip and a carrying case are included.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOmnidirectional electret condenser lavalier microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30 Hz to 16 kHz at -3 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-35 plus or minus 3 dB at 1 kHz, 0 dB equals 1 V per Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 mm, 0.24 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable length and weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 cm, 59.1 in., 22 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Use a Lavalier Instead of the Camera Microphone?\u003c\/h2\u003e\u003cp\u003eProximity. A lavalier sits inches from the mouth, so the voice dominates the room. A camera microphone sits wherever the camera is, so the room dominates the voice. No amount of processing recovers a recording made from too far away.\u003c\/p\u003e\u003ch2\u003eWho Is iRig Mic Lav For?\u003c\/h2\u003e\u003cp\u003eVideo creators, interviewers, presenters and anyone recording speech on a phone or tablet. It is the single cheapest improvement most people can make to their video audio.\u003c\/p\u003e\u003ch2\u003eWhat Comes in the Box?\u003c\/h2\u003e\u003cp\u003eThe iRig Mic Lav microphone, a removable foam windshield, a removable mounting clip and a carrying case.\u003c\/p\u003e\u003ch2\u003eDoes It Work With a DSLR or Recorder?\u003c\/h2\u003e\u003cp\u003eThe connector is 1\/8 in. TRRS wired for phones and tablets. Cameras and recorders normally expect TRS, so a TRRS to TRS adapter is required. Call 844-687-4208 if you want us to confirm the right adapter for your camera.\u003c\/p\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eDoes it need batteries?\u003c\/h3\u003e\u003cp\u003eNo. It draws power from the connected device.\u003c\/p\u003e\u003ch3\u003eCan I use two at once for an interview?\u003c\/h3\u003e\u003cp\u003eNot from one jack. The two pack version is the way to record two people, either into two devices or through a mixer or adapter that combines them.\u003c\/p\u003e\u003ch3\u003eIs the cable long enough for a seated interview?\u003c\/h3\u003e\u003cp\u003eThe cable is 150 cm, which reaches from a lapel to a device in a pocket, on a lap or on a low table. For longer runs you will need an extension.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909753395,"sku":"IP-IRIG-MICLAV-IN","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/irigmiclav_monitoring_402x_441264fc-5a27-43b1-a35a-5d5097298aea.jpg?v=1772680785"},{"product_id":"ik-multimedia-ip-irig-miclav2p-in","title":"IK Multimedia iRig Mic Lav 2 Pack Lavalier Microphones for Phones and Tablets","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Mic Lav 2 Pack\u003c\/strong\u003e is a \u003cstrong\u003epair of omnidirectional electret condenser lavalier microphones\u003c\/strong\u003e for two-person recording, each with a 6 mm capsule, 30 Hz to 16 kHz response at -3 dB, 120 dB maximum SPL and a 1\/8 in. TRRS connector on a 150 cm cable. Each microphone weighs 22 g.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo lapels covered, so an interview does not have to share one microphone.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eRecording two people on one lavalier means somebody is off axis and quiet, and the fix in post is always worse than doing it right. Two microphones means both voices are recorded at proper level with the same character, which makes editing straightforward.\u003c\/p\u003e\u003cp\u003eEach microphone is identical to the single version: an omnidirectional electret condenser with a 6 mm capsule, 30 Hz to 16 kHz response at -3 dB, 120 dB of headroom and sensitivity of -35 dB at 1 kHz. Omnidirectional keeps the level consistent as the wearer moves their head, which matters more in conversation than in scripted presenting.\u003c\/p\u003e\u003cp\u003eBoth terminate in 1\/8 in. TRRS on 150 cm cables, so each can go into its own phone or tablet, or both can feed a mixer or adapter. Foam windshields, mounting clips and a carrying case are included.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2x omnidirectional electret condenser lavalier microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOmnidirectional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30 Hz to 16 kHz at -3 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-35 plus or minus 3 dB at 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 mm, 0.24 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRRS on each microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable length and weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 cm each, 22 g each\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Do I Record Two Microphones at Once?\u003c\/h2\u003e\u003cp\u003eThe simplest route is one microphone per device, recording two files and syncing them in the edit. Alternatively both feed a small mixer or a TRRS combiner into one device. Call 844-687-4208 if you want help specifying the adapter for your setup.\u003c\/p\u003e\u003ch2\u003eWho Is the 2 Pack For?\u003c\/h2\u003e\u003cp\u003eInterviewers, two-host podcasts recorded on camera, presenter and guest formats, and anyone who films conversations rather than monologues.\u003c\/p\u003e\u003ch2\u003eWhat Comes in the Box?\u003c\/h2\u003e\u003cp\u003eTwo iRig Mic Lav microphones, removable foam windshields, removable mounting clips and a carrying case.\u003c\/p\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eAre the microphones identical to the single version?\u003c\/h3\u003e\u003cp\u003eYes. Same capsule, same response, same connector. The 2 pack simply supplies two of them.\u003c\/p\u003e\u003ch3\u003eCan both plug into one phone?\u003c\/h3\u003e\u003cp\u003eNot directly. A phone has one headset jack, so you need a mixer or a combiner, or record to two devices and sync in the edit.\u003c\/p\u003e\u003ch3\u003eDo they need batteries?\u003c\/h3\u003e\u003cp\u003eNo. Each draws power from the device it is connected to.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909786163,"sku":"IP-IRIG-MICLAV2P-IN","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/IP-IRIG-MICLAV2P-IN_0.jpg?v=1772680791"},{"product_id":"ik-multimedia-ip-irig-michd2-in","title":"IK Multimedia iRig Mic HD 2 Handheld USB Condenser Microphone for iPhone, iPad and Mac","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Mic HD 2\u003c\/strong\u003e is a \u003cstrong\u003ehandheld USB condenser microphone\u003c\/strong\u003e with a 0.55 in. cardioid capsule and a built-in low-noise preamp and converter, running 24-bit conversion at sample rates to 96 kHz. Frequency response is 20 Hz to 20 kHz at -3 dB with 125 dB maximum SPL and sensitivity adjustable across a 40 dB range, plus a 1\/8 in. headphone output for direct monitoring.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA digital microphone that skips the interface and still records at 96 kHz.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eiRig Mic HD 2 puts the preamp and the converter inside the microphone. That means no separate interface, no headset jack in the chain, and 24-bit conversion at up to 96 kHz happening at the capsule rather than after a cable run. The full 20 Hz to 20 kHz response is where it separates from the analog iRig Mic, which stops at 100 Hz and 15 kHz.\u003c\/p\u003e\u003cp\u003eThe 0.55 in. cardioid capsule handles up to 125 dB SPL with sensitivity of -40 dB at 10 mV per Pa, adjustable across a 40 dB range from the low profile gain control on the body. A multicolor LED shows status and level, and there is a separate headphone volume control alongside the 1\/8 in. TRS monitoring output.\u003c\/p\u003e\u003cp\u003eCables for Lightning, USB-A and USB-C are all included, connecting to the microphone on standard micro-USB. It also ships with a protective bag, a mic clamp, a 5\/8 in. to 3\/8 in. thread adapter and a table top stand, so it works handheld, on a stand or on a desk out of the box. The body measures 188 x 49 mm.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHandheld USB condenser microphone with built-in preamp and converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.55 in. electret condenser, cardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit A\/D and D\/A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSample rates\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e44.1, 48, 88.2 and 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz at -3 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e125 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-40 dB, 10 mV per Pa, adjustable over a 40 dB range\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e188 x 49 mm, 7.4 x 1.93 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Choose a Digital Microphone Over an Analog One?\u003c\/h2\u003e\u003cp\u003eThe conversion happens at the capsule, before anything can degrade the signal. There is no headset jack, no separate preamp and no analog cable run between the microphone and the converter. That is why iRig Mic HD 2 reaches a full 20 Hz to 20 kHz where the analog iRig Mic stops at 100 Hz and 15 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is iRig Mic HD 2 For?\u003c\/h2\u003e\u003cp\u003ePodcasters, voiceover artists, journalists and musicians recording into an iPhone, iPad or Mac who want studio quality without carrying an interface. The table top stand and mic clamp mean it works at a desk, on a stand or in the hand.\u003c\/p\u003e\u003ch2\u003eWhat Comes in the Box?\u003c\/h2\u003e\u003cp\u003eThe iRig Mic HD 2 microphone, a Lightning to micro-USB cable, a USB-A to micro-USB cable, a USB-C to micro-USB cable, a protective storage bag, a mic clamp, a 5\/8 in. to 3\/8 in. thread adapter and a table top stand.\u003c\/p\u003e\u003ch2\u003eCan I Hear Myself While Recording?\u003c\/h2\u003e\u003cp\u003eYes. There is a 1\/8 in. TRS headphone output on the microphone with its own volume control, giving direct monitoring without the latency of software monitoring.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStandard micro-USB, cables for Lightning, USB-A and USB-C included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRS with its own volume control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMetering\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMulticolor LED for status and audio level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePowered by the connected device\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eDoes it need an audio interface?\u003c\/h3\u003e\u003cp\u003eNo. The preamp and 24-bit converter are built into the microphone, so it connects directly to the device over USB.\u003c\/p\u003e\u003ch3\u003eWill it work with Windows?\u003c\/h3\u003e\u003cp\u003eIt is designed for iPhone, iPad and Mac. Call 844-687-4208 before ordering if Windows is your main platform and we will confirm current compatibility with IK.\u003c\/p\u003e\u003ch3\u003eCan I mount it on a microphone stand?\u003c\/h3\u003e\u003cp\u003eYes. A mic clamp and a 5\/8 in. to 3\/8 in. thread adapter are included, along with a table top stand.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909851699,"sku":"IP-IRIG-MICHD2-IN","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/rn-image_picker_lib_temp_8ae61684-a4cb-4a75-919b-b06b4cb23c93.jpg?v=1777313966"},{"product_id":"ik-multimedia-ip-irig-strmmicusb-in","title":"IK Multimedia iRig Stream Mic USB Condenser Microphone with Built-In Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Stream Mic USB\u003c\/strong\u003e is a \u003cstrong\u003eUSB condenser microphone with an integrated 2 in and 2 out audio interface\u003c\/strong\u003e, built around a single 0.55 in. gold-sputtered cardioid capsule responding from 20 Hz to 20 kHz with 115 dB maximum SPL and a switchable high-pass filter at 150 Hz. It connects over USB-C, adds a 1\/8 in. headphone output and a 1\/8 in. aux input, and weighs 435 g.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA desk microphone that is also the interface, with an aux input for whatever else is in the stream.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe aux input is what makes this different from a plain USB microphone. A 1\/8 in. TRS input takes a phone, a media player or a second device, and it mixes with the microphone into the stream. That removes the need for a separate mixer in a simple streaming or podcast setup.\u003c\/p\u003e\u003cp\u003eThe capsule is a single 0.55 in. gold-sputtered cardioid electret responding from 20 Hz to 20 kHz with 115 dB of headroom. A high-pass filter at 150 Hz cuts desk rumble, air handling noise and footsteps, which are the three things most likely to sit under a spoken voice.\u003c\/p\u003e\u003cp\u003eConversion runs 16-bit at 44.1 and 48 kHz over a USB-C bus powered connection, and the headphone output delivers 7 mW per channel into 32 Ohms with 90 dB dynamic range for direct monitoring. The body measures 55 x 136 x 38 mm.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUSB condenser microphone with integrated 2 in 2 out interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle 0.55 in. gold-sputtered electret condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e115 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e150 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-bit at 44.1 and 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize and weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e55 x 136 x 38 mm, 2.16 x 5.35 x 1.5 in., 435 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is the Aux Input For?\u003c\/h2\u003e\u003cp\u003eBringing a second audio source into the stream or the recording without a mixer. A phone playing music, a laptop with a call on it, a media player, all of it mixes with the microphone through the 1\/8 in. aux input.