{"title":"Universal Audio Apollo, UAFX \u0026 Volt","description":"\u003cp\u003eShop Universal Audio Apollo, UAFX \u0026amp; Volt for recording, live sound, streaming, studio, school, church, and production environments.\u003c\/p\u003e\n\u003cp\u003eVictory brings more than product listings to technical audio and video purchases. Our background in music, systems engineering, network infrastructure, AV integration, Dante-certified workflows, change management, disaster recovery, and business continuity helps customers plan scalable solutions built for dependable performance and long-term reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuestions before you buy?\u003c\/strong\u003e \u003ca href=\"\/pages\/benny-ai\"\u003eBenny AI\u003c\/a\u003e, our 24\/7 product advisor, can help you get started, compare options, and ask product questions anytime. For personal support, quotes, school orders, church systems, special orders, or final confirmation, call Victory Musical Instruments at \u003ca href=\"tel:+18446874208\"\u003e+1-844-687-4208\u003c\/a\u003e or email \u003ca href=\"mailto:sales@victorymusical.com\"\u003esales@victorymusical.com\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"la-2a-classic-leveling-amplifier","title":"Universal Audio Teletronix LA-2A Classic Leveling Amplifier","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Teletronix LA-2A\u003c\/strong\u003e is a \u003cstrong\u003etube-driven electro-optical leveling amplifier\u003c\/strong\u003e in a 3U 19 in. rack chassis, hand-wired point-to-point at UA's Custom Shop in California. It delivers 40 dB of gain with 0 to 40 dB of limiting, a 10 millisecond attack and a two-stage release, at less than 0.5% THD. Frequency response runs 30 Hz to 15 kHz within 1 dB.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo knobs, and the compression sound most records are built on.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe LA-2A works through a T4 electro-optical attenuator. A light source and a photocell handle gain reduction rather than a VCA or a FET, which is why the response is program-dependent: the release changes with the material rather than following a fixed setting. That behavior is what engineers mean when they call it musical, and it is not something a control can dial in.\u003c\/p\u003e\u003cp\u003eThere are two controls, Peak Reduction and Gain, plus a Limit and Compress switch. That is the entire interface. The absence of attack and release controls is the design, not an omission, since the optical cell determines both.\u003c\/p\u003e\u003cp\u003eThe release is genuinely two-stage: roughly 0.06 seconds for the first 50 percent of release, then anywhere from 0.5 to 5 seconds for the remainder. On a vocal that means the loud syllables come down fast while the tail returns slowly enough that the compression never announces itself.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube electro-optical leveling amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttenuator\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT4 optical cell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePeak Reduction, Gain, Limit\/Compress\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40 dB, plus or minus 1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLimiting range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0 to 40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 milliseconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30 Hz to 15 kHz, +0 \/ -1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rack, 3U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Does the LA-2A Have No Attack or Release Controls?\u003c\/h2\u003e\u003cp\u003eBecause the optical cell sets them. The T4 attenuator's photocell has its own recovery characteristic that responds to the signal, so attack sits at roughly 10 milliseconds and release runs in two stages: about 0.06 seconds for the first half, then 0.5 to 5 seconds for the rest depending on what came before. That program-dependent behavior is the reason the unit sounds the way it does.\u003c\/p\u003e\u003ch2\u003eWho Is the LA-2A For?\u003c\/h2\u003e\u003cp\u003eStudios tracking and mixing vocals, bass and acoustic sources where the compression needs to be felt rather than heard. It is a mixing and tracking tool rather than a corrective one, and most rooms that own one own it specifically for lead vocals.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between Limit and Compress?\u003c\/h2\u003e\u003cp\u003eThe switch changes the ratio behavior of the detector. Compress gives a gentler, lower-ratio action suited to levelling a performance. Limit is more aggressive and catches peaks. Both run through the same optical attenuator, so the character stays consistent.\u003c\/p\u003e\u003ch2\u003eCan I Link Two for Stereo?\u003c\/h2\u003e\u003cp\u003eThe LA-2A provides balanced stereo interconnection. Call 844-687-4208 to confirm what a stereo pair requires for your specific units before ordering a second.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExternal connections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eJones Barrier terminals and XLR connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50, 150, 250, 600 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50, 150, 250, 600 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+16 dB maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+10 dB nominal, +16 dB maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+0 \/ -1 dB, 30 Hz to 15 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40 dB, plus or minus 1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLess than 0.5% THD, 0.25% typical at plus or minus 10 dBm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e70 dB below +10 dBm output level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 milliseconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.06 seconds for 50% release, 0.5 to 5 seconds for complete release\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003edB gain reduction and dB output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower requirements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35 watts, 120\/240 volts, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum operating temperature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e160 degrees F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rackmount chassis, 3U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e13 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs this the real Teletronix LA-2A?\u003c\/h3\u003e\u003cp\u003eIt is Universal Audio's reissue, built to the original design and hand-wired point to point at UA's Custom Shop in California. UA holds the Teletronix name.\u003c\/p\u003e\u003ch3\u003eDoes it need a specific input impedance?\u003c\/h3\u003e\u003cp\u003eIt accepts 50, 150, 250 or 600 ohms on both input and output load, selectable, so it fits into most professional signal chains.\u003c\/p\u003e\u003ch3\u003eHow much rack space does it take?\u003c\/h3\u003e\u003cp\u003e3U in a standard 19 in. rack, and it weighs 13 lb.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131384983603,"sku":"LA2A","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/teletronix_la-2a_classic_leveling_amplifier_gallery_1_5fa986bf-c28a-4d52-882a-a2a795d257a4.png?v=1774032912"},{"product_id":"1176ln-classic-limiting-amplifier","title":"Universal Audio 1176LN Classic Limiting Amplifier","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio 1176LN\u003c\/strong\u003e is a \u003cstrong\u003eFET limiting amplifier\u003c\/strong\u003e in a 2U 19 in. rack chassis, offering 50 dB of gain, an attack range of 20 to 800 microseconds and a release from 50 milliseconds to 1.1 seconds. Frequency response runs 20 Hz to 20 kHz within 1 dB, with less than 0.5% THD under limiting and better than 70 dB signal to noise at +10 dBm.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe fastest attack in the rack, and the reason drums sound like that.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe 1176 was the first true peak limiter to use a field effect transistor as the gain element, and its attack time is the specification everyone quotes: 20 microseconds at the fastest setting. That is fast enough to catch the initial transient of a snare rather than letting it through, which is why it behaves differently from anything optical or tube-based.\u003c\/p\u003e\u003cp\u003eRatio is selected by four buttons, and the unit is famous for what happens when they are pressed together. Engaging all four at once puts the detector into a state its designer did not specify, producing an aggressive, distorted compression with a characteristic curve. It has been used deliberately on drums and vocals for decades.\u003c\/p\u003e\u003cp\u003eAttack and release are both continuously variable and, counterintuitively, both are fastest when turned fully clockwise. Release runs from 50 milliseconds to 1.1 seconds. Two units link for stereo through the 1176 SA Network accessory.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFET limiting amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain element\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eField effect transistor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 to 800 microseconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 milliseconds to 1.1 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz, plus or minus 1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVia 1176 SA Network accessory\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rack, 2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is All-Buttons Mode?\u003c\/h2\u003e\u003cp\u003ePressing all four ratio buttons at once puts the detector circuit into a state outside the intended design, producing aggressive compression with a distinctive distorted curve and a lagging attack. It is a documented technique rather than a fault, used deliberately on drum room mics and rock vocals since the 1970s.\u003c\/p\u003e\u003ch2\u003eWho Is the 1176LN For?\u003c\/h2\u003e\u003cp\u003eStudios that need transient control rather than levelling: drums, bass, aggressive vocals and anything where the attack of a note matters. It is the counterpart to an LA-2A rather than a replacement, and most rooms that own one own both.\u003c\/p\u003e\u003ch2\u003eHow Do I Link Two for Stereo?\u003c\/h2\u003e\u003cp\u003eThrough the 1176 SA Network accessory, which is a separate stereo adapter unit. Call 844-687-4208 to add one to an order for a matched pair.\u003c\/p\u003e\u003ch2\u003eWhy Are the Attack and Release Controls Backwards?\u003c\/h2\u003e\u003cp\u003eThey are not backwards, but they are counterintuitive. On the 1176 both attack and release are fastest fully clockwise, which is the opposite of most compressors. Attack ranges from 20 to 800 microseconds and release from 50 milliseconds to 1.1 seconds.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExternal connections\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eJones Barrier terminals and XLR connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 ohms, bridges-T control, floating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput load impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e600 ohms, floating, damping factor 20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStereo interconnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVia 1176 SA Network accessory\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePlus or minus 1 dB, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLess than 0.5% THD from 50 Hz to 15 kHz with limiting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSignal to noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGreater than 70 dB at +10 dBm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 microseconds to 800 microseconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50 milliseconds to 1.1 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMeter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003edB gain reduction and dB output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower requirements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120\/240 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum operating temperature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e160 degrees F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rackmount chassis, 2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11 lb. unboxed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eHow fast is the attack?\u003c\/h3\u003e\u003cp\u003e20 microseconds at the fastest setting, ranging out to 800 microseconds. That speed is the reason the 1176 is used on transient material.\u003c\/p\u003e\u003ch3\u003eDo I need the 1176 SA for stereo?\u003c\/h3\u003e\u003cp\u003eYes. Two 1176LN units link for stereo operation through the 1176 SA Network accessory, sold separately.\u003c\/p\u003e\u003ch3\u003eHow much rack space does it take?\u003c\/h3\u003e\u003cp\u003e2U in a standard 19 in. rack, and it weighs 11 lb.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385016371,"sku":"1176LN","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/1176ln_classic_limiting_amplifier_gallery_1_24f538ee-9b33-46e3-87f0-7aa4c54f58ee.png?v=1774032914"},{"product_id":"1176-sa-stereo-adapter","title":"Universal Audio 1176-SA Stereo Adapter Network","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio 1176-SA\u003c\/strong\u003e is the \u003cstrong\u003estereo interconnection accessory for the 1176LN\u003c\/strong\u003e, linking two units so their gain reduction tracks together as a stereo pair rather than acting independently on each channel.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMakes two 1176LN units behave as one stereo compressor.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eTwo compressors set identically are not a stereo compressor. If the left channel compresses harder than the right on a given moment, the stereo image shifts toward the quieter side, and on a busy mix that movement is audible as instability rather than as compression.\u003c\/p\u003e\u003cp\u003eThe 1176-SA solves it by tying the detectors of two 1176LN units together so both respond to the same control signal. Gain reduction becomes common to both channels and the image stays where it was put.\u003c\/p\u003e\u003cp\u003eUniversal Audio names this accessory directly in the 1176LN specifications as the route to stereo interconnection, so it is the manufacturer's own answer rather than a third-party workaround.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo adapter network\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUniversal Audio 1176LN, two units\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLinks detector circuits so gain reduction tracks across both channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNamed in\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1176LN specification, stereo interconnection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Do I Need a Stereo Adapter at All?\u003c\/h2\u003e\u003cp\u003eBecause two compressors working independently do not hold a stereo image. When one channel reduces gain more than the other, the image pulls toward the quieter side. Linking the detectors makes both units apply the same gain reduction, so the image stays put.\u003c\/p\u003e\u003ch2\u003eWho Is the 1176-SA For?\u003c\/h2\u003e\u003cp\u003eAnyone running two 1176LN units across a stereo bus, a drum overhead pair, a stereo keyboard or a mix buss. If both units only ever work on separate mono sources, it is not needed.\u003c\/p\u003e\u003ch2\u003eWhich Units Does It Work With?\u003c\/h2\u003e\u003cp\u003eThe 1176LN. Universal Audio lists the 1176 SA Network by name in the 1176LN specification as the stereo interconnection method. Call 844-687-4208 with your revision and serial numbers and we will confirm before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTwo Universal Audio 1176LN units\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDetector linking for stereo operation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDo I need two 1176LN units to use this?\u003c\/h3\u003e\u003cp\u003eYes. The 1176-SA links a pair of 1176LN units for stereo operation. It does nothing on its own or with a single unit.\u003c\/p\u003e\u003ch3\u003eWill it work with older 1176 revisions?\u003c\/h3\u003e\u003cp\u003eCall 844-687-4208 with your revision and serial numbers and we will check compatibility before you order.\u003c\/p\u003e\u003ch3\u003eDoes it change the sound?\u003c\/h3\u003e\u003cp\u003eIt links the detector circuits so both units apply matched gain reduction. The audio path through each 1176LN is unchanged.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385049139,"sku":"1176SA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/61wlJAMSdPL._AC_SX300_SY300_QL70_FMwebp.webp?v=1774032916"},{"product_id":"6176-vintage-channel-strip","title":"Universal Audio 6176 Vintage Channel Strip","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio 6176\u003c\/strong\u003e is a \u003cstrong\u003evintage channel strip pairing the 610 tube microphone preamp with the 1176LN FET limiting amplifier\u003c\/strong\u003e in one 2U chassis. It gives the tube front end and the fastest peak limiter UA makes on a single signal path, with a DI input and switchable impedance on the preamp stage.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo of the most-used circuits in recording, wired together.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe 6176 is not a new design. It is UA's two best-known circuits placed in series in one box: the 610 tube preamp that Bill Putnam designed for his own consoles, feeding the 1176LN FET limiter. Those two pieces have been chained together in studios for decades, and the 6176 removes the patching.\u003c\/p\u003e\u003cp\u003eThe 610 stage brings tube gain with selectable input impedance, which changes how a microphone loads and therefore how it sounds, plus a DI input for instruments. The 1176 stage brings 20 microsecond attack, the four ratio buttons and the all-buttons behavior the unit is known for.\u003c\/p\u003e\u003cp\u003eBecause both stages have their own bypass, either can be used alone. That matters more than it sounds: a source can be tracked through the tube preamp clean and limited later, or run through the 1176 from a line source without the tube stage.