\u003c\/p\u003e\u003ch2\u003eWho Is iRig Stream Mic USB For?\u003c\/h2\u003e\u003cp\u003eStreamers, podcasters and remote workers who want one device on the desk rather than a microphone plus an interface plus a mixer. The cardioid pattern and the 150 Hz high-pass filter are aimed squarely at spoken word in an untreated room.\u003c\/p\u003e\u003ch2\u003eHow Does It Compare to iRig Stream Mic Pro?\u003c\/h2\u003e\u003cp\u003eStream Mic Pro has dual capsules with four selectable polar patterns, 24-bit conversion to 96 kHz and a selectable high-pass filter at 60, 100 or 200 Hz. Stream Mic USB has a single cardioid capsule, 16-bit conversion at 48 kHz and a fixed 150 Hz filter.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHost connection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUSB-C, bus powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphone output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRS, 7 mW per channel into 32 Ohms, 90 dB dynamic range\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAux input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eDoes it need phantom power or an interface?\u003c\/h3\u003e\u003cp\u003eNo. The interface is built in and the microphone is USB bus powered.\u003c\/p\u003e\u003ch3\u003eCan I monitor with headphones?\u003c\/h3\u003e\u003cp\u003eYes. A 1\/8 in. headphone output delivers 7 mW per channel into 32 Ohms with 90 dB dynamic range.\u003c\/p\u003e\u003ch3\u003eWhat sample rate does it record at?\u003c\/h3\u003e\u003cp\u003e16-bit at 44.1 or 48 kHz. If you need 24-bit and 96 kHz, look at iRig Stream Mic Pro or iRig Mic HD 2.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909884467,"sku":"IP-IRIG-STRMMICUSB-IN","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/IP-IRIG-STRMMICUSB-IN.jpg?v=1774371333"},{"product_id":"ik-multimedia-ip-irig-strmmicpro-in","title":"IK Multimedia iRig Stream Mic Pro Multi-Pattern Condenser Microphone with Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eIK Multimedia iRig Stream Mic Pro\u003c\/strong\u003e is a \u003cstrong\u003edual-capsule multi-pattern condenser microphone with an integrated audio interface\u003c\/strong\u003e running 2 in and 2 out or 4 in and 2 out. Two 0.55 in. gold-sputtered capsules give cardioid, omnidirectional, figure-8 and stereo patterns, responding from 20 Hz to 20 kHz with 115 dB maximum SPL, a high-pass filter selectable at 60, 100 or 200 Hz, and 24-bit conversion to 96 kHz.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour polar patterns and a real interface in one desk microphone.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eDual capsules are what make the pattern switching real rather than a marketing claim. Cardioid for a single voice in an untreated room, omnidirectional for a group around a table, figure-8 for two people facing each other, and stereo for music or ambience. One microphone covers four recording situations that would otherwise need different hardware.\u003c\/p\u003e\u003cp\u003eThe high-pass filter is selectable at 60, 100 or 200 Hz, which matters because the right cut depends on the source. 60 Hz for music, 100 Hz for most speech, 200 Hz for a boomy room or a very close voice. A fixed filter forces a compromise that a three position filter does not.\u003c\/p\u003e\u003cp\u003eConversion is 24-bit at up to 96 kHz, and the interface runs 2 in and 2 out or 4 in and 2 out. The headphone output delivers 7 mW per channel into 32 Ohms for direct monitoring. The body measures 55 x 136 x 38 mm and weighs 430 g. With an external IK PSU 5300 it charges a connected iOS Lightning device.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual-capsule multi-pattern condenser microphone with audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInterface type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 in 2 out or 4 in 2 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsules\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual 0.55 in. gold-sputtered electret condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCardioid, omnidirectional, figure-8, stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e115 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable at 60, 100 or 200 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit at 44.1, 48, 88.2 and 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Polar Pattern Should I Use?\u003c\/h2\u003e\u003cp\u003eCardioid for one person, since it rejects the room behind the microphone. Omnidirectional for several people around a table. Figure-8 for two people facing each other across the microphone, since it picks up front and back and rejects the sides. Stereo for music, room ambience and anything where a sense of space matters.\u003c\/p\u003e\u003ch2\u003eWho Is iRig Stream Mic Pro For?\u003c\/h2\u003e\u003cp\u003ePodcasters recording alone and in groups, streamers, musicians capturing acoustic sources, and anyone who needs one microphone to handle several formats. The 24-bit and 96 kHz conversion also makes it viable for music rather than only speech.\u003c\/p\u003e\u003ch2\u003eHow Does It Compare to iRig Stream Mic USB?\u003c\/h2\u003e\u003cp\u003eStream Mic Pro adds a second capsule and four selectable patterns, moves to 24-bit conversion at up to 96 kHz, offers a three position high-pass filter, and supports four input routing. Stream Mic USB is single capsule cardioid at 16-bit and 48 kHz with a fixed 150 Hz filter.\u003c\/p\u003e\u003ch2\u003eCan I Use It With a Phone or Tablet?\u003c\/h2\u003e\u003cp\u003eYes. The mini-DIN device connection supports iOS and Mac or PC hosts. With an external IK PSU 5300 it also charges a connected iOS Lightning device during long sessions.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDevice connection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMini-DIN\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphone output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/8 in. TRS, 7 mW per channel into 32 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUSB bus powered, or external IK PSU 5300 which also charges connected Lightning devices\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy IK Multimedia?\u003c\/h2\u003e\u003cp\u003eIK Multimedia has been building music production hardware and software in Modena, Italy since 1996, with US operations in Sunrise, Florida. The company is behind AmpliTube, T-RackS, TONEX, the ARC room correction platform and the iLoud monitor range, and it designs its own DSP, converters and analog front ends rather than assembling reference designs.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine IK Multimedia product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full IK Multimedia manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 with the current term for your region.\u003c\/p\u003e\u003ch3\u003eDoes it need an audio interface?\u003c\/h3\u003e\u003cp\u003eNo. The interface is built in, running 2 in and 2 out or 4 in and 2 out.\u003c\/p\u003e\u003ch3\u003eCan it record in stereo?\u003c\/h3\u003e\u003cp\u003eYes. Stereo is one of the four selectable patterns, using both capsules.\u003c\/p\u003e\u003ch3\u003eIs it bus powered?\u003c\/h3\u003e\u003cp\u003eYes. It runs from USB bus power. An external IK PSU 5300 is optional and adds charging for a connected iOS Lightning device.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"IK Multimedia","offers":[{"title":"Default Title","offer_id":44090909950003,"sku":"IP-IRIG-STRMMICPRO-IN","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/19-01-20231674133442ip-irig-strmmicpro-in.jpg?v=1772680808"},{"product_id":"sc-1-condenser-microphone-with-hemisphere-modeling","title":"Universal Audio SC-1 Standard Condenser Microphone with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SC-1\u003c\/strong\u003e is a \u003cstrong\u003elarge-diaphragm condenser microphone\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models cover a range of classic studio condensers, including a 1950s tube microphone known for top-end sparkle on breathy vocals, the 47-style workhorse used on countless records, a 67-style model built from a custom unit using new-old-stock parts, a mid-1970s solid-state design that defined 1980s pop vocals, and a modern cardioid condenser with a presence peak in the 8 to 12 kHz range.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard condenser microphone that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge-diaphragm condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClassic tube and solid-state studio condensers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAdjustable after recording\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePolar pattern and proximity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SC-1 Model?\u003c\/h2\u003e\u003cp\u003eClassic studio condensers. The models include a 1950s tube microphone known for top-end sparkle, the 47-style workhorse, a 67-style model based on a custom unit built with new-old-stock parts, a mid-1970s solid-state design associated with 1980s pop vocals, and a modern cardioid condenser with a presence peak between 8 and 12 kHz. Universal Audio updates the library, so call 844-687-4208 for the current list.\u003c\/p\u003e\u003ch2\u003eWho Is the SC-1 For?\u003c\/h2\u003e\u003cp\u003eHome and project studios recording vocals who want access to several classic condenser characters without buying several microphones. It is also common as a second microphone in rooms that already own one good condenser and want different options on a given source.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392454707,"sku":"MIC-UASC-1","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sc-1_gallery_1_bf45615f-0cb1-44e3-bd13-6577a3f9d213.png?v=1774033060"},{"product_id":"sd-1-dynamic-microphone-with-hemisphere-modeling","title":"Universal Audio SD-1 Standard Dynamic Microphone with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SD-1\u003c\/strong\u003e is a \u003cstrong\u003ecardioid dynamic microphone\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models cover broadcast and stage standards, including the ubiquitous cardioid dynamic heard on records from Michael Jackson to Metallica, an industry-standard broadcast microphone with a presence boost and high frequency dip that minimizes sibilance, a classic ribbon used by Bing Crosby, Ray Charles and Johnny Cash, an all-purpose dynamic known as a flattering vocal microphone, and a large-diaphragm supercardioid favored by Fleetwood Mac and Tame Impala.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard dynamic microphone that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCardioid dynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBroadcast, ribbon and vocal dynamic classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVocals and broadcast in untreated rooms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SD-1 Model?\u003c\/h2\u003e\u003cp\u003eBroadcast and stage standards. The models include the ubiquitous cardioid dynamic used on high-profile records, an industry-standard broadcast microphone whose presence boost and high frequency dip reduce sibilance, a classic ribbon associated with Bing Crosby and Ray Charles, an all-purpose dynamic known as a flattering vocal microphone, and a large-diaphragm supercardioid used for balanced natural sound.\u003c\/p\u003e\u003ch2\u003eWho Is the SD-1 For?\u003c\/h2\u003e\u003cp\u003ePodcasters, broadcasters and vocalists working in untreated rooms, where a dynamic rejects more of the room than a condenser does. The modeling then gives access to the broadcast microphone characters those users actually want.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392487475,"sku":"MIC-UASD-1","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sd-1_gallery_4_1280853b-1710-46d3-9197-b2b242df4d94.png?v=1774033062"},{"product_id":"sd-3-dynamic-microphone-with-hemisphere-modeling","title":"Universal Audio SD-3 Standard Instrument Dynamic Microphone with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SD-3\u003c\/strong\u003e is a \u003cstrong\u003ecompact instrument dynamic microphone\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models are aimed at instruments, covering a modern compact instrument microphone that works on toms, guitar cabinets and snare, the 57 that is very likely the best-selling microphone ever made, a 409 particularly suited to electric guitar amps, the Unidyne III predecessor to the 57 used extensively on Pet Sounds, and a European-made 604 clip-on used on snare and toms.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard instrument dynamic microphone that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompact instrument dynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57, 409, Unidyne III and 604-style instrument mics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree-position\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eToms, snare, guitar cabinets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SD-3 Model?\u003c\/h2\u003e\u003cp\u003eInstrument dynamics. The models include a modern compact instrument microphone suited to toms, cabinets and snare, the 57, a 409 well matched to electric guitar amps, the Unidyne III predecessor to the 57 used on Pet Sounds, and a European 604 clip-on that has become a stage and studio standard on snare and toms.\u003c\/p\u003e\u003ch2\u003eWho Is the SD-3 For?\u003c\/h2\u003e\u003cp\u003eDrummers and engineers miking toms, snare and guitar cabinets. It is the instrument-focused member of the SD range, and the three-position filter allows the sound to be shaped further at the source.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392520243,"sku":"MIC-UASD-3","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sd_3_gallery_1.png?v=1774033064"},{"product_id":"sd-3-dynamic-microphone-3-pack-with-hemisphere-modeling","title":"Universal Audio SD-3 Instrument Dynamic Microphone 3-Pack with Hemisphere","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SD-3\u003c\/strong\u003e is a \u003cstrong\u003ethree-pack of SD-3 compact instrument dynamic microphones\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Each carries models of a modern compact instrument microphone, the 57, a 409 suited to electric guitar amps, the Unidyne III predecessor to the 57, and a European 604 clip-on used on snare and toms.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree SD-3 microphones, which is what a drum kit actually needs.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompact instrument dynamic, three-pack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 microphones\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57, 409, Unidyne III and 604-style instrument mics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree-position\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTom set, multi-mic drum and cabinet work\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Three SD-3 Microphones?\u003c\/h2\u003e\u003cp\u003eBecause tom miking needs more than one. A three-pack covers a standard rack and floor tom setup, or a snare top plus two toms. Each unit is a full SD-3 with the same Hemisphere modeling.\u003c\/p\u003e\u003ch2\u003eWhich Microphones Does the SD-3 Model?\u003c\/h2\u003e\u003cp\u003eInstrument dynamics: a modern compact instrument microphone for toms, cabinets and snare, the 57, a 409 suited to electric guitar amps, the Unidyne III predecessor to the 57 used on Pet Sounds, and a European 604 clip-on that has become a standard on snare and toms.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top. Because UA controls both hardware and model, the processing starts from a predictable source. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use Them?\u003c\/h2\u003e\u003cp\u003eThe microphones work on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392553011,"sku":"MIC-UASD-3X3","price":289.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sd_3_gallery_1_85e8ba55-19c0-447f-86cb-d1b0e0b1b95f.png?v=1774033066"},{"product_id":"sd-5-dynamic-microphone-with-hemisphere-modeling","title":"Universal Audio SD-5 Standard Drum Dynamic Microphone with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SD-5\u003c\/strong\u003e is a \u003cstrong\u003ekick and drum dynamic microphone\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models are built for low-frequency sources, covering a 1950s dynamic favored by producer John Leckie alongside a 421 on kick, an Austrian-made kick microphone considered an industry standard with extended low frequency capture and clear beater attack, an American kick microphone with deep bass and a heavily contoured response suited to tight metal, a current-production 52-style kick microphone, and a sub model based on the studio trick of using a reversed full-range speaker driver for extended sub capture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard drum dynamic microphone that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eKick and drum dynamic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIndustry-standard kick mics plus a reversed-driver sub model\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eKick drum, floor toms, bass cabinets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SD-5 Model?\u003c\/h2\u003e\u003cp\u003eKick and low-frequency sources. The models include a 1950s dynamic used by John Leckie alongside a 421, an Austrian industry-standard kick microphone with extended lows and clear beater attack, an American kick microphone with heavily contoured deep bass suited to metal, a current-production 52-style, and a sub model based on the reversed speaker driver trick engineers use to capture extended sub content.\u003c\/p\u003e\u003ch2\u003eWho Is the SD-5 For?\u003c\/h2\u003e\u003cp\u003eAnyone recording kick drum, floor toms or bass cabinets. The sub model in particular reproduces a technique that normally requires building a dedicated microphone from a speaker driver.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392585779,"sku":"MIC-UASD-5","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sd_5_gallery_1.png?v=1774033069"},{"product_id":"sd-7-dynamic-microphone-with-hemisphere-modeling","title":"Universal Audio SD-7 Standard Dynamic Microphone with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SD-7\u003c\/strong\u003e is a \u003cstrong\u003edynamic microphone for drums and amplifiers\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models cover a 1960s ribbon with rich mid-forward character used on Jimi Hendrix guitar amp recordings, the earliest version in the 409 line with more coloration than current production, a modern 421 that is likely the most famous tom microphone ever made, a rare early script-logo 421 with more vintage character, and the classic 441 known for balanced natural sound on vocals and snare.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard dynamic microphone that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDynamic microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e421, 441, 409 and 1960s ribbon voicings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eToms, snare, guitar amplifiers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SD-7 Model?\u003c\/h2\u003e\u003cp\u003eDrum and amplifier classics. The models include a 1960s ribbon with mid-forward character used on Hendrix guitar amp recordings, the earliest 409 with more coloration than current production, a modern 421 widely regarded as the most famous tom microphone made, a rare early script-logo 421 with more vintage character, and the 441 known for balanced natural sound on vocals and snare.\u003c\/p\u003e\u003ch2\u003eWho Is the SD-7 For?\u003c\/h2\u003e\u003cp\u003eEngineers miking toms, snare and guitar amplifiers who want the 421 and 441 characters without owning either, and anyone wanting a ribbon voicing on a loud source where a real ribbon would be at risk.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392618547,"sku":"MIC-UASD-7","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sd_7_gallery_1.png?v=1774033071"},{"product_id":"sp-1-pencil-microphone-pair-with-hemisphere-modeling","title":"Universal Audio SP-1 Standard Pencil Microphone Pair with Hemisphere Mic Modeling","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SP-1\u003c\/strong\u003e is a \u003cstrong\u003ematched pair of small-diaphragm pencil condenser microphones\u003c\/strong\u003e built around UA's Hemisphere microphone modeling. Its Hemisphere models cover a classic small-diaphragm condenser with a thin nickel diaphragm delivering clear mids and open top end, a side-address dual nickel diaphragm design using the AC701 tube, a modern cardioid condenser prized for detailed top end, a KM84-type back-to-back capsule design heard on Motown records, and a modular end-address condenser with 75 Hz and 150 Hz low-cut filters.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOne standard pencil microphone pair that becomes the classics it models.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eHemisphere is the modeling system these microphones are built around. The capsule and the analog front end are designed to be a known, measurable starting point, and the Hemisphere plug-in then applies a model of a classic microphone on top of it. Because UA controls both halves, the model starts from a predictable source rather than guessing what it is being fed.\u003c\/p\u003e\u003cp\u003eThe practical result is that one microphone covers a shelf of them. The models are of specific units rather than generic categories, and each can be adjusted for polar pattern and proximity after the fact, which is not something a physical microphone allows once the take is recorded.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSmall-diaphragm pencil condenser, matched pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eKM84, AC701 tube and modern cardioid voicings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBest for\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDrum overheads, acoustic guitar, piano, room\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Microphones Does the SP-1 Model?\u003c\/h2\u003e\u003cp\u003eSmall-diaphragm classics. The models include a nickel-diaphragm condenser with clear mids and open top end, a side-address dual-diaphragm design built around the AC701 tube, a modern cardioid known for detailed top end, a KM84-type back-to-back capsule design used on Motown recordings, and a modular end-address condenser with 75 Hz and 150 Hz low-cut filters.\u003c\/p\u003e\u003ch2\u003eWhy Buy a Matched Pair?\u003c\/h2\u003e\u003cp\u003eBecause the applications are stereo. Drum overheads, an acoustic guitar in stereo, a piano and room capture all need two microphones with matched response, or the image drifts. The SP-1 ships as a pair for that reason.\u003c\/p\u003e\u003ch2\u003eHow Does Hemisphere Modeling Work?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designs the capsule and analog front end to a known reference, then the Hemisphere plug-in applies a model of a specific classic microphone on top of that. Because UA controls both the hardware and the model, the processing starts from a predictable source rather than having to guess what microphone it is correcting. Polar pattern and proximity can also be adjusted after recording.\u003c\/p\u003e\u003ch2\u003eDo I Need a UA Interface to Use It?\u003c\/h2\u003e\u003cp\u003eThe microphone works as a microphone on any preamp. The Hemisphere modeling runs as a plug-in, and UA publishes the current host and system requirements. Call 844-687-4208 and we will confirm against your setup before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHemisphere plug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes the microphone work without the modeling?\u003c\/h3\u003e\u003cp\u003eYes. It is a functioning microphone on any preamp. Hemisphere is a plug-in layer applied on top, not a requirement for the microphone to pass signal.\u003c\/p\u003e\u003ch3\u003eCan I change the polar pattern after recording?\u003c\/h3\u003e\u003cp\u003eHemisphere allows polar pattern and proximity to be adjusted within the plug-in, which a physical microphone does not permit once a take is captured.\u003c\/p\u003e\u003ch3\u003eWhich microphones does it model?\u003c\/h3\u003e\u003cp\u003eUniversal Audio publishes the current model list and updates it over time. Call 844-687-4208 and we will confirm what ships with the current version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392651315,"sku":"MIC-UASP-1","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sp-1_gallery_1_52098f05-77b9-43cd-b060-6de10c08134b.png?v=1774033073"},{"product_id":"ua-bock-187-fet-condenser-microphone","title":"Universal Audio Bock 187 FET Condenser Microphone","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Bock 187\u003c\/strong\u003e is a \u003cstrong\u003epremium large-diaphragm cardioid FET studio condenser microphone\u003c\/strong\u003e, hand-built at UA's Custom Shop in Santa Cruz. It uses minimalist Class A FET circuitry with a large Cinemag output transformer, and carries a Fat mode boosting 10 Hz to 400 Hz, a 120 Hz low cut and a -10 dB pad. Frequency response is 20 Hz to 16 kHz within 2 dB with a maximum SPL of 125 dB at 1% THD.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA golden-unit FET condenser, built to the good example rather than the average.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe Bock microphones are UA's Custom Shop line, hand-built in Santa Cruz, California and designed by David Bock. Bock spent years repairing and measuring vintage microphones, which is where the phrase \"golden unit\" comes from: among any batch of a classic model, a few examples measure and sound noticeably better than the rest, and those are the ones that become famous.\u003c\/p\u003e\u003cp\u003eThe design goal was to build to that best example rather than to the average, and then to correct the shortcomings the originals had. That is why each Bock carries modern additions the vintage units did not: a Fat switch for low-end weight, pads, filters and in some models a high frequency contour.\u003c\/p\u003e\u003cp\u003eThese are not modeling microphones. There is no plug-in layer and no software involved. The character comes from the capsule, the tube or FET stage and the transformer, and it is present the moment the microphone is plugged into any preamp.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge-diaphragm cardioid FET condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuitry\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMinimalist Class A FET\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge Cinemag output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFat mode\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow-end boost, 10 Hz to 400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow cut\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e125 dB, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePremium wood storage case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Does the Large Cinemag Transformer Contribute?\u003c\/h2\u003e\u003cp\u003eLow-frequency headroom. A larger output transformer saturates less readily at low frequencies, which means the bass stays defined on loud, low sources rather than smearing. Universal Audio specifies it as delivering rich bass and increased low-frequency headroom, and it is part of why the 187 handles 125 dB SPL.