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube preamp and FET limiter channel strip\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp stage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e610 tube microphone preamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamics stage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1176LN FET limiting amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable on the preamp stage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStage bypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIndependent on each section\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rack, 2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is Actually Inside the 6176?\u003c\/h2\u003e\u003cp\u003eTwo complete circuits in series. The 610 tube microphone preamp with selectable input impedance and a DI input, feeding the 1176LN FET limiting amplifier with its four ratio buttons and 20 microsecond attack. Each stage bypasses independently, so either can be used on its own.\u003c\/p\u003e\u003ch2\u003eWho Is the 6176 For?\u003c\/h2\u003e\u003cp\u003eStudios that want one channel of the best UA front end rather than several channels of something more ordinary. It is a tracking chain for lead vocals and bass in particular, and it removes the patching involved in chaining a separate 610 and 1176.\u003c\/p\u003e\u003ch2\u003eWhy Does Selectable Input Impedance Matter?\u003c\/h2\u003e\u003cp\u003eA microphone's output changes with the load it sees. Dropping the input impedance alters the frequency response and transient behavior of a dynamic or ribbon microphone in particular, so the switch is a genuine tone control that works before any gain is applied.\u003c\/p\u003e\u003ch2\u003eCan I Use Just the Compressor?\u003c\/h2\u003e\u003cp\u003eYes. Each stage has independent bypass, so the 1176 section can process a line source with the tube preamp out of the path, and the preamp can be used clean with the limiter bypassed.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR, selectable impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rack, 2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs the compressor really a 1176?\u003c\/h3\u003e\u003cp\u003eYes. The dynamics section is the 1176LN FET limiting amplifier circuit, with the same ratio buttons and fast attack as the standalone unit.\u003c\/p\u003e\u003ch3\u003eCan I use the preamp and compressor separately?\u003c\/h3\u003e\u003cp\u003eYes. Each stage bypasses independently, so either can be used alone.\u003c\/p\u003e\u003ch3\u003eHow is this different from the LA-610?\u003c\/h3\u003e\u003cp\u003eThe 6176 pairs the 610 preamp with the 1176 FET limiter. The LA-610 pairs the same preamp with Teletronix T4 optical compression and adds tube EQ. They are different dynamics circuits with different behavior.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385081907,"sku":"'6176","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/6176_vintage_channel_strip_gallery_1.png?v=1774032919"},{"product_id":"la-610-mk2-classic-tube-recording-channel","title":"Universal Audio LA-610 Mk II Classic Tube Recording Channel","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio LA-610 Mk II\u003c\/strong\u003e is a \u003cstrong\u003etube recording channel\u003c\/strong\u003e combining the all-tube 610 microphone preamp derived from Bill Putnam's 610 modular console with authentic Teletronix T4 opto-compression circuitry and high and low frequency shelving tube EQ. The Mk II adds true compressor bypass, larger metering, increased output and an auto-switching power supply.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe 610 preamp and T4 optical compression, hand-built in the USA.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe LA-610 is the other way to combine UA's two signature circuits. Where the 6176 pairs the 610 preamp with the FET-based 1176, the LA-610 pairs it with the T4 optical cell from the LA-2A. That produces a slower, program-dependent compression that levels rather than catches, which suits vocals and bass differently from the way an 1176 does.\u003c\/p\u003e\u003cp\u003eBetween the two sits a tube EQ with high and low frequency shelving. It is deliberately simple, two bands of broad shaping rather than a corrective equalizer, and because it is tube-based the boost adds harmonic content along with the level.\u003c\/p\u003e\u003cp\u003eThe preamp stage carries gain and level controls separately, variable impedance switching that changes how a microphone loads, and an instrument DI for recording tone colour directly. Records by Coldplay, The Beach Boys and Van Halen were made through the 610 preamp design.\u003c\/p\u003e\u003cp\u003eMk II specific features are true compressor bypass, larger metering, increased output and an auto-switching power supply. Universal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube recording channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAll-tube 610, from the 610 modular console design\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTeletronix T4 opto-compression, tube circuitry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh and low frequency shelving, tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp controls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSeparate Gain and Level, variable impedance switching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMk II additions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTrue compressor bypass, larger metering, increased output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAuto-switching supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Is the LA-610 Different From the 6176?\u003c\/h2\u003e\u003cp\u003eThe dynamics section. The LA-610 uses Teletronix T4 optical compression, which is slow and program-dependent and levels a performance. The 6176 uses the 1176 FET limiter, which is fast enough to catch transients. The LA-610 also carries a tube shelving EQ that the 6176 does not.\u003c\/p\u003e\u003ch2\u003eWho Is the LA-610 Mk II For?\u003c\/h2\u003e\u003cp\u003eStudios tracking vocals and bass who want the whole chain in tubes: preamp, EQ and compression. It is a committing device, in that what it does is recorded rather than added later, which is how most people who own one prefer to work.\u003c\/p\u003e\u003ch2\u003eWhat Does Variable Impedance Switching Do?\u003c\/h2\u003e\u003cp\u003eIt changes the load the microphone sees. A dynamic or ribbon microphone responds to that load with a different frequency response and transient character, so it is a genuine tone control operating before any gain is applied. Condensers are less affected but not immune.\u003c\/p\u003e\u003ch2\u003eWhat Changed in the Mk II?\u003c\/h2\u003e\u003cp\u003eTrue compressor bypass, larger metering, increased output and an auto-switching power supply. The core circuits, the 610 preamp and the T4 optical compression, carry over.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR, variable impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAuto-switching supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs the compressor the same as an LA-2A?\u003c\/h3\u003e\u003cp\u003eIt uses authentic Teletronix T4 opto-compression circuitry, the same optical principle as the LA-2A, in a channel strip format alongside the 610 preamp and tube EQ.\u003c\/p\u003e\u003ch3\u003eWhat kind of EQ does it have?\u003c\/h3\u003e\u003cp\u003eHigh and low frequency shelving, tube-based. It is a broad tone-shaping EQ rather than a corrective parametric.\u003c\/p\u003e\u003ch3\u003eCan I bypass the compressor?\u003c\/h3\u003e\u003cp\u003eYes. True compressor bypass is one of the Mk II additions, so the preamp and EQ can be used with the dynamics stage fully out of the path.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385376819,"sku":"LA610","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/la-610_mkII_classic_tube_recording_channel_gallery_1_f5cffa42-ba9c-4678-a87e-facde4c898da.png?v=1774032921"},{"product_id":"solo-610-classic-tube-single-channel-mic-pre","title":"Universal Audio SOLO\/610 Classic Tube Preamplifier and DI Box","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio SOLO\/610\u003c\/strong\u003e is a \u003cstrong\u003esingle-channel tube microphone preamplifier and DI box\u003c\/strong\u003e built on the 610 console circuit, offering up to 61 dB of gain from a 12AX7 and 12AT7 tube complement. Microphone input impedance switches between 450 ohms and 1.6 kilohms, the DI input runs at 2.2 megohms, and frequency response is 20 Hz to 20 kHz within 0.1 dB.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe 610 tube front end, in something you can carry.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe SOLO\/610 takes the preamp section of the 610 console design and puts it in a desktop box. It runs two tubes, a 12AX7 and a 12AT7, and delivers a maximum of 61 dB of gain, which is enough for most condensers and many dynamics without a booster.\u003c\/p\u003e\u003cp\u003eImpedance switching on the microphone input is the control worth understanding. At 450 ohms a microphone is loaded harder than at 1.6 kilohms, and dynamics and ribbons in particular change their frequency response and transient behavior in response. It is a tone control that operates before gain rather than after it.\u003c\/p\u003e\u003cp\u003eThe DI input runs at 2.2 megohms, high enough that a passive bass or a guitar with vintage-output pickups is not loaded down. Maximum gain on the instrument input is 37 dB. Frequency response on both microphone and instrument inputs is 20 Hz to 20 kHz within 0.1 dB.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel tube mic preamp and DI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube complement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOne 12AX7, one 12AT7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e61 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable 450 ohms or 1.6 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDI input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.2 megohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz, plus or minus 0.1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14 x 5.75 x 5 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Does the Impedance Switch Actually Change?\u003c\/h2\u003e\u003cp\u003eHow hard the microphone is loaded. At 450 ohms the load is heavier than at 1.6 kilohms, and a dynamic or ribbon microphone responds with a different frequency response and transient character. Maximum gain also differs slightly: 60 dB at 450 ohms and 55 dB at 1.6 kilohms.\u003c\/p\u003e\u003ch2\u003eWho Is the SOLO\/610 For?\u003c\/h2\u003e\u003cp\u003eAnyone who wants the 610 tube sound on one channel without a rack: project studios, mobile rigs, and engineers adding a colored front end to an interface whose preamps are clean but characterless. Bass players use the DI in particular.\u003c\/p\u003e\u003ch2\u003eCan I Plug a Bass Straight Into It?\u003c\/h2\u003e\u003cp\u003eYes. The DI input runs at 2.2 megohms, which is high enough not to load a passive instrument, with up to 37 dB of gain on that input. That makes it a tube DI as well as a microphone preamp.\u003c\/p\u003e\u003ch2\u003eHow Much Gain Does It Have?\u003c\/h2\u003e\u003cp\u003eUp to 61 dB overall. On the microphone input that is 60 dB at the 450 ohm setting and 55 dB at 1.6 kilohms; on the instrument input, 37 dB.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eXLR, selectable 450 ohms or 1.6 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDI, 2.2 megohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum mic input level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-12 dBu at 1.0% THD+N\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum instrument input level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e+4 dBu at 1.0% THD+N\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube complement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOne 12AX7, one 12AT7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e61 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum gain, mic input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e55 dB at 1.6 kilohm input, 60 dB at 450 ohm input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum gain, instrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e37 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic and instrument frequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz, plus or minus 0.1 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDI input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.2 megohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14 in. L x 5.75 in. W x 5 in. H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eHow many tubes does it use?\u003c\/h3\u003e\u003cp\u003eTwo: one 12AX7 and one 12AT7.\u003c\/p\u003e\u003ch3\u003eWill it drive a ribbon microphone?\u003c\/h3\u003e\u003cp\u003eIt offers up to 60 dB on the microphone input at the 450 ohm setting, and the impedance switch is particularly useful with ribbons. Call 844-687-4208 with your microphone and we will check the gain requirement.\u003c\/p\u003e\u003ch3\u003eIs it a full channel strip?\u003c\/h3\u003e\u003cp\u003eNo. It is the preamp and DI section only. The LA-610 Mk II adds tube EQ and T4 optical compression to the same preamp circuit.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385409587,"sku":"S610","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/solo_610_classic_tube_preamplifier_di_box_gallery_1.png?v=1774032923"},{"product_id":"4-710d-four-channel-mic-pre","title":"Universal Audio 4-710d Four-Channel Tone-Blending Mic Preamp with Dynamics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio 4-710d\u003c\/strong\u003e is a \u003cstrong\u003efour-channel microphone preamplifier with dynamics and digital output\u003c\/strong\u003e, built on UA's Twin-Finity tone-blending design. Each channel blends continuously between a tube and a solid-state gain stage, and carries its own dynamics section, so four sources can be tracked with independent character and level control from one 2U chassis.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour channels of tube-to-solid-state blend, not a switch between them.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eTone-blending is the idea the 710 family is built on. Rather than choosing tube or solid state, each channel has both gain stages running and a single control that mixes between them continuously. At one extreme the signal is all tube with its harmonic character and softer transient handling; at the other it is clean solid state; anywhere in between is a genuine blend rather than a crossfade between two processed copies.\u003c\/p\u003e\u003cp\u003eFour channels of that in one rack unit is what the 4-710d is for. A drum kit, a small band tracking live, or a session that needs four different microphone characters at once all become possible without four separate boxes and four different sounds.\u003c\/p\u003e\u003cp\u003eEach channel also carries its own dynamics section, so level control happens before conversion rather than in the box afterward. The d in the model name denotes the digital output, which allows the unit to feed a digital input directly.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour-channel mic preamp with dynamics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, independently controlled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain stages\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube and solid state, continuously blendable per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePer channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTwin-Finity tone blending\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19 in. rack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is Tone Blending?\u003c\/h2\u003e\u003cp\u003eEach channel runs a tube gain stage and a solid-state gain stage at the same time, with one control mixing continuously between them. It is not a switch. At one end the character is tube, at the other it is clean solid state, and every position between is a real blend of the two circuits.\u003c\/p\u003e\u003ch2\u003eWho Is the 4-710d For?\u003c\/h2\u003e\u003cp\u003eStudios tracking drums, small bands recording live, and anyone who needs four channels of characterful front end rather than four channels of neutral gain. The per-channel dynamics make it workable as a complete front end rather than a preamp that needs outboard behind it.\u003c\/p\u003e\u003ch2\u003eWhat Does the D in 4-710d Mean?\u003c\/h2\u003e\u003cp\u003eDigital output. The unit can feed a digital input directly rather than requiring external conversion, which shortens the chain when the destination is a digital interface or recorder.\u003c\/p\u003e\u003ch2\u003eDoes Every Channel Have Its Own Compressor?\u003c\/h2\u003e\u003cp\u003eEach channel carries its own dynamics section, so four sources are controlled independently rather than sharing one detector. Call 844-687-4208 if you want the dynamics specification walked through before ordering.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain stages\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube and solid state, blendable, per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePer channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced line, per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs the tube blend a switch or a knob?\u003c\/h3\u003e\u003cp\u003eA continuous control. Both gain stages run at once and the control mixes between them, so intermediate positions are genuine blends rather than a switch between two states.\u003c\/p\u003e\u003ch3\u003eDoes it have a digital output?\u003c\/h3\u003e\u003cp\u003eYes. The d in the model name denotes the digital output, allowing the unit to feed a digital input directly.\u003c\/p\u003e\u003ch3\u003eHow does it compare to four 710 Twin-Finity units?\u003c\/h3\u003e\u003cp\u003eIt brings the same tone-blending concept to four channels in one chassis with dynamics per channel. Call 844-687-4208 and we will compare them against how you plan to track.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385442355,"sku":"4710D","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/4-710d_four-channel_tone-blending_mic_preamp_with_dynamics_gallery_1_dd7122a3-aa79-4005-b4e1-cf57d48df6d7.png?v=1774032926"},{"product_id":"710-twin-finity-single-channel-mic-pre","title":"Universal Audio 710 Twin-Finity Tone-Blending Microphone Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio 710 Twin-Finity\u003c\/strong\u003e is a \u003cstrong\u003esingle-channel microphone preamplifier that blends continuously between a 12AX7 tube stage and a solid-state stage\u003c\/strong\u003e. Gain runs to 70 dBu, frequency response is 20 Hz to 100 kHz within 0.2 dBu, and it carries microphone, balanced line and unbalanced instrument inputs with a -15 dB pad and a 75 Hz high pass filter.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTurn the knob and the circuit changes from tube to solid state.