\u003c\/p\u003e\u003ch2\u003eWho Is the Bock 187 For?\u003c\/h2\u003e\u003cp\u003eStudios wanting a hand-built FET condenser as a primary vocal microphone, and engineers who prefer FET to tube for its speed and lower noise floor. The 125 dB maximum SPL also makes it usable on loud sources where a tube microphone would be at risk.\u003c\/p\u003e\u003ch2\u003eWhat Is a Golden Unit?\u003c\/h2\u003e\u003cp\u003eAmong any batch of a classic microphone model, a small number of examples measure and sound noticeably better than the rest, and those become the sought-after ones. David Bock designed this line to that best example rather than the batch average, then added the pads, filters and Fat mode the originals lacked.\u003c\/p\u003e\u003ch2\u003eWhat Comes With It?\u003c\/h2\u003e\u003cp\u003eA premium wood storage case. Universal Audio sells the shockmount separately, and we stock the UA mic shockmounts in silver and black.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 16 kHz, plus or minus 2 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e125 dB SPL at 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuitry\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMinimalist Class A FET\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput transformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge Cinemag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFat mode\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow-end boost between 10 Hz and 400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLow cut\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower requirement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V phantom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs this a modeling microphone?\u003c\/h3\u003e\u003cp\u003eNo. The Bock line is analog throughout. There is no plug-in layer and no software, so the character is present on any preamp the moment it is plugged in.\u003c\/p\u003e\u003ch3\u003eWhere is it made?\u003c\/h3\u003e\u003cp\u003eHand-built at Universal Audio's Custom Shop in Santa Cruz, California, to designs by David Bock.\u003c\/p\u003e\u003ch3\u003eWhat does the Fat switch do?\u003c\/h3\u003e\u003cp\u003eIt boosts the low end between 10 Hz and 400 Hz, adding weight without touching an equalizer. It is one of the modern additions the vintage originals did not have.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392716851,"sku":"MIC-UA187","price":1249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/bock_187_gallery_1_8a12e9ed-00f3-437c-9443-0a4f1e9953df.png?v=1774033075"},{"product_id":"ua-bock-167-tube-condenser-microphone-w-psu","title":"Universal Audio Bock 167 Tube Condenser Microphone with PSU","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Bock 167\u003c\/strong\u003e is a \u003cstrong\u003epremium large-diaphragm multi-pattern tube condenser microphone\u003c\/strong\u003e, hand-built at UA's Custom Shop in Santa Cruz. It uses a dual-symmetrical K67 capsule, a Lundahl transformer and a new-old-stock EF732 tube, with continuously variable omnidirectional, cardioid and figure-8 patterns. Frequency range is 10 Hz to 18 kHz within 2 dB at up to 118 dB SPL.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eContinuously variable patterns and a NOS tube, built one at a time.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe Bock microphones are UA's Custom Shop line, hand-built in Santa Cruz, California and designed by David Bock. Bock spent years repairing and measuring vintage microphones, which is where the phrase \"golden unit\" comes from: among any batch of a classic model, a few examples measure and sound noticeably better than the rest, and those are the ones that become famous.\u003c\/p\u003e\u003cp\u003eThe design goal was to build to that best example rather than to the average, and then to correct the shortcomings the originals had. That is why each Bock carries modern additions the vintage units did not: a Fat switch for low-end weight, pads, filters and in some models a high frequency contour.\u003c\/p\u003e\u003cp\u003eThese are not modeling microphones. There is no plug-in layer and no software involved. The character comes from the capsule, the tube or FET stage and the transformer, and it is present the moment the microphone is plugged into any preamp.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge-diaphragm multi-pattern tube condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual-symmetrical K67\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLundahl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNew-old-stock EF732\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eContinuously variable omni, cardioid and figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFat switch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow-end boost, 10 Hz to 400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHF contour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-1.5 dB at 5 kHz, -3 dB at 10 kHz, flat, or +2 dB at 10 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded true linear PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Does Continuously Variable Pattern Mean?\u003c\/h2\u003e\u003cp\u003eRather than three fixed positions, the control sweeps between omnidirectional, cardioid and figure-8 without steps. Intermediate settings such as wide cardioid or hypercardioid are available, which matters when the room contribution needs adjusting rather than switching.\u003c\/p\u003e\u003ch2\u003eWho Is the Bock 167 For?\u003c\/h2\u003e\u003cp\u003eStudios wanting a hand-built multi-pattern tube microphone as a main vocal and room microphone. The continuously variable pattern and the four-position high frequency contour make it a microphone that can be adapted to a source rather than corrected afterward.\u003c\/p\u003e\u003ch2\u003eWhat Is the High Frequency Contour For?\u003c\/h2\u003e\u003cp\u003eFour settings: a 1.5 dB cut at 5 kHz, a 3 dB cut at 10 kHz, flat, or a 2 dB boost at 10 kHz. It shapes the top end at the capsule, before any preamp or equalizer, which handles a bright source or a dull one without adding a processing stage.\u003c\/p\u003e\u003ch2\u003eDoes It Need a Special Power Supply?\u003c\/h2\u003e\u003cp\u003eYes, and it is included. The Bock 167 ships with UA's true linear power supply, which is required for the tube circuit. It does not run on 48 V phantom power. A premium storage case is also included.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded true linear PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz to 18 kHz, plus or minus 2 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e118 dB SPL at 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eContinuously variable omnidirectional, cardioid and figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual-symmetrical K67\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLundahl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNOS EF732\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh frequency contour\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCut -1.5 dB at 5 kHz, cut -3 dB at 10 kHz, flat, boost +2 dB at 10 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFat switch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLow-end boost between 10 Hz and 400 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-10 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded UA Bock 167 PSU, true linear supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs this a modeling microphone?\u003c\/h3\u003e\u003cp\u003eNo. The Bock line is analog throughout. There is no plug-in layer and no software, so the character is present on any preamp the moment it is plugged in.\u003c\/p\u003e\u003ch3\u003eWhere is it made?\u003c\/h3\u003e\u003cp\u003eHand-built at Universal Audio's Custom Shop in Santa Cruz, California, to designs by David Bock.\u003c\/p\u003e\u003ch3\u003eWhat does the Fat switch do?\u003c\/h3\u003e\u003cp\u003eIt boosts the low end between 10 Hz and 400 Hz, adding weight without touching an equalizer. It is one of the modern additions the vintage originals did not have.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392749619,"sku":"MIC-UA167","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/bock_167_gallery_1_a0553aee-117a-4836-a35c-a086af44ad77.png?v=1774033077"},{"product_id":"ua-bock-251-tube-condenser-microphone-w-psu","title":"Universal Audio Bock 251 Tube Condenser Microphone with PSU","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Bock 251\u003c\/strong\u003e is a \u003cstrong\u003elarge-diaphragm tube studio condenser microphone\u003c\/strong\u003e, hand-built at UA's Custom Shop in Santa Cruz. It uses a German-made CK12 capsule, a Cinemag transformer and a new-old-stock ECC85 tube, with switchable omnidirectional, cardioid and figure-8 patterns. Frequency response is 10 Hz to 18 kHz within 2 dB at up to 118 dB SPL.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA CK12 capsule and a NOS ECC85, in a vintage-style suitcase.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe Bock microphones are UA's Custom Shop line, hand-built in Santa Cruz, California and designed by David Bock. Bock spent years repairing and measuring vintage microphones, which is where the phrase \"golden unit\" comes from: among any batch of a classic model, a few examples measure and sound noticeably better than the rest, and those are the ones that become famous.\u003c\/p\u003e\u003cp\u003eThe design goal was to build to that best example rather than to the average, and then to correct the shortcomings the originals had. That is why each Bock carries modern additions the vintage units did not: a Fat switch for low-end weight, pads, filters and in some models a high frequency contour.\u003c\/p\u003e\u003cp\u003eThese are not modeling microphones. There is no plug-in layer and no software involved. The character comes from the capsule, the tube or FET stage and the transformer, and it is present the moment the microphone is plugged into any preamp.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLarge-diaphragm tube studio condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGerman-made CK12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCinemag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNew-old-stock ECC85\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSwitchable omnidirectional, cardioid and figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e118 dB, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded true linear PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePremium vintage-style suitcase\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Does the CK12 Capsule Matter?\u003c\/h2\u003e\u003cp\u003eThe CK12 is the capsule design behind some of the most sought-after vintage condensers, and its particular top-end and midrange behavior is a large part of why those microphones are prized. Universal Audio uses a German-made CK12 here rather than an approximation of one.\u003c\/p\u003e\u003ch2\u003eWho Is the Bock 251 For?\u003c\/h2\u003e\u003cp\u003eStudios buying a flagship vocal microphone, where the choice is between this and a vintage original that will need servicing. It is hand-built to the best example of the design rather than to a batch average, and it ships with the power supply and a case.\u003c\/p\u003e\u003ch2\u003eHow Is It Different From the Bock 167?\u003c\/h2\u003e\u003cp\u003eCapsule, tube and pattern control. The 251 uses a German CK12 capsule with a NOS ECC85 tube and switchable patterns. The 167 uses a dual-symmetrical K67 capsule with a NOS EF732 tube, continuously variable patterns and a high frequency contour switch. They are different classic voicings rather than tiers.\u003c\/p\u003e\u003ch2\u003eDoes It Need a Special Power Supply?\u003c\/h2\u003e\u003cp\u003eYes, and it is included. The Bock 251 ships with UA's true linear power supply, required for the tube circuit. It does not run on 48 V phantom power. A premium vintage-style suitcase is also included.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded true linear PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 Hz to 18 kHz, plus or minus 2 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e118 dB SPL at 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSwitchable omnidirectional, cardioid and figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGerman-made CK12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCinemag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNOS ECC85\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncluded UA Bock 251 PSU, true linear supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs this a modeling microphone?\u003c\/h3\u003e\u003cp\u003eNo. The Bock line is analog throughout. There is no plug-in layer and no software, so the character is present on any preamp the moment it is plugged in.\u003c\/p\u003e\u003ch3\u003eWhere is it made?\u003c\/h3\u003e\u003cp\u003eHand-built at Universal Audio's Custom Shop in Santa Cruz, California, to designs by David Bock.\u003c\/p\u003e\u003ch3\u003eWhat does the Fat switch do?\u003c\/h3\u003e\u003cp\u003eIt boosts the low end between 10 Hz and 400 Hz, adding weight without touching an equalizer. It is one of the modern additions the vintage originals did not have.