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe Twin-Finity control is the whole product. A 12AX7 tube stage and a solid-state stage both run on the signal, and one knob mixes between them continuously. Distortion tells the story: minimum THD plus noise at +4 dBu is 0.1% through the tube path and 0.005% through the solid state path, so the two ends of the control are measurably different circuits rather than two voicings of one.\u003c\/p\u003e\u003cp\u003eInput impedance differs by input: 2 kilohms on the microphone input, 10 kilohms on line, and 2.2 megohms on the high impedance instrument input, which is high enough not to load a passive bass or a vintage-output guitar.\u003c\/p\u003e\u003cp\u003eFrequency response runs 20 Hz to 100 kHz within 0.2 dBu on both microphone and line inputs, which is well beyond the audible band and is part of why the unit handles transients the way it does. A -15 dB pad and a 75 Hz high pass filter handle loud sources and stage rumble.\u003c\/p\u003e\u003cp\u003eUniversal Audio still hand-builds this line in California to the original circuit designs rather than licensing the name out. The company was founded in 1958 by M.T. \"Bill\" Putnam, who designed the 1176 and the 610, and was revived in 1999 by his sons with the original schematics and, in several cases, the original test gear.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel tone-blending mic preamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain stages\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12AX7 tube and solid state, continuously blendable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNegative infinity to 70 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 100 kHz, plus or minus 0.2 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-15 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMicrophone XLR, balanced line XLR, unbalanced instrument 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5.25 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Different Are the Two Gain Stages?\u003c\/h2\u003e\u003cp\u003eMeasurably. Minimum THD plus noise at +4 dBu is 0.1% through the tube stage and 0.005% through the solid state stage. That is a factor of twenty, so the control is moving between two genuinely different circuits rather than adding a flavor to one.\u003c\/p\u003e\u003ch2\u003eWho Is the 710 Twin-Finity For?\u003c\/h2\u003e\u003cp\u003eProject studios and engineers who want one preamp that covers both a colored and a clean front end, rather than owning two. It is also a common choice as a tube DI for bass, given the 2.2 megohm instrument input.\u003c\/p\u003e\u003ch2\u003eWhat Can I Plug Into It?\u003c\/h2\u003e\u003cp\u003eA microphone on the female XLR at 2 kilohms, a balanced line source on XLR at 10 kilohms, or an instrument on the 1\/4 in. jack at 2.2 megohms. Output is balanced line on a male XLR.\u003c\/p\u003e\u003ch2\u003eWhat Are the Pad and Filter For?\u003c\/h2\u003e\u003cp\u003eThe -15 dB pad handles sources loud enough to overload the input, such as a close-miked guitar cabinet or a kick drum. The 75 Hz high pass filter removes stage rumble and handling noise before it reaches the gain stage.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFemale XLR, 2 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced, female XLR, 10 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnbalanced 1\/4 in. jack, 2.2 megohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBalanced line, male XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-15 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eSpecifications\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTube complement\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12AX7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGain range for unit\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNegative infinity to 70 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic frequency response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 100 kHz, plus or minus 0.2 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMinimum THD plus noise at +4 dBu: 0.1% tube, 0.005% solid state\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10 kilohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHi-Z input impedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2.2 megohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-15 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHigh pass filter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum power consumption\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e160 mA at 120 V AC, 20 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower requirements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100 to 240 V AC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8.45 in. W x 3.5 in. H x 10.25 in. D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5.25 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs the tube always in the circuit?\u003c\/h3\u003e\u003cp\u003eBoth stages run at once and the Twin-Finity control mixes between them. At the fully solid-state position the tube contribution is out of the blend.\u003c\/p\u003e\u003ch3\u003eCan I use it as a DI?\u003c\/h3\u003e\u003cp\u003eYes. The unbalanced instrument input runs at 2.2 megohms, high enough for a passive bass or a vintage-output guitar.\u003c\/p\u003e\u003ch3\u003eWhat is the frequency response?\u003c\/h3\u003e\u003cp\u003e20 Hz to 100 kHz within 0.2 dBu on both the microphone and line inputs.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385507891,"sku":"710TF","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/710_twin-finity_tone-blending_mic_preamplifier_di_box_gallery_1.png?v=1774032929"},{"product_id":"ox-amp-top-box","title":"Universal Audio OX Amp Top Box Reactive Load Box","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio OX Amp Top Box\u003c\/strong\u003e is a \u003cstrong\u003eanalog reactive load box and guitar recording system for tube amplifiers\u003c\/strong\u003e. It offers five attenuation levels from completely silent through whisper quiet to full band volume, selectable 4, 8 and 16 ohm operation, UA Dynamic Speaker Modeling covering speaker drive, breakup and cone cry, and built-in UA EQ, compression, delay and reverb. A front panel RIG control recalls complete mic and cabinet setups.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCrank the amp all the way up without moving the neighbours.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eA tube amplifier does not sound like itself until the power section is working, and the power section does not work until the amp is loud. That is the problem the OX exists to solve. The reactive load absorbs the amplifier's output while presenting the impedance a real speaker would, so the amp behaves exactly as it does at full volume with almost none of the noise leaving the room.\u003c\/p\u003e\u003cp\u003eWhat comes out is not a raw DI signal. UA Dynamic Speaker Modeling reproduces speaker drive, breakup and cone cry, which are the parts of a guitar sound that come from the speaker rather than the amplifier, and then places virtual microphones and cabinets around it. The RIG control on the front panel recalls a complete setup rather than requiring each element to be dialled in.\u003c\/p\u003e\u003cp\u003eFive attenuation levels cover the range from silent recording through whisper-quiet practice up to full band volume, so the same box handles a studio, a bedroom and a stage. Selectable 4, 8 and 16 ohm operation covers essentially any tube amp, and UA's own EQ, compression, delay and reverb are built in.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnalog reactive load box and recording system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttenuation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5 levels, silent to full band volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable 4, 8 and 16 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker modeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUA Dynamic Speaker Modeling: drive, breakup, cone cry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUA EQ, compression, delay and reverb built in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFront panel RIG control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFront panel output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is a Reactive Load Box?\u003c\/h2\u003e\u003cp\u003eA load that absorbs an amplifier's power output while presenting the same varying impedance a real speaker does. A resistive dummy load looks like a fixed resistor to the amp and sounds wrong for that reason. A reactive load lets the output transformer and power tubes behave the way they do into a speaker, which is where most of a tube amp's character comes from.\u003c\/p\u003e\u003ch2\u003eWho Is the OX For?\u003c\/h2\u003e\u003cp\u003eAnyone who owns a tube amp worth recording and cannot record it loud: home studios, apartments, and professional rooms that need a usable take at night. It also works on stage as an attenuator and as a direct feed to front of house.\u003c\/p\u003e\u003ch2\u003eCan I Practice Silently With It?\u003c\/h2\u003e\u003cp\u003eYes. The attenuation range runs to completely silent, and there is a front panel headphone output, so a cranked amp can be played through headphones at any hour.\u003c\/p\u003e\u003ch2\u003eWill It Work With My Amp?\u003c\/h2\u003e\u003cp\u003eIt offers selectable 4, 8 and 16 ohm operation, which covers essentially every tube guitar amplifier. Call 844-687-4208 with your amp's output rating and impedance and we will confirm before you order.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpeaker level, selectable 4, 8 and 16 ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLine level, stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFront panel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker through\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTo a real cabinet at the selected attenuation level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work with any tube amp?\u003c\/h3\u003e\u003cp\u003eIt offers selectable 4, 8 and 16 ohm operation, covering essentially all tube guitar amplifiers. Call 844-687-4208 with your amp's specification and we will confirm.\u003c\/p\u003e\u003ch3\u003eCan I still use a real speaker cabinet?\u003c\/h3\u003e\u003cp\u003eYes. The OX attenuates the signal going to a real cabinet across five levels while also providing the modeled output.\u003c\/p\u003e\u003ch3\u003eHow is it different from the OX Stomp?\u003c\/h3\u003e\u003cp\u003eThe OX is a reactive load box that takes a tube amp's speaker output. The OX Stomp is a pedal that provides the speaker, cabinet and mic emulation without the load box, for use with amp emulators or line-level sources.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385540659,"sku":"OX","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/ox_amp_top_box_gallery_1.png?v=1774032931"},{"product_id":"anti-1992-high-gain-amplifier","title":"Universal Audio UAFX ANTI 1992 High Gain Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX ANTI 1992 High Gain Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio ANTI 1992\u003c\/strong\u003e is a \u003cstrong\u003e120 watt high gain tube head emulation in a stompbox\u003c\/strong\u003e, delivering the scooped tones behind decades of thrash, metal and punk through an end-to-end model. It carries a classic boost and a built-in noise gate to keep the signal clear at high gain, with cabinet and microphone emulations derived from the OX Amp Top Box.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScooped, tight and gated, which is what high gain actually needs.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e120 watt high gain tube head\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEnd-to-end\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBoost\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClassic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNoise gate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuilt in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Amplifier Is ANTI 1992 Based On?\u003c\/h2\u003e\u003cp\u003eOne of the most popular 120 watt tube heads ever made, modeled end to end. Universal Audio describes the result as the rich scooped tones that have fueled thrash, metal and punk bands for decades.\u003c\/p\u003e\u003ch2\u003eWhy Does It Have a Built-In Noise Gate?\u003c\/h2\u003e\u003cp\u003eBecause high gain amplifies everything, including the noise floor, hum from single coils and the sound of a hand leaving the strings. At these gain levels a gate is not optional, and building it in means one less pedal and one less connection in the chain.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385802803,"sku":"GPM-ANTI","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/anti_gallery_1_MIDI.png?v=1774032933"},{"product_id":"astra-modulation-pedal","title":"Universal Audio UAFX Astra Modulation Machine","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Astra\u003c\/strong\u003e is a \u003cstrong\u003eflagship modulation pedal carrying three complete effects\u003c\/strong\u003e: an end-to-end emulation of an iconic Japanese chorus and vibrato pedal, a full circuit capture of a legendary 1970s rackmount studio flanger and doubler, and a stem-to-stern model of the tube-driven optical tremolo from classic 1960s American amplifiers.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree modulation circuits, each modeled from the actual hardware.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe flagship UAFX pedals differ from the compact ones in how much is inside. Each carries three complete effect families rather than one, every family modeled from specific hardware, with preset storage, silent switching and a choice of true or buffered bypass.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFlagship modulation pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 complete families\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChorus and vibrato\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEnd-to-end emulation of an iconic Japanese pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFlanger and doubler\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull circuit capture of a 1970s rackmount studio unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTremolo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTube-driven optical, from 1960s American amps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStore and recall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Three Effects Does Astra Contain?\u003c\/h2\u003e\u003cp\u003eA bucket-brigade chorus and vibrato modeled end to end from an iconic Japanese pedal, a flanger and doubler taken as a full circuit capture of a 1970s rackmount studio unit, and a tube-driven optical tremolo modeled from classic 1960s American amplifiers. Three different circuits rather than three settings.\u003c\/p\u003e\u003ch2\u003eWho Is Astra For?\u003c\/h2\u003e\u003cp\u003ePlayers who want modulation to be a real part of the sound rather than an occasional effect, and anyone who would otherwise carry a chorus, a flanger and a tremolo separately. The rackmount flanger in particular is a studio effect rarely available in pedal form.\u003c\/p\u003e\u003ch2\u003eWhat Is Bucket-Brigade Modulation?\u003c\/h2\u003e\u003cp\u003eAn analog delay technique where the signal is passed through a chain of capacitors rather than converted to digital. It introduces its own character and a limited bandwidth, and that imperfection is exactly what makes vintage chorus and vibrato sound the way they do.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch3\u003eCan I save my settings?\u003c\/h3\u003e\u003cp\u003eYes. UAFX pedals store and recall presets, and the UAFX Control app handles archiving and further preset management.\u003c\/p\u003e\u003ch3\u003eIs the bypass true or buffered?\u003c\/h3\u003e\u003cp\u003eSelectable. True bypass takes the pedal out of the signal path entirely; buffered bypass preserves reverb and delay tails when the effect is switched off.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385835571,"sku":"GPM-ASTRA","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/astra_gallery_1_MIDI.png?v=1774032935"},{"product_id":"del-verb-ambience-companion","title":"Universal Audio UAFX Del-Verb Ambience Companion","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Del-Verb Ambience Companion\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Del-Verb\u003c\/strong\u003e is a \u003cstrong\u003ecombined reverb and delay pedal\u003c\/strong\u003e carrying a golden unit spring reverb tank from a classic 1960s American guitar amp, a vintage German studio plate from The Plant in Sausalito, bit-for-bit 1980s studio digital reverb algorithms, a definitive emulation of an iconic tape echo unit and legendary preamp, and classic bucket-brigade analog delay.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe best of Golden and Starlight, in one enclosure.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe flagship UAFX pedals differ from the compact ones in how much is inside. Each carries three complete effect families rather than one, every family modeled from specific hardware, with preset storage, silent switching and a choice of true or buffered bypass.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eReverb and delay pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpring reverb\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGolden unit tank from a 1960s American guitar amp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlate reverb\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage German studio plate from The Plant, Sausalito\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital reverb\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBit-for-bit 1980s studio algorithms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTape echo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIconic tape echo unit and preamp emulation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAnalog delay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClassic bucket-brigade\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Is Del-Verb Different From Golden and Starlight?\u003c\/h2\u003e\u003cp\u003eIt combines them rather than replacing either. Golden Reverberator carries three variations of each reverb family and Starlight carries three of each delay family. Del-Verb takes one of each into a single pedal, so a board gets both time-based effects in the space of one.\u003c\/p\u003e\u003ch2\u003eWho Is Del-Verb For?