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392782387,"sku":"MIC-UA251","price":5999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/bock_251_gallery_1_4944978f-9f38-49af-8b9c-2a15011813a0.png?v=1774033079"},{"product_id":"ua-sphere-lx-modeling-microphone-system","title":"Universal Audio Sphere LX Modeling Microphone System","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Sphere LX\u003c\/strong\u003e is a \u003cstrong\u003emodeling condenser microphone system\u003c\/strong\u003e built on a 1 in. dual-diaphragm capsule with variable dual output, so polar pattern is chosen after recording rather than before. Frequency range is 20 Hz to 20 kHz, self-noise is 10 dBA, signal to noise is 84 dB, and maximum SPL is 145 dB at 1% THD with 135 dB of dynamic range.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePick the microphone and the polar pattern after the take, not before.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eSphere works differently from every other microphone here. The capsule is a dual-diaphragm design with a variable dual output, meaning the front and rear of the capsule are captured as two separate signals rather than combined inside the microphone. Both go to the software.\u003c\/p\u003e\u003cp\u003eBecause both halves are recorded, polar pattern is a decision made afterward rather than a switch set before the take. Cardioid, omni, figure-8 and everything between can be changed during mixing, and the microphone's off-axis behavior can be modeled rather than fixed by physics.\u003c\/p\u003e\u003cp\u003eThat two-signal design is why the connector is a 5-pin XLR rather than the usual 3-pin, and why a dedicated cable is used. It is also what allows Sphere to model specific classic microphones convincingly, since the software has the full spatial picture rather than one summed output.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModeling condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 in. dual diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable dual output, selectable after recording\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal to noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e84 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e145 dB, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e135 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Can I Change the Polar Pattern After Recording?\u003c\/h2\u003e\u003cp\u003eBecause both halves of the capsule are recorded separately rather than being summed inside the microphone. The software has the front and rear signals independently, so cardioid, omni, figure-8 and intermediate patterns are all derivable from the same take, along with the microphone's off-axis behavior.\u003c\/p\u003e\u003ch2\u003eWho Is the Sphere LX For?\u003c\/h2\u003e\u003cp\u003eHome and project studios recording vocals where committing to a microphone choice during tracking is risky, and anyone who wants access to a range of classic microphone characters without buying them. The 145 dB maximum SPL also makes it usable on loud sources.\u003c\/p\u003e\u003ch2\u003eWhy Does It Use a 5-Pin Connector?\u003c\/h2\u003e\u003cp\u003eBecause it carries two signals rather than one. A standard 3-pin XLR handles a single balanced output; Sphere sends the front and rear capsule signals separately, which requires the extra pins and a dedicated cable.\u003c\/p\u003e\u003ch2\u003eHow Is the LX Different From the DLX?\u003c\/h2\u003e\u003cp\u003eSensitivity and headroom. The LX is -39 dB sensitivity with 145 dB maximum SPL and 135 dB dynamic range. The DLX is -33 dB with 140 dB maximum SPL with the pad and 133 dB dynamic range. Call 844-687-4208 and we will talk through which suits your sources.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-pin XLRM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater than 1 kilohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModeling condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable dual output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-39 dB, 11 mV, ref 1 V at 1 Pa, 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater than 1 kilohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal to noise ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e84 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e145 dB SPL at 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e135 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 in. diameter dual diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDo I need a special cable?\u003c\/h3\u003e\u003cp\u003eYes. Sphere uses a 5-pin XLR because it carries two capsule signals rather than one. Replacement cables are available in 10 ft and 25 ft lengths.\u003c\/p\u003e\u003ch3\u003eCan I really change the microphone model after recording?\u003c\/h3\u003e\u003cp\u003eYes. Both capsule halves are recorded separately, so the model and the polar pattern are software decisions made during mixing rather than fixed at the source.\u003c\/p\u003e\u003ch3\u003eHow is it different from the Sphere DLX?\u003c\/h3\u003e\u003cp\u003eSensitivity and headroom differ. The LX is -39 dB with 145 dB maximum SPL and 135 dB dynamic range; the DLX is -33 dB with 140 dB maximum SPL with pad.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392815155,"sku":"MIC-UALX","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sphere_lx_gallery_1_fcca3e69-7f0b-4c2d-b37a-b9f6e0ddb587.png?v=1774033082"},{"product_id":"ua-sphere-dlx-modeling-microphone-system","title":"Universal Audio Sphere DLX Modeling Microphone System","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Sphere DLX\u003c\/strong\u003e is a \u003cstrong\u003emodeling condenser microphone system\u003c\/strong\u003e built on a 1 in. dual-diaphragm capsule with variable dual output, so the microphone model and the polar pattern are chosen after recording. Frequency range is 20 Hz to 20 kHz, sensitivity is -33 dB, maximum SPL is 140 dB at 1% THD with the pad, and dynamic range is 133 dB.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe full Sphere system, at higher sensitivity.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eSphere works differently from every other microphone here. The capsule is a dual-diaphragm design with a variable dual output, meaning the front and rear of the capsule are captured as two separate signals rather than combined inside the microphone. Both go to the software.\u003c\/p\u003e\u003cp\u003eBecause both halves are recorded, polar pattern is a decision made afterward rather than a switch set before the take. Cardioid, omni, figure-8 and everything between can be changed during mixing, and the microphone's off-axis behavior can be modeled rather than fixed by physics.\u003c\/p\u003e\u003cp\u003eThat two-signal design is why the connector is a 5-pin XLR rather than the usual 3-pin, and why a dedicated cable is used. It is also what allows Sphere to model specific classic microphones convincingly, since the software has the full spatial picture rather than one summed output.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModeling condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 in. dual diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable dual output, selectable after recording\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-33 dB, 22 mV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e140 dB with pad, 1% THD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e133 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-pin XLRM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V DC, 5 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Can I Change the Polar Pattern After Recording?\u003c\/h2\u003e\u003cp\u003eBoth halves of the capsule are recorded separately rather than being summed inside the microphone, so the software holds the front and rear signals independently. Cardioid, omni, figure-8 and intermediate patterns are all derivable from the same take, along with modeled off-axis behavior.\u003c\/p\u003e\u003ch2\u003eWho Is the Sphere DLX For?\u003c\/h2\u003e\u003cp\u003eStudios that want the Sphere system as a primary vocal microphone, and engineers who would rather make the microphone decision at mix time than commit during tracking. Its higher sensitivity suits quieter sources than the LX.\u003c\/p\u003e\u003ch2\u003eHow Is the DLX Different From the LX?\u003c\/h2\u003e\u003cp\u003eSensitivity and headroom. The DLX is -33 dB sensitivity, 22 mV, with 140 dB maximum SPL using the pad and 133 dB dynamic range. The LX is -39 dB, 11 mV, with 145 dB maximum SPL and 135 dB dynamic range and a specified 10 dBA self-noise. The DLX is more sensitive; the LX takes more level.\u003c\/p\u003e\u003ch2\u003eWhat Power Does It Need?\u003c\/h2\u003e\u003cp\u003e48 V DC phantom power at 5 mA typical, over the 5-pin XLR connection. The 5-pin connector is required because the microphone carries two capsule signals rather than one.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-pin XLRM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater than 1 kilohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V DC, 5 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModeling condenser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVariable dual output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-33 dB, 22 mV, ref 1 V at 1 Pa, 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRecommended load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater than 1 kilohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e140 dB SPL at 1% THD with pad\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e133 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 in. diameter dual diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhantom power requirement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V DC, 5 mA typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-pin XLRM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDo I need a special cable?\u003c\/h3\u003e\u003cp\u003eYes. The 5-pin XLR carries two capsule signals rather than one. Replacement cables are available in 10 ft and 25 ft lengths.\u003c\/p\u003e\u003ch3\u003eHow is it different from the Sphere LX?\u003c\/h3\u003e\u003cp\u003eThe DLX is more sensitive at -33 dB against -39 dB. The LX takes more level, at 145 dB maximum SPL against 140 dB with pad on the DLX.\u003c\/p\u003e\u003ch3\u003eDoes it need phantom power?\u003c\/h3\u003e\u003cp\u003eYes, 48 V DC at 5 mA typical, supplied over the 5-pin connection.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392847923,"sku":"MIC-UADLX","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/sphere_dlx_gallery_1_07f8379d-77bd-4392-856a-b33178104f23.png?v=1774033084"},{"product_id":"streampath-sp33cm-recording-condenser-microphone","title":"StreamPath SP33CM Recording Condenser Microphone","description":"\u003cp\u003eThe StreamPath SP33CM is a compact condenser microphone designed for accurate and consistent capture of vocals and instruments. Built with a 14 mm capsule and a cardioid pickup pattern, it delivers a focused sound with controlled background noise, making it suitable for studio recording, streaming, and content production.\u003c\/p\u003e\n\u003cp\u003eThis microphone is well suited for vocals, acoustic instruments, and wind instruments, offering a balanced frequency response with enough detail for recording while remaining easy to work with in live or home studio environments.\u003c\/p\u003e\n\u003cp\u003eWith a solid metal construction and standard XLR connection, the SP33CM integrates easily with professional audio interfaces and mixers. It requires 48V phantom power for operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Points\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCardioid condenser microphone for focused sound capture\u003c\/li\u003e\n\u003cli\u003e14 mm capsule for clear and detailed response\u003c\/li\u003e\n\u003cli\u003eWorks well for vocals, acoustic instruments, and wind instruments\u003c\/li\u003e\n\u003cli\u003eHandles high sound pressure levels up to 134 dB\u003c\/li\u003e\n\u003cli\u003eLow self-noise at 16 dB-A for clean recordings\u003c\/li\u003e\n\u003cli\u003eStandard XLR connection for studio and live setups\u003c\/li\u003e\n\u003cli\u003eDurable metal body for long-term use\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"StreamPath","offers":[{"title":"Default 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Includes PS95, PN1-CL magnetic clamp, PNX1 piano microphone with 5.5\" Stay Flex gooseneck, leather carrying bag, and 3-4pin mini XLR cable.\u003c\/p\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44234288594995,"sku":"PNX1","price":479.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/rn-image_picker_lib_temp_3838586f-9ce7-4b22-a6a8-a23b89374e09.jpg?v=1777513998"},{"product_id":"evno-pnx2","title":"Evno PNX2 Stereo Piano Microphone System (Wired)","description":"\u003cp\u003eMatched pair stereo piano microphone system. 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OBSBOT Vox , a dual wireless microphone system with two transmitters, a USB-C receiver, and a 2.4 GHz transmission link. It is intended for buyers who want a genuine, compatible OBSBOT solution without assembling the core parts separately.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCapture two speakers wirelessly through one compact receiver.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003ch2\u003eOverview\u003c\/h2\u003e\u003cp\u003eOBSBOT Vox , a dual wireless microphone system with two transmitters, a USB-C receiver, and a 2.4 GHz transmission link. Built for content creators, interviewers, and presenters who need plug-and-play wireless audio. Key features Two wireless transmitters for two-person capture USB-C receiver , plug into your camera, phone, tablet, or computer 2.4 GHz wireless with low-latency transmission Plug-and-play , no app required for basic operation\u003c\/p\u003e\u003cp\u003eThe practical decision is compatibility. Match the product to the exact OBSBOT camera, computer, switcher, network, or mounting requirement in the full system.