\u003c\/h2\u003e\u003cp\u003ePlayers with limited pedalboard space who need reverb and delay both, and anyone who does not need three variations of each family. It is the practical choice rather than the comprehensive one.\u003c\/p\u003e\u003ch2\u003eCan I Run Reverb and Delay at the Same Time?\u003c\/h2\u003e\u003cp\u003eThat is the point of the pedal. Call 844-687-4208 if you want the routing and the available combinations walked through before ordering.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385868339,"sku":"GPM-DLVRB","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/del_verb_gallery_1_MIDI.png?v=1774032937"},{"product_id":"dream-65-reverb-amplifier","title":"Universal Audio UAFX Dream '65 Reverb Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Dream '65 Reverb Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Dream '65\u003c\/strong\u003e is a \u003cstrong\u003emid-1960s American tube combo emulation in a stompbox\u003c\/strong\u003e, running the UAFX dual engine with authentic spring reverb and vibrato modeled from a golden unit heard on more than 100 classic records. Cabinet, microphone and room tones come from the OX Amp Top Box, and hot rod amp and speaker mods are on board.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe blackface clean that half of recorded music runs through.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid-1960s American tube combo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eReverb\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAuthentic spring, modeled from a golden unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVibrato\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModeled from the same unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMods\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHot rod amp and speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Amplifier Is Dream '65 Based On?\u003c\/h2\u003e\u003cp\u003eA mid-1960s American tube combo, and specifically a golden unit example that UA says has been heard on more than 100 classic records. Both the spring reverb and the vibrato are modeled from that same amplifier rather than approximated separately.\u003c\/p\u003e\u003ch2\u003eWho Is Dream '65 For?\u003c\/h2\u003e\u003cp\u003ePlayers who need that clean platform: country, blues, indie, worship and session work all sit on it. It is also the natural pedal for anyone building a pedalboard rig around pedals that were designed to run into a blackface-style clean.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385901107,"sku":"GPM-DRM","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/dream_gallery_1_MIDI.png?v=1774032940"},{"product_id":"enigmatic-82-overdrive-special-amplifier","title":"Universal Audio UAFX Enigmatic '82 Overdrive Special Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Enigmatic '82 Overdrive Special Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Enigmatic '82\u003c\/strong\u003e is a \u003cstrong\u003ehand-made boutique tube amplifier emulation in a stompbox\u003c\/strong\u003e, delivering the clean and blooming overdrive tones of the most fabled hand-built amps through an end-to-end model. Classic Rock and Jazz modes cover the iconic voicings, and Custom mode opens the parameters for tuning by hand. Cabinet and microphone emulations come from the OX Amp Top Box.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe boutique amp with a waiting list, without the waiting list.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHand-made boutique tube amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEnd-to-end\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClassic Rock, Jazz and Custom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCustom mode\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOpens underlying parameters for hand tuning\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Are the Three Modes?\u003c\/h2\u003e\u003cp\u003eClassic Rock and Jazz reproduce the two iconic factory voicings of the original amplifier. Custom mode goes under the hood and exposes the parameters, which is how owners of the real amp had theirs built to order in the first place.\u003c\/p\u003e\u003ch2\u003eWho Is Enigmatic '82 For?\u003c\/h2\u003e\u003cp\u003ePlayers after singing sustain and blooming overdrive rather than aggression, which covers blues, fusion, gospel and session work. Universal Audio associates the sound with players from Stevie Ray Vaughan onward.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385933875,"sku":"GPM-ENIG","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/enigmatic_gallery_1_tec.png?v=1774032942"},{"product_id":"galaxy-74-tape-echo-reverb","title":"Universal Audio UAFX Galaxy '74 Tape Echo and Reverb","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Galaxy '74\u003c\/strong\u003e is a \u003cstrong\u003emid-1970s analog Japanese ambience device emulation\u003c\/strong\u003e, modeling the full multi-head tape delay mechanism, the original hardware's spring reverb and its iconic analog preamp section. Delay times are doubled beyond what the original hardware offered.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe multi-head tape machine, with twice the delay time it had.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe flagship UAFX pedals differ from the compact ones in how much is inside. Each carries three complete effect families rather than one, every family modeled from specific hardware, with preset storage, silent switching and a choice of true or buffered bypass.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTape echo and reverb pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDevice modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid-1970s analog Japanese ambience unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTape mechanism\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull multi-head delay modeling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eReverb\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEmulation of the original spring reverb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCapture of the original analog preamp section\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDelay time\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDoubled beyond the original hardware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is a Multi-Head Tape Delay?\u003c\/h2\u003e\u003cp\u003eThe original machine had several playback heads reading the same tape loop at different distances from the record head, producing multiple rhythmically related repeats at once. Selecting head combinations gives delay patterns rather than a single repeat, and that is what makes the unit recognizable.\u003c\/p\u003e\u003ch2\u003eWho Is Galaxy '74 For?\u003c\/h2\u003e\u003cp\u003ePlayers after the specific character of that unit rather than a generic tape delay: the preamp colour, the spring reverb and the multi-head patterns together. Ambient, dub, psychedelic and shoegaze players in particular.\u003c\/p\u003e\u003ch2\u003eWhy Are the Delay Times Doubled?\u003c\/h2\u003e\u003cp\u003eBecause the original was limited by the physical length of its tape loop. Modeling removes that constraint, so Universal Audio doubled the available time for effects that the hardware could not produce.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch3\u003eCan I save my settings?\u003c\/h3\u003e\u003cp\u003eYes. UAFX pedals store and recall presets, and the UAFX Control app handles archiving and further preset management.\u003c\/p\u003e\u003ch3\u003eIs the bypass true or buffered?\u003c\/h3\u003e\u003cp\u003eSelectable. True bypass takes the pedal out of the signal path entirely; buffered bypass preserves reverb and delay tails when the effect is switched off.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385966643,"sku":"GPM-GLXY","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/galaxy_gallery_1_MIDI.png?v=1774032944"},{"product_id":"golden-reverb-pedal","title":"Universal Audio UAFX Golden Reverberator","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Golden Reverberator\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Golden Reverberator\u003c\/strong\u003e is a \u003cstrong\u003eflagship reverb pedal carrying three complete reverb families\u003c\/strong\u003e: three golden unit spring reverb tanks pulled from classic 1960s American guitar amps, three vintage German studio plate reverbs sourced from The Plant in Sausalito, and a trio of bit-for-bit vintage digital reverb algorithms from the late 1970s.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNine reverbs, and every one of them came off real hardware.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe flagship UAFX pedals differ from the compact ones in how much is inside. Each carries three complete effect families rather than one, every family modeled from specific hardware, with preset storage, silent switching and a choice of true or buffered bypass.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFlagship reverb pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eReverb families\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3, with 3 variations each\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpring\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree golden unit tanks from 1960s American guitar amps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree vintage German studio plates from The Plant, Sausalito\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree bit-for-bit late 1970s algorithms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStore and recall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTrue or buffered, with spillover and trails\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Are the Nine Reverbs?\u003c\/h2\u003e\u003cp\u003eThree spring tanks pulled from classic 1960s American guitar amplifiers, three vintage German studio plate reverbs sourced from The Plant in Sausalito, and three late-1970s digital algorithms reproduced bit for bit. Each family has three distinct units behind it rather than three tone settings.\u003c\/p\u003e\u003ch2\u003eWho Is Golden Reverberator For?\u003c\/h2\u003e\u003cp\u003ePlayers who treat reverb as a primary tone rather than an ambience, studio guitarists needing plate and vintage digital in a pedal, and anyone whose amp has no reverb or a poor one.\u003c\/p\u003e\u003ch2\u003eWhat Is Spillover and Trails?\u003c\/h2\u003e\u003cp\u003eWhen the effect is switched off, the reverb tail continues to decay rather than being cut dead. Without it, stepping off a reverb in the middle of a phrase truncates the sound abruptly, which is audible and usually unwanted.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131385999411,"sku":"GPM-GOLD","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/golden_gallery_1_MIDI.png?v=1774032946"},{"product_id":"knuckles-92-rev-f-dual-rec-amplifier","title":"Universal Audio UAFX Knuckles '92 Rev F Dual Rec Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Knuckles '92 Rev F Dual Rec Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Knuckles '92\u003c\/strong\u003e is a \u003cstrong\u003ethree-channel high gain tube amplifier emulation in a stompbox\u003c\/strong\u003e, covering clean, crunch and aggressive distortion. It allows a choice between EL-34 and 6L6 power tubes and between solid-state and tube rectifiers, carries six mic and speaker pairings, and includes a TS-style overdrive, a preamp boost and an integrated noise gate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree channels, two power tube types and two rectifiers, in one box.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMulti-channel high gain tube amp, Rev F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3: clean, crunch, distortion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower tubes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable EL-34 or 6L6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRectifier\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable solid-state or tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic and speaker pairings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOverdrive\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuilt-in TS-style plus preamp boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNoise gate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIntegrated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Do the Power Tube and Rectifier Options Change?\u003c\/h2\u003e\u003cp\u003eFeel and response more than tone. EL-34 and 6L6 power tubes distort differently and have different midrange characteristics. A tube rectifier sags under load where a solid-state one does not, which changes how the amp responds to a hard-picked chord. Having both selectable covers two quite different amplifier personalities.\u003c\/p\u003e\u003ch2\u003eWho Is Knuckles '92 For?\u003c\/h2\u003e\u003cp\u003ePlayers covering punk, alt rock and metal who need clean, crunch and high gain in one pedal with a real channel switch rather than a gain knob. The three-channel design and the built-in TS-style overdrive make it a complete rig rather than a single sound.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386032179,"sku":"GPM-KNUC","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/knuckles_gallery_1_MIDI.png?v=1774032949"},{"product_id":"lion-68-super-lead-amplifier","title":"Universal Audio UAFX Lion '68 Super Lead Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Lion '68 Super Lead Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Lion '68\u003c\/strong\u003e is a \u003cstrong\u003elate-1960s British 100 watt plexi emulation in a stompbox\u003c\/strong\u003e, carrying authentic emulations of three legendary high-powered plexi amplifiers: Super Lead, Super Bass and Brown. Cabinet, microphone and room tones come from the OX Amp Top Box, with hot rod amp and speaker mods and a noise gate available through the app.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThree different plexis, none of which need a wall of cabinets.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmps modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSuper Lead, Super Bass and Brown plexi\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower class\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLate-1960s British 100 watt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMods\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHot rod amp and speaker\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNoise gate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEngaged via UAFX Control app\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Amplifiers Does Lion '68 Model?\u003c\/h2\u003e\u003cp\u003eThree: the Super Lead, the Super Bass and the Brown. All are late-1960s British 100 watt plexi amplifiers, and they are genuinely different circuits rather than three settings on one model. The Brown in particular is a specific modified voicing rather than a stock amp.\u003c\/p\u003e\u003ch2\u003eWho Is Lion '68 For?\u003c\/h2\u003e\u003cp\u003eClassic rock and hard rock players who need plexi gain and touch response, and anyone who has wanted that sound but cannot run a 100 watt head loud enough to get it. That is the whole reason this category of pedal exists.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386064947,"sku":"GPM-LION","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/lion_gallery_1_tec.png?v=1774032952"},{"product_id":"ox-stomp-dynamic-speaker-emulator","title":"Universal Audio UAFX OX Stomp Dynamic Speaker Emulator","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX OX Stomp Dynamic Speaker Emulator\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio OX Stomp\u003c\/strong\u003e is a \u003cstrong\u003edynamic speaker, cabinet, microphone and room emulator in a stompbox\u003c\/strong\u003e, carrying over 100 curated RIGs plus genuine UA 1176 compression, plate reverb, EQ and stereo delay in dual, crossover and ping-pong modes. It models speaker breakup, drive and cone cry rather than applying a static impulse response, with silent switching, buffered bypass and analog dry through.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpeaker modeling that reacts, not an impulse response that sits still.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eAn impulse response is a snapshot. It captures how a cabinet responded to one signal at one level, and it plays back the same way regardless of how hard it is driven. A real speaker does not behave like that: it compresses, it breaks up, and the cone moves in ways that change with level.\u003c\/p\u003e\u003cp\u003eOX Stomp models that behavior rather than replaying a capture. Speaker breakup, drive and cone cry all respond to what is being played, which is why a chord hit hard sounds different from the same chord played softly beyond simply being louder.\u003c\/p\u003e\u003cp\u003eOver 100 curated RIGs are on board, each a complete speaker, cabinet, microphone and room setup, and they are designed to sit after any amp emulator or in front of a desk. The effects section carries genuine UA 1176 compression, plate reverb, EQ and stereo delay with dual, crossover and ping-pong modes.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDynamic speaker, cab, mic and room emulator\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRIGs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOver 100 curated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModeling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpeaker breakup, drive and cone cry\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUA 1176 compression, plate reverb, EQ, stereo delay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDelay modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual, crossover, ping-pong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSilent switching, buffered bypass, analog dry through\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Is This Different From an Impulse Response?\u003c\/h2\u003e\u003cp\u003eAn impulse response is a static capture that plays back identically regardless of input level. OX Stomp models the speaker's actual behavior, so breakup, drive and cone cry change with how hard the pedal is driven. That is the difference between a cabinet that reacts to playing and one that does not.\u003c\/p\u003e\u003ch2\u003eWho Is the OX Stomp For?\u003c\/h2\u003e\u003cp\u003ePlayers running amp emulators who need a convincing cabinet after them, anyone going direct to front of house or into an interface, and OX Amp Top Box owners who want the same cabinet tones on a pedalboard without carrying the load box.\u003c\/p\u003e\u003ch2\u003eWhat Effects Are Built In?\u003c\/h2\u003e\u003cp\u003eGenuine UA 1176 compression, plate reverb, EQ and a stereo delay offering dual, crossover and ping-pong modes. These are UA's own algorithms rather than generic pedal effects.\u003c\/p\u003e\u003ch2\u003eWhat Is Analog Dry Through?\u003c\/h2\u003e\u003cp\u003eThe dry signal passes through the pedal in analog rather than being converted, processed and converted back. That preserves the untouched signal for anyone blending a direct guitar sound alongside the modeled one.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuffered, with analog dry through\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDo I still need a real cabinet?\u003c\/h3\u003e\u003cp\u003eNo. OX Stomp provides the speaker, cabinet, microphone and room, so it feeds a desk, an interface or in-ears directly.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386097715,"sku":"GPM-OXSTP","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/ox_stomp_gallery_1_MIDI.png?v=1774032955"},{"product_id":"ruby-63-top-boost-amplifier","title":"Universal Audio UAFX Ruby '63 Top Boost Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Ruby '63 Top Boost Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Ruby '63\u003c\/strong\u003e is a \u003cstrong\u003e1960s British tube combo emulation in a stompbox\u003c\/strong\u003e, running the UAFX dual engine with cabinet, microphone and room tones derived from the OX Amp Top Box. It carries a hot rod treble booster, a preamp boost and speaker swaps, plus free additional downloadable cabinets and mics on registration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe British chime, with the treble booster already in the box.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1960s British tube combo, top boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBoosts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHot rod treble booster and preamp boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker swaps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Amplifier Is Ruby '63 Based On?\u003c\/h2\u003e\u003cp\u003eA 1960s British top boost tube combo, the amplifier behind the chiming, midrange-forward sound of British invasion and jangle guitar. The top boost circuit is the specific voicing being modeled rather than the amp's basic channel.\u003c\/p\u003e\u003ch2\u003eWho Is Ruby '63 For?\u003c\/h2\u003e\u003cp\u003ePlayers chasing British sixties chime and the jangle that came out of it, and anyone whose rig has always run a treble booster in front of that amp. The hot rod treble booster is included rather than being another pedal on the board.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386130483,"sku":"GPM-RUBY","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/ruby_gallery_1_MIDI.png?v=1774032960"},{"product_id":"starlight-delay-pedal","title":"Universal Audio UAFX Starlight Echo Station","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Starlight Echo Station\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Starlight Echo Station\u003c\/strong\u003e is a \u003cstrong\u003eflagship delay pedal carrying three complete delay families\u003c\/strong\u003e: a definitive emulation of iconic tape echo units with New, Used and Worn tape machine options, bucket-brigade analog delay with the color and texture of the original hardware, and pristine studio-grade digital delays with dynamic modulation textures.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTape, bucket-brigade and digital, with tape wear as a control.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe flagship UAFX pedals differ from the compact ones in how much is inside. Each carries three complete effect families rather than one, every family modeled from specific hardware, with preset storage, silent switching and a choice of true or buffered bypass.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFlagship delay pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDelay families\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTape\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNew, Used and Worn tape machine models\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBucket-brigade, modeled from original hardware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStudio-grade with modulation textures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePreset storage, tap tempo, spillover and trails\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Do New, Used and Worn Tape Mean?\u003c\/h2\u003e\u003cp\u003eTape degrades, and a tape echo sounds different depending on the condition of the tape in it. New is clean and bright, Worn is dull with more wow and flutter and more obvious artifacts, and Used sits between them. On real hardware this is a consumable; here it is a control.\u003c\/p\u003e\u003ch2\u003eWho Is Starlight For?\u003c\/h2\u003e\u003cp\u003ePlayers who use delay as a texture rather than a repeat: ambient, post-rock, worship and studio work. Having tape, analog and digital in one pedal covers most of what a board would otherwise need two or three delays for.\u003c\/p\u003e\u003ch2\u003eWhy Does Tap Tempo Matter?\u003c\/h2\u003e\u003cp\u003eBecause a delay set by ear against a knob drifts out of time with the song. Tap tempo sets the repeat interval against the actual tempo being played, which is the difference between a delay that supports a part and one that fights it.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386228787,"sku":"GPM-STAR","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/starlight_gallery_1_MIDI.png?v=1774032962"},{"product_id":"woodrow-55-instrument-amplifier","title":"Universal Audio UAFX Woodrow '55 Instrument Amplifier","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $50 instantly on the UAFX Woodrow '55 Instrument Amplifier\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Woodrow '55\u003c\/strong\u003e is a \u003cstrong\u003emid-1950s American tube combo emulation in a stompbox\u003c\/strong\u003e, running the UAFX dual engine with cabinet, microphone and room tones derived from the OX Amp Top Box. It adds hot rod boosts and classic speaker swaps, plus free additional downloadable cabinets and mics on registration.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe tweed breakup that rock guitar was invented on.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe cabinet, microphone and room emulations come from the OX Amp Top Box, UA's reactive load box. That matters because those emulations were built for a product whose entire job was replacing a miked cabinet, not added to a pedal afterward.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmp emulator pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAmp modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid-1950s American tube combo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBoosts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHot rod\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSpeaker swaps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClassic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCabinets and mics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDerived from OX Amp Top Box\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFour onboard amp presets via footswitch modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Amplifier Is Woodrow '55 Based On?\u003c\/h2\u003e\u003cp\u003eA mid-1950s American tube combo, the tweed-era design whose defining characteristic is that it breaks up early and unevenly. That breakup is the sound, which is why the emulation is about how the amp behaves under pressure rather than how it sounds clean.\u003c\/p\u003e\u003ch2\u003eWho Is Woodrow '55 For?\u003c\/h2\u003e\u003cp\u003eBlues, roots, early rock and slide players, and anyone who wants an amplifier that responds to picking dynamics rather than staying clean until a pedal is stepped on. It also works well with humbuckers where a blackface-style clean can sound stiff.\u003c\/p\u003e\u003ch2\u003eCan I Use It in Front of a Real Amp?\u003c\/h2\u003e\u003cp\u003eYes. The cabinet and microphone emulations bypass, which leaves the amplifier emulation running into a real amp as a preamp and overdrive stage. That is a common way to use these pedals when there is already a good amp in the room.\u003c\/p\u003e\u003ch2\u003eWhat Does the UAFX Control App Add?\u003c\/h2\u003e\u003cp\u003eFootswitch customization, preset recall and archiving, free additional downloadable speaker cabinets and microphones on registration, and artist presets. The pedal supports MIDI over USB along with Bluetooth and hardwired connections, and the app enables footswitch modes carrying four onboard amp presets.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMIDI over USB, Bluetooth, hardwired\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line, and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386261555,"sku":"GPM-WDR","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/woodrow_gallery_1_MIDI.png?v=1774032965"},{"product_id":"1176-studio-compressor","title":"Universal Audio UAFX 1176 Studio Compressor","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $40 instantly on the UAFX 1176 Studio Compressor\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio 1176 Studio Compressor\u003c\/strong\u003e is an \u003cstrong\u003eauthentic emulation of the 1176LN limiting amplifier in a compact stompbox\u003c\/strong\u003e, carrying Single, Dual and Sustain modes, Input, Output, Attack and Release controls true to the original hardware, a Ratio knob including all-buttons-in mode, and a parallel compression mode.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe studio 1176, including all-buttons mode, on a pedalboard.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompressor pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1176LN limiting amplifier\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle, Dual and Sustain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eInput, Output, Attack and Release, true to original hardware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIncludes all-buttons-in mode\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eParallel compression\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eIs This the Same as the Rack 1176?\u003c\/h2\u003e\u003cp\u003eIt is an emulation of the 1176LN limiting amplifier, with Input, Output, Attack and Release behaving as they do on the original hardware, including the counterintuitive fully-clockwise-is-fastest arrangement. The Ratio control also includes all-buttons-in mode.\u003c\/p\u003e\u003ch2\u003eWhat Is All-Buttons-In Mode?\u003c\/h2\u003e\u003cp\u003eOn the original 1176, pressing all four ratio buttons at once puts the detector into a state outside the intended design, producing squashed, gritty compression with a distinctive curve. It has been used deliberately since the 1970s and it is reproduced here.\u003c\/p\u003e\u003ch2\u003eWhat Does Parallel Compression Do?\u003c\/h2\u003e\u003cp\u003eIt blends the compressed signal with the uncompressed one. That keeps the transients and the dynamics of the original performance while raising the quiet parts, which is a different result from compressing the whole signal harder.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386294323,"sku":"GPS-1176","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/1176_pedal_gallery_1_124c15bb-d4f1-42e3-8106-b43a1205b4f3.png?v=1774032967"},{"product_id":"brigade-chorus-vibrato","title":"Universal Audio UAFX Brigade Chorus and Vibrato","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Brigade\u003c\/strong\u003e is an \u003cstrong\u003eauthentic emulation of the 1976 Boss CE-1 Chorus Ensemble in a compact stompbox\u003c\/strong\u003e, capturing the bucket-brigade circuit for thick chorus and vibrato along with the unit's vintage analog preamp. It carries a Volume control, a preamp on and off switch and selectable true or buffered bypass.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe CE-1, preamp included, at a fraction of the footprint.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChorus and vibrato pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1976 Boss CE-1 Chorus Ensemble\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCircuit\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBucket-brigade, captured\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage analog, switchable on or off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVolume plus chorus and vibrato\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Does the CE-1 Preamp Matter?\u003c\/h2\u003e\u003cp\u003eBecause a lot of what people like about the original unit is the preamp rather than the modulation. It thickens and colours the signal even with the chorus off, which is why the pedal lets it be switched independently.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between Chorus and Vibrato Here?\u003c\/h2\u003e\u003cp\u003eChorus blends a pitch-modulated copy with the dry signal, producing thickness and movement. Vibrato modulates the pitch of the whole signal with no dry blend, so it is a pure pitch wobble rather than a widening effect. The original CE-1 offered both and so does this.\u003c\/p\u003e\u003ch2\u003eWho Is Brigade For?\u003c\/h2\u003e\u003cp\u003ePlayers after that specific late-1970s and early-1980s chorus sound, which is a particular bucket-brigade character rather than a generic chorus, and anyone wanting the CE-1 preamp as a tone stage in its own right.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch3\u003eCan I save my settings?\u003c\/h3\u003e\u003cp\u003eYes. UAFX pedals store and recall presets, and the UAFX Control app handles archiving and further preset management.\u003c\/p\u003e\u003ch3\u003eIs the bypass true or buffered?\u003c\/h3\u003e\u003cp\u003eSelectable. True bypass takes the pedal out of the signal path entirely; buffered bypass preserves reverb and delay tails when the effect is switched off.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386654771,"sku":"GPS-BRGD","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/brigade_chorus___vibrato_gallery_1_2eb75726-cefd-4b5e-9d7a-85db5fc42be5.png?v=1774032969"},{"product_id":"evermore-studio-reverb","title":"Universal Audio UAFX Evermore Studio Reverb","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $40 instantly on the UAFX Evermore Studio Reverb\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Evermore\u003c\/strong\u003e is an \u003cstrong\u003eauthentic emulation of vintage digital studio reverb hardware in a compact stompbox\u003c\/strong\u003e, carrying bit-for-bit emulations of the iconic Room, Small Hall and Large Hall programs with vintage-correct Bass, Mid and Treble decay lines. A Mod control adds early-digital textures, with selectable true or trails bypass and short or long pre-delay.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe early digital studio reverb, grain and all.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eReverb pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage digital studio hardware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePrograms\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRoom, Small Hall and Large Hall, bit for bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDecay lines\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage-correct Bass, Mid and Treble\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMod control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEarly-digital textures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePre-delay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable short or long\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or trails\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Are Decay Lines?\u003c\/h2\u003e\u003cp\u003eSeparate decay times for the bass, midrange and treble content of the reverb tail. Real spaces do not decay evenly across the spectrum, and the vintage hardware being modeled offered independent control over each, which is why a setting can sound dark and long or bright and short.\u003c\/p\u003e\u003ch2\u003eWhat Does the Mod Control Do?\u003c\/h2\u003e\u003cp\u003eIt adds the lush, grainy texture characteristic of early digital reverb. That grain was originally a limitation of the converters and the processing of the era, and it became part of why those units are still wanted.\u003c\/p\u003e\u003ch2\u003eWho Is Evermore For?\u003c\/h2\u003e\u003cp\u003ePlayers after the sound of 1980s records specifically, where the reverb is recognizably digital rather than a spring or a plate. It is also a practical pedalboard reverb for anyone who finds spring reverb too coloured.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386687539,"sku":"GPS-EVMR","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/evermore_gallery_1_b5756ad0-9c69-4571-a1ee-8661934da1df.png?v=1774032972"},{"product_id":"flow-vintage-tremolo","title":"Universal Audio UAFX Flow Vintage Tremolo","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Flow\u003c\/strong\u003e is an \u003cstrong\u003eemulation of three tube-driven tremolo effects in a compact stompbox\u003c\/strong\u003e, with a captured tube preamp behind them. Three modes cover Dharma harmonic tremolo, 65 round sine wave and Square choppier square wave, with onboard tap tempo, a Volume control and selectable true or buffered bypass.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHarmonic tremolo, which most tremolo pedals do not have.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTremolo pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 tube-driven tremolo emulations\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDharma harmonic, 65 sine wave, Square\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCaptured tube preamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTap tempo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOnboard\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVolume plus tremolo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is Harmonic Tremolo?\u003c\/h2\u003e\u003cp\u003eRather than modulating the whole signal's volume, harmonic tremolo splits it into high and low bands and modulates them out of phase with each other. The result sounds closer to a phaser than a conventional tremolo, and it came from a small number of early 1960s amplifiers. The Dharma mode reproduces it.\u003c\/p\u003e\u003ch2\u003eWhat Are the Three Modes?\u003c\/h2\u003e\u003cp\u003eDharma is the harmonic tremolo described above. 65 is a round sine wave tremolo, the smooth amp-style effect most people picture. Square is choppier, cutting the signal harder for a more rhythmic, stuttering result.\u003c\/p\u003e\u003ch2\u003eWhy Does It Have Tap Tempo?\u003c\/h2\u003e\u003cp\u003eBecause tremolo rate has to sit against the song. Setting it by ear against a knob drifts, and a tremolo slightly out of time with the tempo is more distracting than one that is obviously free-running.