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWireless Microphone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOBSBOT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePart Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOBSBOT-OWB-2502-CM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Family\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is the OBSBOT Vox , Dual Wireless Microphone System Used For?\u003c\/h2\u003e\u003cp\u003eOBSBOT Vox , a dual wireless microphone system with two transmitters, a USB-C receiver, and a 2.4 GHz transmission link. It is best suited to two-person interviews, presentations, and mobile content production.\u003c\/p\u003e\u003ch2\u003eWhat Should I Check Before Buying the OBSBOT Vox , Dual Wireless Microphone System?\u003c\/h2\u003e\u003cp\u003eConfirm the exact camera model, connector, mounting point, or production standard required by the system. A correct model match matters more than choosing an accessory that only looks similar.\u003c\/p\u003e\u003ch2\u003eWill the OBSBOT Vox , Dual Wireless Microphone System Work With My Setup?\u003c\/h2\u003e\u003cp\u003eCompatibility depends on the computer, switcher, network, software, and connection standard in the complete system. Review the listed connections and call 844-687-4208 before ordering if one link in the workflow is uncertain.\u003c\/p\u003e\u003ch2\u003eWhy OBSBOT?\u003c\/h2\u003e\u003cp\u003eOBSBOT develops AI-powered cameras and production tools for streaming, conferencing, education, worship, and live video. Its products combine automated framing and tracking with practical control and connection options.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine OBSBOT product?\u003c\/h3\u003e\u003cp\u003eYes. Victory Musical Instruments supplies genuine OBSBOT products only, new and in the original packaging.\u003c\/p\u003e\u003ch3\u003eWhat is the OBSBOT Vox , Dual Wireless Microphone System used for?\u003c\/h3\u003e\u003cp\u003eOBSBOT Vox , a dual wireless microphone system with two transmitters, a USB-C receiver, and a 2.4 GHz transmission link.\u003c\/p\u003e\u003ch3\u003eWill it work with my existing OBSBOT setup?\u003c\/h3\u003e\u003cp\u003eCompatibility depends on the computer, switcher, network, software, and connection standard in the complete system. Review the listed connections and call 844-687-4208 before ordering if one link in the workflow is uncertain.\u003c\/p\u003e\u003ch3\u003eDoes it include a manufacturer warranty?\u003c\/h3\u003e\u003cp\u003eIt carries the OBSBOT manufacturer warranty. Call 844-687-4208 with any coverage question.\u003c\/p\u003e\u003ch3\u003eWhat should I verify before ordering?\u003c\/h3\u003e\u003cp\u003eConfirm the camera model, connector, mounting requirement, or software workflow that applies to your system. Call 844-687-4208 if the match is not clear.\u003c\/p\u003e\u003ch2\u003eWhy Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and video dealer in Miami. Our team can help confirm compatibility, connections, and the right OBSBOT configuration before you order. Call 844-687-4208.\u003c\/p\u003e","brand":"OBSBOT","offers":[{"title":"Default Title","offer_id":44344705974323,"sku":"OBSBOT-OWB-2502-CM","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/01_58566ad0_9934fc91-3475-403c-aa81-7199b50b6fed.png?v=1779897149"},{"product_id":"w2-dual-wireless","title":"Evno W2 - Dual Wireless System","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno W2 is a dual wireless system specifically designed to accommodate two Evno microphones active at the same time. This allows for the player to use any combination of Evno microphones wireless at the same. A flute, clarinet, or saxophone etc, can both be active to use at the same time depending on what your particular needs maybe. Independent (2) XLR outputs offer separate control of each microphone \/ transmitter for greater control of EQ and volume over each channel. The W2 offers a Diversity antenna system which provides a distance at about 100meters.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 dual wireless operates two separate antennas, one for each side of the receiver \/ microphone \/ transmitter. The W2 is housed in a metal chassis with 2-XLR and 1-1\/4in output which mirrors side in the case where you need a 1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked.\u003c\/p\u003e\n\u003cp\u003ePowered by an included power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W2 can also be used along side the Air and W1 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions. **see chart below for more information.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is shipped with a rack-kit, antennas, power supply, extension cables, and the A1 transmitter to combine with an Evno microphone. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market. For dual operation, a 2nd transmitter and microphone must be selected and purchased as desired and needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eIncluded Components\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual receiver\u003c\/li\u003e\n\u003cli\u003eRack mount kit\u003c\/li\u003e\n\u003cli\u003e2 BNC antennas\u003c\/li\u003e\n\u003cli\u003ePower supply\u003c\/li\u003e\n\u003cli\u003eUser guide\u003c\/li\u003e\n\u003cli\u003eEVNO A1 wireless clip-on instrument microphone transmitter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e902–928 MHz Countries of Operation\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAustralia (915-928MHz)\u003c\/li\u003e\n\u003cli\u003eBrazil (902-907, 915-927.75MHz)\u003c\/li\u003e\n\u003cli\u003eCanada\u003c\/li\u003e\n\u003cli\u003eColumbia\u003c\/li\u003e\n\u003cli\u003eCosta Rica\u003c\/li\u003e\n\u003cli\u003eDominican Republic\u003c\/li\u003e\n\u003cli\u003eEcuador\u003c\/li\u003e\n\u003cli\u003eGuyana\u003c\/li\u003e\n\u003cli\u003eHong Kong (923-925MHz)\u003c\/li\u003e\n\u003cli\u003eIndonesia (923-925MHz)\u003c\/li\u003e\n\u003cli\u003eMexico\u003c\/li\u003e\n\u003cli\u003eNew Zealand (915-928Mhz)\u003c\/li\u003e\n\u003cli\u003eParaguay\u003c\/li\u003e\n\u003cli\u003ePeru\u003c\/li\u003e\n\u003cli\u003ePuerto Rico\u003c\/li\u003e\n\u003cli\u003eSouth Korea (925-928)\u003c\/li\u003e\n\u003cli\u003eVenezuela\u003c\/li\u003e\n\u003cli\u003eUnited States of America\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eReceiver\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range:\u003c\/strong\u003e 902-928MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceive Sensitivity:\u003c\/strong\u003e -110dBm (sinad ≥30dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal\/Noise Ratio:\u003c\/strong\u003e \u0026gt;105dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply:\u003c\/strong\u003e DC12V\/ 500mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Output:\u003c\/strong\u003e 1-XLR, 1- 1\/4in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAntenna:\u003c\/strong\u003e Diversity, Detachable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTransmitter\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range:\u003c\/strong\u003e 902-928MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRF Power:\u003c\/strong\u003e 10mW\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Type:\u003c\/strong\u003e Condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirectivity:\u003c\/strong\u003e Cardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeviation:\u003c\/strong\u003e ±48KHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAntenna:\u003c\/strong\u003e 1\/4 wave Length wire type\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery Voltage:\u003c\/strong\u003e 1.5V (1x1.5V AA Battery)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption:\u003c\/strong\u003e 14 hours, battery-dependent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eComprehensive Performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Range:\u003c\/strong\u003e 902-928MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModulation Mode:\u003c\/strong\u003e FM\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e \u0026gt;100dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e 60Hz-17KHz±3dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Harmonic Distortion:\u003c\/strong\u003e \u0026lt;0.5% at 1KHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal\/Noise Ratio:\u003c\/strong\u003e ≥108dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistance:\u003c\/strong\u003e Up to 500 feet \/ 150 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344794972211,"sku":null,"price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/EvnoW2DualReceiver.webp?v=1779743941"},{"product_id":"evno-w1-true-diversity","title":"Evno W1 - TRUE DIVERSITY Wireless System","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno W1 is the flag-ship wireless setup in the Evno wireless line. The W1 offers a True Diversity antenna system which provides the greatest distance at about 150meters. The Evno W1 True Diversity operates two antennas and two receivers at the same time while combining the audio. The antenna system switches the audio between antenna A and B depending on which antenna signal is stronger at the position on the stage. A True Diversity system is more stable and advanced as it also offers greater range as apposed to a diversity system with a single or double antenna.\u003c\/p\u003e\n\u003cp\u003eThe W1 is housed in a metal chassis with 1-XLR and 1-1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked. Powered by an included 12V power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W1 can also be used along side the Air and W2 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe W1 system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions while the 823-832Mhz range is setup for most territories in Europe. **see chart below for more information. The W1 system is shipped with a rack-kit, antennas, 12V power supply, extension cables, and the A1 transmitter to combine with an Evno microphone. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"902-928MHz - USA \u0026 Canada","offer_id":44344795004979,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/W1--1080_1d5ad8ff-c84e-4619-b894-efc455aa463c.jpg?v=1779743946"},{"product_id":"tpx1-ta4","title":"Evno TPX1-Ta4 Trumpet Microphone for Shure Wireless - Bell Mounted (Opt Wireless-Shure\/Evno)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe TPX1-Ta4 system ships with the Evno TPX1 trumpet \u0026amp; flugelhorn microphone, a 3pin mini XLR - 4pin mini XLR cable to connect to Shure Wireless, and a leather microphone carrying pouch. The TPX1 is designed specific for lower brass instruments and ships with the Evno Swivel clamp. The microphone is compatible with all Evno Wireless systems, the PS95 preamp for wired connections, and the ST clamp for a stand mounted option.\u003c\/p\u003e\n\u003cp\u003eThe included Ta4 cable is compatible with the PS95 preamp \/ power supply and can be upgraded to the Evno Wireless systems or a hard wired system at any time. An additional cable is required for use with the AKG and Sennheiser.\u003c\/p\u003e\n\u003cp\u003eEvno Microphone Systems makes it possible to use a wireless system from other major brands. Shure, Sennheiser, AKG, and McCormick are all compatible with an Evno microphone. Note: These options operate with a traditional belt pack style transmitter and only an Evno Wireless system offers the belt pack free option. The package is setup for the customer that already owns a wireless system from one of these brands or needs a secondary microphone.\u003c\/p\u003e\n\u003cp\u003eWhy Would Someone Want or Need This?\u003c\/p\u003e\n\u003cp\u003eTravel and Regional Frequency Compliance:\u003c\/p\u003e\n\u003cp\u003eWhen traveling outside the USA, different countries and regions may have specific regulations regarding wireless frequency bands. Using a wireless system that complies with local regulations is crucial to avoid interference and legal issues. By having the correct cable, you can easily connect an Evno microphone to a wireless system that operates on the required frequency band in another country. This ensures that your equipment functions correctly and legally wherever you perform.\u003c\/p\u003e\n\u003cp\u003eConsistency in Touring Bands:\u003c\/p\u003e\n\u003cp\u003eTouring bands often prefer using a unified wireless system to manage multiple channels efficiently. This consistency allows for better control over the audio setup, minimizing the risk of interference and technical issues during live performances. An Evno microphone package provides the flexibility to integrate with existing wireless systems (Shure, Sennheiser, AKG, or McCormick) while still benefiting from the high-quality sound capture Evno microphones are known for. This adaptability ensures that the best microphone can be used without disrupting the band's wireless setup.\u003c\/p\u003e\n\u003cp\u003eFlexibility and Versatility:\u003c\/p\u003e\n\u003cp\u003eHaving the option to use various cables compatible with different wireless systems (Shure, Sennheiser, AKG, McCormick) offers significant flexibility. This versatility is beneficial for:\u003c\/p\u003e\n\u003cp\u003e• Multi-brand Wireless Systems : You can switch between different wireless systems as needed without changing microphones, which is cost-effective and convenient.\u003c\/p\u003e\n\u003cp\u003e• Rental and Backup Equipment : In cases where you might need to rent or borrow wireless systems, having the right cables allows you to use your Evno microphone with any available system.