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch3\u003eCan I save my settings?\u003c\/h3\u003e\u003cp\u003eYes. UAFX pedals store and recall presets, and the UAFX Control app handles archiving and further preset management.\u003c\/p\u003e\u003ch3\u003eIs the bypass true or buffered?\u003c\/h3\u003e\u003cp\u003eSelectable. True bypass takes the pedal out of the signal path entirely; buffered bypass preserves reverb and delay tails when the effect is switched off.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386720307,"sku":"GPS-FLOW","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/flow_vintage_tremolo_gallery_1_a8a50b88-8027-4b2e-b2ef-569e65dc0c57.png?v=1774032974"},{"product_id":"heavenly-plate-reverb","title":"Universal Audio UAFX Heavenly Plate Reverb","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $40 instantly on the UAFX Heavenly Plate Reverb\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Heavenly\u003c\/strong\u003e is an \u003cstrong\u003eemulation of three vintage studio plate reverbs in a compact stompbox\u003c\/strong\u003e, offering selectable Vintage Bright, Vintage Dark and Modern Full plate settings. Mod, Pre-delay, EQ and slow or fast Rate controls shape the effect, with selectable true or trails bypass.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStudio plate reverb, from something that fits on a board.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePlate reverb pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlates modeled\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3 vintage studio plates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSettings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage Bright, Vintage Dark and Modern Full\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMod, Pre-delay, EQ, slow or fast Rate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or trails\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Is a Plate Reverb?\u003c\/h2\u003e\u003cp\u003eA large sheet of metal under tension, driven by a transducer and picked up by contact microphones. The sound is dense and immediate with no distinct early reflections, which is why plates suit vocals and guitars in a way a room reverb does not. Original units are furniture-sized.\u003c\/p\u003e\u003ch2\u003eWhat Are the Three Settings?\u003c\/h2\u003e\u003cp\u003eVintage Bright and Vintage Dark reproduce two different original plates, which genuinely differ in their high-frequency behavior. Modern Full is a fuller contemporary voicing. Each is a different plate rather than an EQ setting.\u003c\/p\u003e\u003ch2\u003eWho Is Heavenly For?\u003c\/h2\u003e\u003cp\u003ePlayers who want reverb that sits behind the guitar rather than around it, and anyone recording direct who needs a studio-quality plate without an outboard unit or a plug-in.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386949683,"sku":"GPS-HVNLY","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/heavenly_gallery_1_1bc9103f-135f-4e04-a1e4-36e2ef684df9.png?v=1774032976"},{"product_id":"la-2a-studio-compressor","title":"Universal Audio UAFX LA-2A Studio Compressor","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $40 instantly on the UAFX LA-2A Studio Compressor\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio LA-2A Studio Compressor\u003c\/strong\u003e is an \u003cstrong\u003eauthentic emulation of the Teletronix LA-2A optical tube compressor and limiter in a compact stompbox\u003c\/strong\u003e, capturing the vintage transformers, tube amplifiers and T4 optical cell end to end. It adds a Dry Mix control for parallel compression and a Stock and Fast attack switch.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOptical tube compression that levels instead of clamping.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompressor pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTeletronix LA-2A optical tube compressor and limiter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCaptured\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVintage transformers, tube amplifiers and T4 optical cell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDry Mix\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFor parallel compression\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack switch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStock or Fast\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Does Optical Compression Differ From the 1176?\u003c\/h2\u003e\u003cp\u003eSpeed and behavior. The T4 optical cell responds slowly and its release depends on what came before it, so it levels a performance rather than catching transients. The 1176 is fast enough to grab the initial attack of a note. On guitar the LA-2A tends to add sustain and thickness where the 1176 adds punch.\u003c\/p\u003e\u003ch2\u003eWhat Does the Fast Attack Switch Do?\u003c\/h2\u003e\u003cp\u003eStock reproduces the original unit's attack time. Fast speeds it up, which the hardware does not offer. On a guitar that is useful when the pick attack needs controlling rather than preserving.\u003c\/p\u003e\u003ch2\u003eWhat Is Dry Mix For?\u003c\/h2\u003e\u003cp\u003eParallel compression. Blending the uncompressed signal back in preserves the original transients while the compressed signal fills in underneath, which is a fuller result than compressing everything.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131386982451,"sku":"GPS-LA2A","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/teletronix_la-2a_studio_compressor_gallery_1_v2.png?v=1774032979"},{"product_id":"orion-tape-echo","title":"Universal Audio UAFX Orion Tape Echo","description":"\u003cdiv class=\"vmi-promo\" style=\"display:flex;flex-wrap:wrap;align-items:center;gap:18px;border:1px solid #c8102e;border-left:6px solid #c8102e;background:#fff6f7;padding:16px;margin:0 0 20px 0;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/Q326_-_UAFX_-_Instant_Savings_Event_US_2500x2500_5855e8e0-e7d6-4193-a604-cb0e0f2453ba.jpg?v=1788200838\" width=\"240\" height=\"240\" loading=\"lazy\" alt=\"Universal Audio UAFX Instant Savings Event, save up to 50 dollars on eligible UAFX guitar pedals, ends September 30 2026\" style=\"width:240px;max-width:100%;height:auto;display:block;flex:0 0 auto;\"\u003e\u003cdiv style=\"flex:1 1 260px;min-width:240px;\"\u003e\n\u003cp style=\"margin:0 0 6px 0;color:#c8102e;font-size:12px;letter-spacing:.1em;text-transform:uppercase;\"\u003eUAFX Instant Savings Event\u003c\/p\u003e\n\u003cp style=\"margin:0 0 10px 0;color:#c8102e;font-size:20px;font-weight:700;line-height:1.25;\"\u003eSave $40 instantly on the UAFX Orion Tape Echo\u003c\/p\u003e\n\u003cp style=\"margin:0 0 8px 0;font-size:14px;line-height:1.5;\"\u003eSeptember 1 through September 30, 2026. The savings are already taken off the price shown, so there is no code to enter and no rebate to file. Available while supplies last.\u003c\/p\u003e\n\u003cp style=\"margin:0;font-size:14px;line-height:1.5;\"\u003eQuestions on this offer, call 844-687-4208.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003eUniversal Audio Orion\u003c\/strong\u003e is an \u003cstrong\u003eemulation of the vintage Maestro Echoplex EP-III tape echo in a compact stompbox\u003c\/strong\u003e, with the unit's analog preamp captured for fat, boosted tones. Selectable Mint, Worn and Old tape types add colour and texture, and a Wonk control produces modulated repeats and tape splice artifacts.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe EP-III, preamp and tape wear included.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eUAFX pedals come out of the same modeling work as UA's plug-ins. The company measures specific units rather than product categories, which is why its descriptions name a particular amplifier or a particular tape machine rather than a style. The dual-engine processing in these pedals is what allows that detail to run in a stompbox rather than on a computer.\u003c\/p\u003e\u003cp\u003eThe compact UAFX pedals take one piece of hardware and model it end to end rather than offering a menu. That is a deliberate trade: fewer options, and a closer reproduction of the unit being modeled, in an enclosure that fits a crowded board.\u003c\/p\u003e\u003cp\u003eThe UAFX Control app handles what the four knobs cannot. Footswitch behavior, preset recall and archiving, additional downloadable speaker cabinets and microphones, and artist presets all live there. Current pedals support MIDI over USB along with Bluetooth and hardwired connections.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTape echo pedal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEmulation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMaestro Echoplex EP-III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePreamp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCaptured analog preamp, switchable on or off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTape types\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMint, Worn and Old\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWonk control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eModulated repeats and tape splice artifacts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Is the Echoplex Preamp Famous?\u003c\/h2\u003e\u003cp\u003eBecause a lot of players used the unit with the delay switched off, purely for what the preamp did to the signal. It thickens and boosts in a way that became part of many recorded guitar sounds. Orion captures it and lets it be switched independently of the echo.\u003c\/p\u003e\u003ch2\u003eWhat Do Mint, Worn and Old Tape Do?\u003c\/h2\u003e\u003cp\u003eThey change the condition of the modeled tape. Mint is clean and bright, Old is dull with pronounced wow, flutter and artifacts, and Worn sits between. On the real machine this depended on how long since the tape was replaced.\u003c\/p\u003e\u003ch2\u003eWhat Is the Wonk Control?\u003c\/h2\u003e\u003cp\u003eIt introduces modulated repeats and the sound of a tape splice passing the head. Those are mechanical faults on real hardware, and they are a large part of why tape echo sounds alive rather than mathematical.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. instrument\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in., stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSelectable true or buffered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9 V DC, UAFX supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need a special power supply?\u003c\/h3\u003e\u003cp\u003eUAFX pedals draw more current than a typical analog pedal. UA sells the PSU-GP1-WW supply for the UAFX line and we stock it. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387015219,"sku":"GPS-ORN","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/orion_gallery_1_2d0045d2-7147-4710-be3a-2bec4e5a632e.png?v=1774032981"},{"product_id":"apollo-twin-x-duo-gen-2-ess-desktop-tb3-mac-win","title":"Universal Audio Apollo Twin X DUO Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Twin X DUO Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and DUO Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo Unison preamps and DUO core DSP on a desktop footprint.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDUO Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Twin X Have?\u003c\/h2\u003e\u003cp\u003eTen in and six out. Two combination XLR and 1\/4 in. mic\/line inputs with Unison preamps, a front panel Hi-Z instrument input, a stereo monitor pair, two line outputs, a headphone output, and optical ADAT plus S\/PDIF digital input adding eight more channels at 44.1 and 48 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo Twin X For?\u003c\/h2\u003e\u003cp\u003eProducers and songwriters working at a desk who want Unison preamps and Realtime UAD processing without a rack. It is the most common Apollo for a project studio, and the DUO and QUAD versions differ only in how many UAD plug-ins can run at once.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between DUO and QUAD?\u003c\/h2\u003e\u003cp\u003eDSP count. DUO carries two SHARC processors, QUAD carries four. The audio path, preamps, conversion and I\/O are identical. QUAD lets more UAD plug-ins run simultaneously, which matters most when tracking through several instances at once or mixing large sessions on the interface.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF input, 8 channels at 44.1 and 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387047987,"sku":"APTXDG2-ESS","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_twin_x_gallery_2_0f59949a-223d-49bb-ba1a-e3464b557151.png?v=1788017856"},{"product_id":"apollo-twin-x-duo-gen-2-stu-desktop-tb3-mac-win","title":"Universal Audio Apollo Twin X DUO Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Twin X DUO Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and DUO Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo Unison preamps and DUO core DSP on a desktop footprint.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDUO Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Twin X Have?\u003c\/h2\u003e\u003cp\u003eTen in and six out. Two combination XLR and 1\/4 in. mic\/line inputs with Unison preamps, a front panel Hi-Z instrument input, a stereo monitor pair, two line outputs, a headphone output, and optical ADAT plus S\/PDIF digital input adding eight more channels at 44.1 and 48 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo Twin X For?\u003c\/h2\u003e\u003cp\u003eProducers and songwriters working at a desk who want Unison preamps and Realtime UAD processing without a rack. It is the most common Apollo for a project studio, and the DUO and QUAD versions differ only in how many UAD plug-ins can run at once.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between DUO and QUAD?\u003c\/h2\u003e\u003cp\u003eDSP count. DUO carries two SHARC processors, QUAD carries four. The audio path, preamps, conversion and I\/O are identical. QUAD lets more UAD plug-ins run simultaneously, which matters most when tracking through several instances at once or mixing large sessions on the interface.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF input, 8 channels at 44.1 and 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387080755,"sku":"APTXDG2-STU","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_twin_x_gallery_2_4bb9da9e-c1c2-4c2b-bd02-0492f5b9d96f.png?v=1788017859"},{"product_id":"apollo-twin-x-quad-gen-2-ess-desktop-tb3-mac-win","title":"Universal Audio Apollo Twin X QUAD Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Twin X QUAD Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and QUAD Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo Unison preamps and QUAD core DSP on a desktop footprint.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQUAD Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Twin X Have?\u003c\/h2\u003e\u003cp\u003eTen in and six out. Two combination XLR and 1\/4 in. mic\/line inputs with Unison preamps, a front panel Hi-Z instrument input, a stereo monitor pair, two line outputs, a headphone output, and optical ADAT plus S\/PDIF digital input adding eight more channels at 44.1 and 48 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo Twin X For?\u003c\/h2\u003e\u003cp\u003eProducers and songwriters working at a desk who want Unison preamps and Realtime UAD processing without a rack. It is the most common Apollo for a project studio, and the DUO and QUAD versions differ only in how many UAD plug-ins can run at once.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between DUO and QUAD?\u003c\/h2\u003e\u003cp\u003eDSP count. DUO carries two SHARC processors, QUAD carries four. The audio path, preamps, conversion and I\/O are identical. QUAD lets more UAD plug-ins run simultaneously, which matters most when tracking through several instances at once or mixing large sessions on the interface.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF input, 8 channels at 44.1 and 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387146291,"sku":"APTXQG2-ESS","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_twin_x_gallery_2_86332e72-dd5f-4ae3-b790-d9b7d3f81ae8.png?v=1788017863"},{"product_id":"apollo-twin-x-quad-gen-2-stu-desktop-tb3-mac-win","title":"Universal Audio Apollo Twin X QUAD Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Twin X QUAD Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and QUAD Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTwo Unison preamps and QUAD core DSP on a desktop footprint.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10-in \/ 6-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQUAD Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Twin X Have?\u003c\/h2\u003e\u003cp\u003eTen in and six out. Two combination XLR and 1\/4 in. mic\/line inputs with Unison preamps, a front panel Hi-Z instrument input, a stereo monitor pair, two line outputs, a headphone output, and optical ADAT plus S\/PDIF digital input adding eight more channels at 44.1 and 48 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo Twin X For?\u003c\/h2\u003e\u003cp\u003eProducers and songwriters working at a desk who want Unison preamps and Realtime UAD processing without a rack. It is the most common Apollo for a project studio, and the DUO and QUAD versions differ only in how many UAD plug-ins can run at once.\u003c\/p\u003e\u003ch2\u003eWhat Is the Difference Between DUO and QUAD?\u003c\/h2\u003e\u003cp\u003eDSP count. DUO carries two SHARC processors, QUAD carries four. The audio path, preamps, conversion and I\/O are identical. QUAD lets more UAD plug-ins run simultaneously, which matters most when tracking through several instances at once or mixing large sessions on the interface.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF input, 8 channels at 44.1 and 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387506739,"sku":"APTXQG2-STU","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_twin_x_gallery_2_035fdb02-6873-43e3-8cd0-3db06082c67d.png?v=1788017867"},{"product_id":"apollo-x4-gen-2-ess-desktop-tb3-mac-win","title":"Universal Audio Apollo x4 Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x4 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e12-in \/ 18-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 4 Unison preamps and QUAD Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour Unison preamps and two headphone amps on a desktop.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12-in \/ 18-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQUAD Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x4 Have?