\u003c\/p\u003e\n\u003cp\u003e• Future-proofing : As wireless technology evolves or if you decide to switch to a different brand, your Evno microphone remains usable, ensuring long-term value.\u003c\/p\u003e\n\u003cp\u003e• Your sound remains great: Being that these options are there, the player does not have to settle for a stand mic or another brand of clip-on that may not perform as well.\u003c\/p\u003e\n\u003cp\u003eFor more information on the optional cables, visit the “accessories \/ cables” section of the Evno website.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795070515,"sku":null,"price":529.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX1-Mini-XLR.jpg?v=1779743953"},{"product_id":"tpx2-ta4","title":"Evno TPX2-Ta4 Trumpet Microphone for Shure (Opt Wireless-Shure\/Evno)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe TPX2-Ta4 system ships with the Evno TPX2 trumpet \u0026amp; flugelhorn microphone, a 3pin mini XLR - 4pin mini XLR cable to connect to Shure Wireless, and a leather microphone carrying pouch. The TPX is designed specific for lower brass instruments and ships with the TPX-CL clamp and extension rod. The microphone is compatible with all Evno Wireless systems, the PS95 preamp for wired connections, and the ST clamp for a stand mounted option.\u003c\/p\u003e\n\u003cp\u003eThe included Ta4 cable is compatible with the PS95 preamp \/ power supply and can be upgraded to the Evno Wireless systems or a hard wired system at any time. An additional cable is required for use with the AKG and Sennheiser.\u003c\/p\u003e\n\u003cp\u003eEvno Microphone Systems makes it possible to use a wireless system from other major brands. Shure, Sennheiser, AKG, and McCormick are all compatible with an Evno microphone. Note: These options operate with a traditional belt pack style transmitter and only an Evno Wireless system offers the belt pack free option. The package is setup for the customer that already owns a wireless system from one of these brands or needs a secondary microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795103283,"sku":null,"price":559.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX2-Mini-XLR.jpg?v=1779743956"},{"product_id":"tpx2-3-5","title":"Evno TPX2-3.5 Trumpet Microphone for Sennheiser Wireless (Opt Wireless-Senneiser\/Evno)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe TPX2-3.5 system ships with the Evno TPX2 trumpet \u0026amp; flugelhorn microphone, a 3.5mm (1.8in) locking cable to connect to Sennheiser Wireless, and a leather microphone carrying pouch. The TBX is designed specific for lower brass instruments and ships with the TPX-CL clamp and extension rod. The microphone is compatible with all Evno Wireless systems, the PS95 preamp for wired connections, and the ST clamp for a stand mounted option.\u003c\/p\u003e\n\u003cp\u003eThe included 3.5 cable is compatible with Sennheiser. An additional cable is required for use with the PS95 Preamp, Shure, or AKG.\u003c\/p\u003e\n\u003cp\u003eEvno Microphone Systems makes it possible to use a wireless system from other major brands. Shure, Sennheiser, AKG, and McCormick are all compatible with an Evno microphone. Note: These options operate with a traditional belt pack style transmitter and only an Evno Wireless system offers the belt pack free option. The package is setup for the customer that already owns a wireless system from one of these brands or needs a secondary microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795136051,"sku":null,"price":559.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX2-3.5.jpg?v=1779743959"},{"product_id":"tpx1","title":"Evno TPX1 Trumpet Microphone - Bell Mounted (Wired System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno TPX1 trumpet microphone system is designed and manufactured by hand in the USA. The microphone is designed specifically for the player looking to mount on the bell and to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The TPX1 system includes a high SPL tolerance tuned specifically for trumpet and suited for a stronger level of output that a brass instrument can produce. The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop. Suitable for lead style.\u003c\/p\u003e\n\u003cp\u003eThe TPX1 is the perfect choice from solo performance settings, principal soloist’s in all genres, to high energy horn section bands of all styles. The system can be used in low to high volume applications without the worry of saturating the element due to volume or high end feedback from surrounding instruments. The TPX1 is the ideal choice for trumpet players playing not only with lead style characteristics but also for the low to mid range and softer playing environments. The newly designed clamp allows for perfect placement on the bell of the trumpet or any flanged bell brass instrument by putting the head of the microphone at the perfect axis point without any spin or twist to off set the microphone from the instrument. The gooseneck allows movement away from the bell as needed to accommodate a mute. The microphone is easy to clamp on and take off the bell with a spring loaded clamp while always being attached at the perfect height. The clamp is attached to the instrument with a loaded spring that swivels giving the option to offset the microphone from the bell even further as needed. The TPX clamp can be moved quickly from one horn to another. The TPX1 gooseneck, designed in the USA, holds position as desired while being lightweight in design. The microphone itself is built with perfect venting as well as a highly attractive machining process creating a beautiful look while allowing the frequencies of the instrument to fully be captured by the microphone itself. Suspended in a standard microphone variable suspension of 7 points, the microphone allows for simple and easy replacements of the O rings as needed. The microphone body is terminated with a 3 pin mini XLR connection which is used for both wired and wireless connections.\u003c\/p\u003e\n\u003cp\u003eThe microphone system can be used wired or wirelessly. The Evno TPX1 is shipped with the PS95 power supply for wired use while still being adaptable and ready to use with Evno, Shure, AKG, or Sennheiser wireless systems. (AKG and Sennheiser cables ordered separately to mate the microphone with another brand wireless or available in a package with the microphone and cable for customers who already own an Evno, AKG, Shure, or Sennheiser system.) By-pass the cable to connect to Envo clip-on wireless transmitters. See additional packages for the TPX1 system with Envo Wireless or the TPX1 microphone setup directly for use with Shure, AKG, or Sennheiser wireless systems.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno TPX1 setup includes an Evno PS95 power supply \/ preamp, Evno Swivel Clamp, TPX1 Microphone, case, and a cable. XLR cables to connect from the PS95 power supply to a mixing console not included. A standard XLR \/ Mic cable is required.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795168819,"sku":null,"price":639.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX1.jpg?v=1779743962"},{"product_id":"tpx1-w1","title":"Evno TPX1-W1 Wireless Trumpet Microphone (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno TPX1-W1 is a bell mounted complete wireless system for trumpet, designed for superior performance and reliability. The package features a True Diversity receiver antenna system, providing the greatest distance and stability for wireless audio transmission and the TPX1 trumpet and flugelhorn microphone. The package contains everything needed in a complete wireless package. The microphone is designed specifically for the player looking to mount on the bell and to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The TPX1 system includes a high SPL tolerance tuned specifically for trumpet and suited for a stronger level of output that a brass instrument can produce.\u003c\/p\u003e\n\u003cp\u003eThe Evno W1 is the flag-ship wireless setup in the Evno wireless line. The W1 offers a True Diversity antenna system which provides the greatest distance at about 150meters. The Evno W1 True Diversity operates two antennas and two receivers at the same time while combining the audio. The antenna system switches the audio between antenna A and B depending on which antenna signal is stronger at the position on the stage. A True Diversity system is more stable and advanced as it also offers greater range as apposed to a diversity system with a single or double antenna.\u003c\/p\u003e\n\u003cp\u003eThe W1 is housed in a metal chassis with 1-XLR and 1-1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked.\u003c\/p\u003e\n\u003cp\u003ePowered by an included 12V power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W1 can also be used along side the Air and W2 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno TPX1-W1 setup includes the Evno TPX1 microphone, Evno Swivel Clamp, W1 true diversity receiver, A1 transmitter, power supply and rack kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"902-928MHz - USA - Canada - South America - Brazil - Australia","offer_id":44344795201587,"sku":null,"price":919.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX1-W1-1080.jpg?v=1779743966"},{"product_id":"tpx1-w2","title":"Evno TPX1-W2 Dual Wireless Trumpet Microphone (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno TPX1-W2 is a bell mounted complete dual wireless system for trumpet and flugelhorn, designed for superior performance and reliability. It features a Dual receiver antenna system. The SPX1-W2 package includes the TPX1 microphone with the EVNO W2 Dual wireless system capable of using two microphones \/ transmitters active at the same time. The microphone is designed specifically for the player looking to mount on the bell and to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The TPX1 system includes a high SPL tolerance tuned specifically for trumpet and suited for a stronger level of output that a brass instrument can produce.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 is a dual wireless system specifically designed to accommodate two Evno microphones active at the same time. This allows for the player to use any combination of Evno microphones wireless at the same. A flute, clarinet, or saxophone etc, can both be active to use at the same time depending on what your particular needs maybe. Independent (2) XLR outputs offer separate control of each microphone \/ transmitter for greater control of EQ and volume over each channel. The W2 offers a Diversity antenna system which provides a distance at about 100meters.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 dual wireless operates two separate antennas, one for each side of the receiver \/ microphone \/ transmitter. The W2 is housed in a metal chassis with 2-XLR and 1-1\/4in output which mirrors side in the case where you need a 1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked.\u003c\/p\u003e\n\u003cp\u003ePowered by an included power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W2 can also be used along side the Air and W1 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions. **see chart below for more information.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is shipped with a rack-kit, antennas, power supply, extension cables, and the A1 transmitter to combine with an Evno microphone. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market. For dual operation, a 2nd transmitter and microphone must be selected and purchased as desired and needed.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 Dual Wireless System offers a complete package for musicians seeking a rack mountable, high-quality dual wireless solution for their Evno Microphone. The system includes all necessary components to ensure a seamless and reliable performance experience.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno TPX1-W2 setup includes the Evno TPX1 microphone, Evno Swivel Clamp, W2 Dual wireless receiver, A1 transmitter, power supply and rack kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795234355,"sku":null,"price":959.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX1-W2.jpg?v=1779743969"},{"product_id":"tpx1-air","title":"Evno TPX1-Air Compact Wireless Trumpet Microphone - Bell Mounted (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe TPX1-Air is a complete bell mounted microphone system for trumpet which includes the Evno Air wireless system. The microphone is designed specifically for the player looking to mount wirelessly on the bell and to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The TPX1 system includes a high SPL tolerance tuned specifically for trumpet and suited for a stronger level of output that a brass instrument can produce\u003c\/p\u003e\n\u003cp\u003eThe Air is a compact yet powerful professional wireless system, perfect for travel. Complete with 1\/4 inch output ideal for microphone inputs and D.I. boxes. The Air system is ideal for quick setups and travel while maintaining a high sonic quality in combination with an Evno designed microphone. Using the same technology as the W1 and W2 systems the Air is Evno’s compact version. Folding antennas and a small footprint allow for portability in a compact setup. Powered by a provided 9V power supply the system also offers a battery option for power. Using 2 (AA) batteries in the receiver powers the system for 4 hours of continuous use in situations where the power is not available making it possible to use the system in remote locations as needed.\u003c\/p\u003e\n\u003cp\u003eThe Air system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions while the 823-832Mhz range is setup for most territories in Europe. **see additional chart below for more information.\u003c\/p\u003e\n\u003cp\u003eThe Air is a 99 channel system, the channels are changed via a sync process that sends the channel change from the receiver to the transmitter and can be changed in seconds as needed. Compatible with A1, A2, AH, and A4 transmitters *dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe Air system is shipped with an aluminum carrying case for protection however is small enough to pack in a horn case or carry-on for ease of travel. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market.\u003c\/p\u003e\n\u003cp\u003eThe Evno TPX1-Air Wireless System offers a complete package for musicians seeking a portable, high-quality wireless solution for trumpet. The system includes all necessary components to ensure a seamless and reliable performance experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"902-928MHz - USA - Canada - South America - Brazil - Australia*","offer_id":44344795267123,"sku":null,"price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX1-Air.jpg?v=1779743973"},{"product_id":"tpx2-w1","title":"Evno TPX2-W1 Wireless Trumpet Microphone (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno TPX2-W1 is a dual bell and off the bell mounted complete wireless system for trumpet and flugelhorn, designed for superior performance and reliability. It features a True Diversity receiver antenna system, providing the greatest distance and stability for wireless audio transmission. The package contains everything needed in a complete wireless package and for the player looking to mount a microphone to both the bell and off the bell as needed.\u003c\/p\u003e\n\u003cp\u003eThe TPX2 offers a 6.5” gooseneck. The microphone is designed to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The microphone attaches to the lead pipe with TPX-CL clamp. The clamp holds the extension rod which extends the microphone to the bell. Remove the extension bar and TPX-CL clamp and the microphone can be mounted to the bell with an additional Evno Swivel clamp. The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop.\u003c\/p\u003e\n\u003cp\u003eThe Evno W1 is the flag-ship wireless setup in the Evno wireless line. The W1 offers a True Diversity antenna system which provides the greatest distance at about 150meters. The Evno W1 True Diversity operates two antennas and two receivers at the same time while combining the audio. The antenna system switches the audio between antenna A and B depending on which antenna signal is stronger at the position on the stage. A True Diversity system is more stable and advanced as it also offers greater range as apposed to a diversity system with a single or double antenna.\u003c\/p\u003e\n\u003cp\u003eThe W1 is housed in a metal chassis with 1-XLR and 1-1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked.\u003c\/p\u003e\n\u003cp\u003ePowered by an included 12V power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W1 can also be used along side the Air and W2 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno TPX2-W1 setup includes the Evno TPX2 microphone, Evno TPX-CL Clamp, W1 true diversity receiver, A1 transmitter, power supply and rack kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"902-928MHz - USA - Canada - South America - Brazil - Australia*","offer_id":44344795299891,"sku":null,"price":959.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX2-W1.jpg?v=1779743977"},{"product_id":"tpx2-w2","title":"Evno TPX2-W2 Dual Wireless Trumpet Microphone (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe Evno TPX2-W2 is a dual mountable bell and off the bell complete wireless system for trumpet and flugelhorn, designed for superior performance and reliability. It features a Dual receiver antenna system, providing the ability to use two microphones and two transmitters from the Evno Wireless product line. The package contains everything needed in a complete wireless package and for the player looking to mount a microphone to both the bell and off the bell as needed.\u003c\/p\u003e\n\u003cp\u003eThe TPX2 offers a 6.5” gooseneck. The microphone is designed to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The microphone attaches to the lead pipe with TPX-CL clamp. The clamp holds the extension rod which extends the microphone to the bell. Remove the extension bar and TPX-CL clamp and the microphone can be mounted to the bell with an additional Evno Swivel clamp. The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 dual wireless operates two separate antennas, one for each side of the receiver \/ microphone \/ transmitter. The W2 is housed in a metal chassis with 2-XLR and 1-1\/4in output which mirrors side in the case where you need a 1\/4in output. A 1\/2 rack-mountable design, the system come with a rack-kit and extension cables to place in a standard rack unit. The extension kit places the antennas on the front of the of the rack case allowing quick removal of the antennas for storage. The antennas disconnect with an BNC locking connector to either the back or front when racked.\u003c\/p\u003e\n\u003cp\u003ePowered by an included power supply is easy to setup. The available 99 channels are changed with with a sync’ing process that sends the signal from the receiver to the transmitters with IR. Easy to change quickly on stage. Use of 5-6 systems simultaneously allows for horn style bands of all types to use an Evno belt-pack free wireless system. The W2 can also be used along side the Air and W1 systems and are not only compatible with both but also compatible with the A2, AH, and A4 transmitters. *Dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions. **see chart below for more information.\u003c\/p\u003e\n\u003cp\u003eThe W2 system is shipped with a rack-kit, antennas, power supply, extension cables, and the A1 transmitter to combine with an Evno microphone. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market. For dual operation, a 2nd transmitter and microphone must be selected and purchased as desired and needed.\u003c\/p\u003e\n\u003cp\u003eThe Evno W2 Dual Wireless System offers a complete package for musicians seeking a rack mountable, high-quality dual wireless solution for their Evno Microphone. The system includes all necessary components to ensure a seamless and reliable performance experience.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno TPX2-W2 setup includes the Evno TPX2 microphone, Evno TPX-CL Clamp, W2 Dual wireless receiver, A1 transmitter, power supply and rack kit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795332659,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX2-W2_bef710b3-9538-46ee-a4ee-1e94d3add611.jpg?v=1779743981"},{"product_id":"tpx2-air","title":"Evno TPX2-Air Compact Wireless Trumpet Microphone (Complete Wireless System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe TPX2-Air is a compact wireless system for trumpet and flugelhorn that has the option for off and on the bell mounting. The package combines the TPX2 microphone with the Evno Air wireless system. The TPX2 system includes a high SPL tolerance tuned specifically for trumpet and flugelhorn and is suited for a stronger level of output that a brass instrument can produce\u003c\/p\u003e\n\u003cp\u003eThe TPX2 offers a 6.5” gooseneck. The microphone is designed to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The microphone attaches to the lead pipe with TPX-CL clamp. The clamp holds the extension rod which extends the microphone to the bell. Remove the extension bar and TPX-CL clamp and the microphone can be mounted to the bell with an additional Evno Swivel clamp. The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop.\u003c\/p\u003e\n\u003cp\u003eThe Air is a compact yet powerful professional wireless system, perfect for travel. Complete with 1\/4 inch output ideal for microphone inputs and D.I. boxes. The Air system is ideal for quick setups and travel while maintaining a high sonic quality in combination with an Evno designed microphone. Using the same technology as the W1 and W2 systems the Air is Evno’s compact version. Folding antennas and a small footprint allow for portability in a compact setup. Powered by a provided 9V power supply the system also offers a battery option for power. Using 2 (AA) batteries in the receiver powers the system for 4 hours of continuous use in situations where the power is not available making it possible to use the system in remote locations as needed.\u003c\/p\u003e\n\u003cp\u003eThe Air system is available in the 900-928MHz range for the United States, Brazil, Canada, and other free frequency regions while the 823-832Mhz range is setup for most territories in Europe. **see additional chart below for more information.\u003c\/p\u003e\n\u003cp\u003eThe Air is a 99 channel system, the channels are changed via a sync process that sends the channel change from the receiver to the transmitter and can be changed in seconds as needed. Compatible with A1, A2, AH, and A4 transmitters *dependent on region and availability.\u003c\/p\u003e\n\u003cp\u003eThe Air system is shipped with an aluminum carrying case for protection however is small enough to pack in a horn case or carry-on for ease of travel. The system in combination with an Evno microphone produces the most natural reproduction of an acoustic instrument on the market.\u003c\/p\u003e\n\u003cp\u003eThe Evno TPX2-Air Wireless System offers a complete package for musicians seeking a portable, high-quality wireless solution for trumpet. The system includes all necessary components to ensure a seamless and reliable performance experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"902-928MHz - USA - Canada - South America - Brazil - Australia*","offer_id":44344795365427,"sku":null,"price":839.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/TPX2-Air.jpg?v=1779743984"},{"product_id":"sx","title":"Evno SX Saxophone Microphone (Wired System)","description":"\u003cdiv class=\"vmi-product-description\"\u003e\n\u003cdiv class=\"vmi-description-intro\"\u003e\n\u003cp\u003eThe EVNO SX saxophone microphone system is designed and manufactured by hand in the USA. The microphone is designed specifically for tenor, alto, and baritone saxophones to produce the most natural reproduction of sound possible while allowing for the most gain before feedback. The microphone will allow you to be heard as you sound without coloration giving the audience a true representation of the sound the player works a lifetime to develop.\u003c\/p\u003e\n\u003cp\u003eThe SX is the perfect choice from solo performance settings, principal soloist’s in all genres, to high energy horn section bands of all styles. The system can be used in low to high volume applications without the worry about the ‘low bark’ or high end feedback from surrounding instruments. The newly designed clamp allows for perfect placement on the bell of the saxophone putting the head of the microphone at the perfect axis point without any spin or twist to off set the microphone from the instrument. It is easy to clamp on and take off the bell with a spring loaded clamp while always being attached at the perfect height. The clamp is attached to the instrument with a loaded spring but also includes a reinforcement screw if your movement on stage is extreme. With the reinforcement screw not active, the setup can be moved quickly from one horn to another. The clamp also allows the player to integrate the soprano saxophone models as well if desired. The SX gooseneck, designed in the USA, holds position as desired while being lightweight in design. The microphone itself is built with perfect venting as well as a highly attractive machining process creating a beautiful look while allowing the frequencies of the instrument to fully be captured by the microphone itself. Suspended in a standard microphone suspension of variable 7 points, the microphone allows for simple and easy replacements of the O rings as needed. The microphone body is terminated with a 3 pin mini XLR connection which is used for both wired and wireless connections.\u003c\/p\u003e\n\u003cp\u003eThe microphone system can be used wired or wirelessly. The EVNO SX is shipped with the PS95 power supply for wired use while still being adaptable and ready to use with EVNO, Shure, AKG, or Sennheiser wireless systems. (AKG and Sennheiser cables ordered separately to mate the microphone with another brand wireless or available in a package with the microphone and cable for customers who already own an Evno, AKG, Shure, or Sennheiser system.) The included cable with the SX model works both with the Evno PS95 phantom power adapter, and Shure wireless transmitters. By-pass the cable to connect to Envo clip-on wireless transmitters. Additional packages include the SX system with EVNO Wireless or the SX microphone setup directly for use with Shure, AKG, or Sennheiser wireless systems.\u003c\/p\u003e\n\u003cp\u003eThe complete Evno SX setup includes the Evno PS95 power supply \/ preamp, Evno SXCL Clamp, SX Microphone, case, and a cable. XLR cables to connect from the PS95 power supply to a mixing console not included. A standard XLR \/ Mic cable is required for hardwired connections.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EVNO","offers":[{"title":"Default Title","offer_id":44344795398195,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/SX.jpg?v=1779743987"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/collections\/banner1_5e442115-09ee-4ad2-b6ab-61d1f2fce52d.png?v=1774871358","url":"https:\/\/www.victorymusical.com\/collections\/microphones.oembed?page=36","provider":"Victory Musical Instruments","version":"1.0","type":"link"}