\u003c\/h2\u003e\u003cp\u003e12-in \/ 18-out desktop thunderbolt 3 interface. Mic\/line inputs: 4, combination XLR and 1\/4 in.; Instrument inputs: 2, front panel Hi-Z; Monitor outputs: 1 stereo pair, 1\/4 in.; Line outputs: 4, 1\/4 in.; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x4 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387539507,"sku":"APX4G2-ESS","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x4_gallery_1_db5bae68-7c78-4993-9d18-655c44510d29.png?v=1788017885"},{"product_id":"apollo-x4-gen-2-stu-desktop-tb3-mac-win","title":"Universal Audio Apollo x4 Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x4 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e12-in \/ 18-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with 4 Unison preamps and QUAD Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour Unison preamps and two headphone amps on a desktop.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12-in \/ 18-out desktop Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQUAD Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x4 Have?\u003c\/h2\u003e\u003cp\u003e12-in \/ 18-out desktop thunderbolt 3 interface. Mic\/line inputs: 4, combination XLR and 1\/4 in.; Instrument inputs: 2, front panel Hi-Z; Monitor outputs: 1 stereo pair, 1\/4 in.; Line outputs: 4, 1\/4 in.; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x4 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387572275,"sku":"APX4G2-STU","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x4_gallery_1_12d79d86-35a8-44a1-9459-91c4a1afd7bd.png?v=1788017889"},{"product_id":"apollo-x6-gen-2-ess-rack-tb3-mac-win","title":"Universal Audio Apollo x6 Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x6 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRack format, HEXA core DSP, and room to grow the I\/O.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x6 Have?\u003c\/h2\u003e\u003cp\u003e16-in \/ 22-out rackmount thunderbolt 3 interface. Mic\/line inputs: 2, combination XLR and 1\/4 in.; Instrument input: 1, front panel Hi-Z; Line inputs: 4; Monitor outputs: 1 stereo pair; Line outputs: 6; Headphones: 1 stereo output; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x6 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387605043,"sku":"APX6G2-ESS","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x6_gallery_1_331aa4be-f739-4224-99d4-2dd07275cbd3.png?v=1788017893"},{"product_id":"apollo-x6-gen-2-stu-rack-tb3-mac-win","title":"Universal Audio Apollo x6 Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x6 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 2 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRack format, HEXA core DSP, and room to grow the I\/O.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x6 Have?\u003c\/h2\u003e\u003cp\u003e16-in \/ 22-out rackmount thunderbolt 3 interface. Mic\/line inputs: 2, combination XLR and 1\/4 in.; Instrument input: 1, front panel Hi-Z; Line inputs: 4; Monitor outputs: 1 stereo pair; Line outputs: 6; Headphones: 1 stereo output; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x6 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387637811,"sku":"APX6G2-STU","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x6_gallery_1_e4de8f9b-e686-4820-b7c9-5d358acc05af.png?v=1788017896"},{"product_id":"apollo-x8-gen-2-ess-rack-tb3-mac-win","title":"Universal Audio Apollo x8 Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x8 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e18-in \/ 24-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 4 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour preamps and eight line inputs in one rack space.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18-in \/ 24-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x8 Have?\u003c\/h2\u003e\u003cp\u003e18-in \/ 24-out rackmount thunderbolt 3 interface. Mic\/line inputs: 4, combination XLR and 1\/4 in.; Instrument inputs: 2, front panel Hi-Z; Line inputs: 8; Monitor outputs: 1 stereo pair; Line outputs: 8; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x8 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387670579,"sku":"APX8G2-ESS","price":2899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x8_gallery_1_d56a785b-037d-45df-a006-01c858e991fa.png?v=1788017901"},{"product_id":"apollo-x8-gen-2-stu-rack-tb3-mac-win","title":"Universal Audio Apollo x8 Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x8 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e18-in \/ 24-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 4 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFour preamps and eight line inputs in one rack space.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18-in \/ 24-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x8 Have?\u003c\/h2\u003e\u003cp\u003e18-in \/ 24-out rackmount thunderbolt 3 interface. Mic\/line inputs: 4, combination XLR and 1\/4 in.; Instrument inputs: 2, front panel Hi-Z; Line inputs: 8; Monitor outputs: 1 stereo pair; Line outputs: 8; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x8 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4, combination XLR and 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387703347,"sku":"APX8G2-STU","price":3199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x8_gallery_1_eb0f443a-9bd2-4e0b-bc7d-fb882cec878e.png?v=1788017904"},{"product_id":"apollo-x8p-gen-2-ess-rack-tb3-mac-win","title":"Universal Audio Apollo x8p Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x8p Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 8 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEight Unison preamps, which is the whole reason this model exists.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x8p Have?\u003c\/h2\u003e\u003cp\u003e16-in \/ 22-out rackmount thunderbolt 3 interface. Mic\/line inputs: 8, combination XLR and 1\/4 in., all Unison; Instrument inputs: 2, front panel Hi-Z; Monitor outputs: 1 stereo pair; Line outputs: 8; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x8p For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8, combination XLR and 1\/4 in., all Unison\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387736115,"sku":"APX8PG2-ESS","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x8p_gallery_1_8622aa25-4017-4342-ab46-9384d2d134aa.png?v=1788017909"},{"product_id":"apollo-x8p-gen-2-stu-rack-tb3-mac-win","title":"Universal Audio Apollo x8p Gen 2 Audio Interface with UAD Analog Classics Pro","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x8p Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with 8 Unison preamps and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics Pro plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEight Unison preamps, which is the whole reason this model exists.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-in \/ 22-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 Unison preamps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics Pro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x8p Have?\u003c\/h2\u003e\u003cp\u003e16-in \/ 22-out rackmount thunderbolt 3 interface. Mic\/line inputs: 8, combination XLR and 1\/4 in., all Unison; Instrument inputs: 2, front panel Hi-Z; Monitor outputs: 1 stereo pair; Line outputs: 8; Headphones: 2 independent stereo outputs; Digital: Optical ADAT and S\/PDIF, AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x8p For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Pro Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics Pro is the step up. It expands the channel strip and preamp section to 19 titles, adding API Preamp, API Vision Channel Strip, Avalon VT-737sp and more alongside the standard set, widens the guitar and bass section to 9 plug-ins including the Fender '55 Tweed, and adds four LUNA Extensions: the Ampex ATR-102 Master Tape Extension, API Summing Extension, API Vision Console Emulation and Studer A800 Multitrack.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8, combination XLR and 1\/4 in., all Unison\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 independent stereo outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical ADAT and S\/PDIF, AES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387768883,"sku":"APX8PG2-STU","price":3699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x8p_gallery_1_32e4c4e0-8f2c-4bca-bcca-3b044149b7b8.png?v=1788017912"},{"product_id":"apollo-x16-gen-2-ess-rack-tb3-mac-win","title":"Universal Audio Apollo x16 Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x16 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e18-in \/ 20-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with no Unison preamps, line level throughout and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSixteen channels of UA conversion for an existing outboard rack.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18-in \/ 20-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eno Unison preamps, line level throughout\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x16 Have?\u003c\/h2\u003e\u003cp\u003e18-in \/ 20-out rackmount thunderbolt 3 interface. Line inputs: 16, DB25; Line outputs: 16, DB25; Monitor outputs: 1 stereo pair; Digital: AES\/EBU with sample rate conversion; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x16 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAES\/EBU with sample rate conversion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387801651,"sku":"APX16G2-ESS","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x16_gallery_1_cd590dec-a5e2-45a0-8bcf-8e6f64579d0c.png?v=1788017877"},{"product_id":"apollo-x16-gen-2-ult-rack-tb3-mac-win","title":"Universal Audio Apollo x16 Gen 2 Audio Interface with UAD Complete","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x16 Gen 2\u003c\/strong\u003e is a \u003cstrong\u003e18-in \/ 20-out rackmount Thunderbolt 3 audio interface\u003c\/strong\u003e with no Unison preamps, line level throughout and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Complete plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSixteen channels of UA conversion for an existing outboard rack.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18-in \/ 20-out rackmount Thunderbolt 3 audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eno Unison preamps, line level throughout\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Complete\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x16 Have?\u003c\/h2\u003e\u003cp\u003e18-in \/ 20-out rackmount thunderbolt 3 interface. Line inputs: 16, DB25; Line outputs: 16, DB25; Monitor outputs: 1 stereo pair; Digital: AES\/EBU with sample rate conversion; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x16 For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Complete Version?\u003c\/h2\u003e\u003cp\u003eUAD Complete is the full library rather than a starter bundle. It includes the Analog Classics Pro titles alongside the wider UAD catalog, covering emulations licensed from API, Neve, Manley, SSL, Lexicon, Studer, Ampex, EMT, Helios, Fender, Marshall and others, plus the LUNA Extensions. Call 844-687-4208 if you want the current title count confirmed before ordering, since UA adds to the library over time.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAES\/EBU with sample rate conversion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387834419,"sku":"APX16G2-ULT","price":4899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x16_gallery_1_99fee6d3-bf95-408e-af45-8ba7fa093975.png?v=1788017881"},{"product_id":"apollo-x16d-ess-rack-tb3-dante-mac-win","title":"Universal Audio Apollo x16D Gen 2 Audio Interface with UAD Analog Classics","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x16D Gen 2\u003c\/strong\u003e is a \u003cstrong\u003erackmount Dante audio interface with Thunderbolt 3\u003c\/strong\u003e with no Unison preamps on the unit, expandable with Apollo e1x and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Analog Classics plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDante on an Apollo, which changes what an install can look like.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003erackmount Dante audio interface with Thunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eno Unison preamps on the unit, expandable with Apollo e1x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x16D Have?\u003c\/h2\u003e\u003cp\u003eRackmount dante interface with thunderbolt 3. Line inputs: 16, DB25; Line outputs: 16, DB25; Network: Dante, up to 64 channels; Monitor outputs: 1 stereo pair; Digital: AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x16D For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Analog Classics Version?\u003c\/h2\u003e\u003cp\u003eAnalog Classics is the bundle every Apollo ships with. It covers 6 channel strips and preamps including the Century Tube Channel Strip, CS-1, LA-6176 Signature Channel Strip, Precision Channel Strip and UA 610-A, 3 mastering processors in the Precision Limiter, Maximizer and Multiband, 5 guitar and bass plug-ins including Bermuda Triangle and Raw Distortion, and the Topline Vocal Suite and Key Finder for vocals and pitch correction.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante, up to 64 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131387867187,"sku":"APX16DG2-ESS","price":2899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x16D_gallery_3.png?v=1788017870"},{"product_id":"apollo-x16d-ult-rack-tb3-dante-mac-win","title":"Universal Audio Apollo x16D Gen 2 Audio Interface with UAD Complete","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo x16D Gen 2\u003c\/strong\u003e is a \u003cstrong\u003erackmount Dante audio interface with Thunderbolt 3\u003c\/strong\u003e with no Unison preamps on the unit, expandable with Apollo e1x and HEXA Core DSP for Realtime UAD processing. It ships with the UAD Complete plug-in bundle and the LUNA Recording System, and runs UAD plug-ins in VST, Audio Units and AAX in any major DAW.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDante on an Apollo, which changes what an install can look like.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003erackmount Dante audio interface with Thunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eno Unison preamps on the unit, expandable with Apollo e1x\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHEXA Core DSP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRackmount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo Monitor Correction, Auto-Gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUAD Complete\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo x16D Have?\u003c\/h2\u003e\u003cp\u003eRackmount dante interface with thunderbolt 3. Line inputs: 16, DB25; Line outputs: 16, DB25; Network: Dante, up to 64 channels; Monitor outputs: 1 stereo pair; Digital: AES\/EBU; Computer: Thunderbolt 3.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo x16D For?\u003c\/h2\u003e\u003cp\u003eStudios that need this channel count with Unison preamps and Realtime UAD processing on the interface rather than the computer. Call 844-687-4208 if you are choosing between models in the range and want the I\/O compared against what you already own.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself. A conventional interface can only process the signal after it has been converted. That is why a Unison preamp responds to a microphone the way the modeled hardware does rather than only sounding like it.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Come With the UAD Complete Version?\u003c\/h2\u003e\u003cp\u003eUAD Complete is the full library rather than a starter bundle. It includes the Analog Classics Pro titles alongside the wider UAD catalog, covering emulations licensed from API, Neve, Manley, SSL, Lexicon, Studer, Ampex, EMT, Helios, Fender, Marshall and others, plus the LUNA Extensions. Call 844-687-4208 if you want the current title count confirmed before ordering, since UA adds to the library over time.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16, DB25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante, up to 64 channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAES\/EBU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on Mac and Windows?\u003c\/h3\u003e\u003cp\u003eYes. Universal Audio supports both. Check UA's current system requirements for the connection type and operating system version before ordering, and call 844-687-4208 if you want that confirmed against your machine.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs the plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size, so a singer can monitor through a compressor and reverb while recording.\u003c\/p\u003e\u003ch3\u003eIs a cable included?\u003c\/h3\u003e\u003cp\u003eUniversal Audio sells the Thunderbolt cable separately on most Apollo models. Call 844-687-4208 and we will confirm what ships in the box for this configuration.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131390062643,"sku":"APX16DG2-ULT","price":3899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_x16D_gallery_3_68672e8e-24cd-450f-b79c-96ed623830bf.png?v=1788017873"},{"product_id":"apollo-e1x-remote-controllable-unison-preamp-dante","title":"Universal Audio Apollo e1x Dante Unison Microphone Preamp","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo e1x\u003c\/strong\u003e is a \u003cstrong\u003esingle-channel Unison microphone and line preamp with Dante networked audio\u003c\/strong\u003e, built to expand an Apollo x16D. Up to 16 units run per Apollo x16D depending on DSP resources, gain and phantom power are controlled over the network from UAD Console, and it mounts on a threaded 5\/8 in. microphone stand.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA Unison preamp that lives at the microphone instead of in the rack.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe point of the e1x is distance. Rather than running a long analog microphone cable back to the rack, the preamp sits at the source and the signal travels the rest of the way as Dante over the network. Gain, phantom power, polarity and low cut are all set remotely from UAD Console, so nobody has to walk out to the stand.\u003c\/p\u003e\u003cp\u003eIt is a Unison preamp, which means the UAD plug-in has bidirectional control over the analog front end. Emulations of API, Neve, Manley and SSL preamps change the impedance and gain staging of the hardware rather than only processing the converted signal.\u003c\/p\u003e\u003cp\u003eIt works on any Dante audio network, not only with an Apollo. Routing is handled either through Dante Controller directly or inside UAD Console when paired with an Apollo x16D. Sample rates run 44.1 to 96 kHz, with AES67 support at 48 kHz, and Dante Device Lock is available. A coupling bracket is included for linking multiple units together.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle-channel Unison mic\/line preamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCombination jack, XLR mic and 1\/4 in. line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExpansion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 16 units per Apollo x16D, DSP dependent\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRemote control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGain, 48 V phantom, polarity, low cut over UAD Console\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSample rates\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e44.1 to 96 kHz, AES67 at 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThreaded 5\/8 in. mic stand mount, coupling bracket included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Put a Preamp on a Dante Network?\u003c\/h2\u003e\u003cp\u003eBecause the analog cable run stops at the microphone. The preamp amplifies and converts at the source and the signal travels the rest of the way digitally, which removes the noise and loss that come with a long analog run. In an install or a large room that is the difference between a usable signal and a compromised one.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo e1x For?\u003c\/h2\u003e\u003cp\u003eInstallations, houses of worship, broadcast rooms and studios running an Apollo x16D that need microphone inputs distributed around a building rather than concentrated in one rack. It also works on any Dante network independently of an Apollo.\u003c\/p\u003e\u003ch2\u003eHow Many Can I Run?\u003c\/h2\u003e\u003cp\u003eUp to 16 Apollo e1x units per Apollo x16D, subject to available DSP resources. A coupling bracket is included so multiple units link together securely when they sit side by side.\u003c\/p\u003e\u003ch2\u003eDo I Need an Apollo to Use It?\u003c\/h2\u003e\u003cp\u003eNo. It works with any Dante audio network, with routing handled in Dante Controller. Pairing it with an Apollo x16D adds routing and remote control inside UAD Console and enables Unison.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCombination jack, XLR microphone and 1\/4 in. line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e48 V, remotely switched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThreaded 5\/8 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work with any Dante network?\u003c\/h3\u003e\u003cp\u003eYes. Routing can be handled directly in Dante Controller, or inside UAD Console when paired with an Apollo x16D.\u003c\/p\u003e\u003ch3\u003eHow is gain controlled?\u003c\/h3\u003e\u003cp\u003eOver the network. Gain, 48 V phantom power, polarity inversion and low cut are all set remotely from UAD Console, so nobody has to reach the unit.\u003c\/p\u003e\u003ch3\u003eWhat sample rates does it support?\u003c\/h3\u003e\u003cp\u003e44.1 to 96 kHz, with AES67 support at 48 kHz, set in Dante Controller. Dante Device Lock is also available.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131390095411,"sku":"APE1X","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_e1x_gallery_1.png?v=1774033019"},{"product_id":"apollo-e2m-stereo-headphone-amplifier-and-line-interface-dante","title":"Universal Audio Apollo e2m Dante Stereo Headphone Amp and Line Interface","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo e2m\u003c\/strong\u003e is a \u003cstrong\u003e2 by 2 stereo headphone amplifier and line interface over Dante\u003c\/strong\u003e. It carries stereo line inputs with professional A\/D conversion for external analog gear, stereo 1\/4 in. line outputs, and parallel 1\/4 in. and 1\/8 in. headphone outputs sharing one analog volume control, with separate mute controls for the line and headphone outputs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA headphone feed and two line inputs anywhere the network reaches.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eThe e2m solves the other half of the problem the e1x solves. Where the e1x puts inputs out on the network, the e2m puts outputs there: a headphone feed for a performer in another room, and a pair of line inputs for whatever analog source happens to be nearby.\u003c\/p\u003e\u003cp\u003eThe line inputs carry professional A\/D conversion, so keyboards, synths, amp emulators and other external analog gear get onto the Dante network properly rather than through a converter of convenience. Outputs are available on 1\/4 in. line jacks and on parallel 1\/4 in. and 1\/8 in. headphone connectors, which covers both studio and consumer headphones without an adapter.\u003c\/p\u003e\u003cp\u003eThe headphone and line outputs share one analog volume control but have separate mute controls, so a monitor feed can be silenced without touching the line send or the other way round.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo headphone amp and line interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo, professional A\/D conversion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphone outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eParallel 1\/4 in. and 1\/8 in., shared analog volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMuting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSeparate mute for line and headphone outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhat Does the Apollo e2m Do?\u003c\/h2\u003e\u003cp\u003eTwo things at once. It takes a stereo Dante feed and turns it into a headphone mix and a line output wherever it is placed, and it takes a stereo analog source and puts it onto the Dante network through professional A\/D conversion. That makes it both a monitor point and an input point.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo e2m For?\u003c\/h2\u003e\u003cp\u003eStudios with performers in separate rooms, installations that need monitor feeds distributed around a building, and anyone running a Dante network who needs to get a keyboard or an amp emulator onto it without running analog cable back to the rack.\u003c\/p\u003e\u003ch2\u003eCan I Use Both Headphone Outputs at Once?\u003c\/h2\u003e\u003cp\u003eYes. The 1\/4 in. and 1\/8 in. headphone outputs run in parallel and share a single analog volume control, so two sets of headphones work simultaneously at the same level.\u003c\/p\u003e\u003ch2\u003eCan I Mute the Headphones Without Muting the Line Output?\u003c\/h2\u003e\u003cp\u003eYes. The line and headphone outputs have separate mute controls even though they share the volume control.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo, with professional A\/D conversion\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStereo, 1\/4 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphone outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\/4 in. and 1\/8 in., parallel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNetwork\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDante\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it need an Apollo?\u003c\/h3\u003e\u003cp\u003eIt is a Dante device. Call 844-687-4208 with your network setup and we will confirm what it needs in your specific configuration.\u003c\/p\u003e\u003ch3\u003eCan two people listen at once?\u003c\/h3\u003e\u003cp\u003eYes. The 1\/4 in. and 1\/8 in. headphone outputs are parallel and share one analog volume control.\u003c\/p\u003e\u003ch3\u003eCan I get analog gear onto the network with it?\u003c\/h3\u003e\u003cp\u003eYes. The stereo line inputs carry professional A\/D conversion for external analog sources such as keyboards, synths and amp emulators.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131390160947,"sku":"APE2M","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_e2m_gallery_1.png?v=1774033022"},{"product_id":"apollo-solo-he-desktop-tb3-mac-win","title":"Universal Audio Apollo Solo Heritage Edition Thunderbolt 3 Interface","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Solo\u003c\/strong\u003e is a \u003cstrong\u003e2-in 4-out desktop Thunderbolt 3 audio interface\u003c\/strong\u003e with a single Unison mic preamp, 24-bit and 192 kHz conversion, and onboard DSP for Realtime UAD processing. It is bus powered over Thunderbolt 3, backwards compatible with earlier Thunderbolt devices, and includes the Realtime Analog Classics plug-in bundle.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe Unison front end and realtime UAD processing, at one channel.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2-in \/ 4-out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3, bus powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePlug-in bundle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRealtime Analog Classics\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3 cable sold separately\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Solo Have?\u003c\/h2\u003e\u003cp\u003eTwo in and four out. One Unison mic preamp on a combination XLR and 1\/4 in. input, a front panel Hi-Z instrument input, a stereo monitor pair and a headphone output. Conversion runs at 24-bit and 192 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is Apollo Solo For?\u003c\/h2\u003e\u003cp\u003eSongwriters, guitarists and vocalists recording one source at a time who want the Unison front end and Realtime UAD processing without paying for channels they will not use. It is also common as a portable second interface alongside a rackmount Apollo.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve, API, Manley, Marshall or Fender emulation changes the impedance and gain staging of the analog input stage itself rather than processing the signal after conversion. That is why a Unison preamp responds to a microphone or a guitar the way the modeled hardware does.\u003c\/p\u003e\u003ch2\u003eWhat Plug-Ins Are Included?\u003c\/h2\u003e\u003cp\u003eThe Realtime Analog Classics bundle, which covers studio compressors, EQs, reverbs and guitar amp emulations. UA adjusts bundle contents over time, so check uaudio.com or call 844-687-4208 for the current list before ordering.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, combination XLR and 1\/4 in., Unison\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3, bus powered\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eIs a Thunderbolt cable included?\u003c\/h3\u003e\u003cp\u003eNo. Universal Audio sells the Thunderbolt 3 cable separately for Apollo Solo. Call 844-687-4208 to add one to the order.\u003c\/p\u003e\u003ch3\u003eCan I track through UAD plug-ins with no latency?\u003c\/h3\u003e\u003cp\u003eEffectively yes. Realtime UAD Processing runs plug-ins on the interface's own DSP at near-zero latency regardless of the DAW buffer size.\u003c\/p\u003e\u003ch3\u003eHow is this different from the USB version?\u003c\/h3\u003e\u003cp\u003eThe connection. This is the Thunderbolt 3 model and it is bus powered over Thunderbolt. The Apollo Solo USB is the Windows-focused USB version.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131390193715,"sku":"APLS-HE","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_solo_gallery_1_8ea58980-46d4-42a3-81c8-46fd51a4756f.png?v=1774033024"},{"product_id":"thunderbolt-3-option-card-mac-win","title":"Universal Audio Thunderbolt 3 Option Card for Apollo Rackmount","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Thunderbolt 3 Option Card\u003c\/strong\u003e is a \u003cstrong\u003euser-installable Thunderbolt 3 card for Apollo rackmount models\u003c\/strong\u003e, converting Apollo and Apollo 16 FireWire units to Thunderbolt 3. It provides two Thunderbolt 3 ports for daisy-chaining, supplies bus power to downstream peripherals, and enables compatibility with UA's free LUNA Recording System.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKeeps a FireWire Apollo working on a modern machine.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eFireWire disappeared from computers years before Apollo units stopped being useful. This card is the bridge, replacing the connection on a rackmount Apollo so it runs on current hardware rather than being retired alongside the port it shipped with.\u003c\/p\u003e\u003cp\u003eThe change is not only about connectivity. Thunderbolt uses PCIe audio drivers rather than the FireWire stack, which UA describes as faster and more stable in practice. It also unlocks LUNA, UA's free recording system, which requires Thunderbolt.\u003c\/p\u003e\u003cp\u003eTwo Thunderbolt 3 ports allow Apollos and other peripherals to be daisy-chained, and the card supplies bus power to downstream Thunderbolt 3 devices. Installation is user-performed, with the tool and instructions included in the box.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUser-installable Thunderbolt 3 option card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFits\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAll Apollo rackmount models\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConverts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo and Apollo 16 FireWire models to Thunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePorts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 Thunderbolt 3, daisy-chainable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBus power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSupplied to downstream Thunderbolt 3 peripherals\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEnables\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLUNA Recording System compatibility\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstallation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUser installable, tool and instructions included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThunderbolt 3 cable sold separately\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhich Apollos Does This Card Fit?\u003c\/h2\u003e\u003cp\u003eAll Apollo rackmount models. Universal Audio specifically lists it as enabling Thunderbolt 3 connectivity for Apollo and Apollo 16 FireWire models. Call 844-687-4208 with your exact model and we will confirm before you order.\u003c\/p\u003e\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eAnyone with a rackmount FireWire Apollo and a computer that no longer has a FireWire port, and anyone who wants LUNA, which requires Thunderbolt. It is a way to keep working hardware in service rather than replacing it.\u003c\/p\u003e\u003ch2\u003eIs It Difficult to Install?\u003c\/h2\u003e\u003cp\u003eUniversal Audio designed it for user installation and includes the tool and the instructions in the box. It is a card swap rather than a service operation.\u003c\/p\u003e\u003ch2\u003eWhy Is Thunderbolt Better Than FireWire Here?\u003c\/h2\u003e\u003cp\u003eThunderbolt uses PCIe audio drivers rather than the FireWire stack, which UA describes as faster and more reliable. It also allows daisy-chaining of Apollos and peripherals across the two ports, and it supplies bus power downstream.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePorts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x Thunderbolt 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBus power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTo downstream Thunderbolt 3 peripherals\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCable\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSold separately\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eWill this fit my Apollo?\u003c\/h3\u003e\u003cp\u003eIt fits Apollo rackmount models, including Apollo and Apollo 16 FireWire units. Call 844-687-4208 with your model and serial and we will confirm before ordering.\u003c\/p\u003e\u003ch3\u003eIs a Thunderbolt cable included?\u003c\/h3\u003e\u003cp\u003eNo, the cable is sold separately. Call 844-687-4208 to add one.\u003c\/p\u003e\u003ch3\u003eDo I need this for LUNA?\u003c\/h3\u003e\u003cp\u003eLUNA requires a Thunderbolt connection, so a FireWire Apollo needs this card to run it.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131390226483,"sku":"TBOC-3","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/thunderbolt_3_option_card_gallery_1.png?v=1774033025"},{"product_id":"apollo-twin-x-duo-usb-he-desktop-win","title":"Universal Audio Apollo Twin X DUO USB Heritage Edition Interface","description":"\u003cp\u003e\u003cstrong\u003eUniversal Audio Apollo Twin X DUO USB\u003c\/strong\u003e is a \u003cstrong\u003edesktop USB audio interface for Windows\u003c\/strong\u003e with 2 Unison mic preamps, 24-bit and 192 kHz conversion and DUO Core DSP for Realtime UAD processing. It puts the Apollo Twin X front end on a machine with no Thunderbolt port.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eApollo Twin X for a Windows rig, over USB.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping · Free local pickup in Miami · Financing at checkout\u003c\/p\u003e\u003cp\u003eApollo is built around Unison, which is the part that separates it from a conventional interface. Unison gives the physical mic preamp bidirectional control, so a Neve, API, Manley or SSL emulation changes the impedance and gain staging of the analog front end rather than only processing the signal after conversion. The result behaves like the modeled preamp at the input, not like a plug-in placed after one.\u003c\/p\u003e\u003cp\u003eRealtime UAD Processing is the second half. Onboard DSP runs UAD plug-ins at near-zero latency regardless of the DAW buffer size, so a vocalist monitors through an LA-2A and a Pultec while tracking, and the DSP load sits on the interface rather than the computer. The same plug-ins run in VST, Audio Units and AAX in any major DAW at mix time.\u003c\/p\u003e\u003cp\u003eLUNA is included free. It is UA's own recording system, and it adds tape, console and summing emulations that run as extensions rather than as inserts, which is a different workflow from treating them as plug-ins on a channel.\u003c\/p\u003e\u003ch2\u003eAt a Glance\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApollo audio interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUnison preamps\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDUO Core\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24-bit, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUSB, Windows\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm factor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDesktop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eHow Much I\/O Does Apollo Twin X DUO USB Have?\u003c\/h2\u003e\u003cp\u003eTwo combination XLR and 1\/4 in. mic\/line inputs with Unison preamps, a front panel Hi-Z instrument input, a stereo monitor pair, a headphone output and an optical digital input. Conversion runs at 24-bit and 192 kHz.\u003c\/p\u003e\u003ch2\u003eWho Is This For?\u003c\/h2\u003e\u003cp\u003eWindows producers who want Unison preamps and Realtime UAD processing without a Thunderbolt port. Same platform as the Thunderbolt Apollo Twin X, different connection.\u003c\/p\u003e\u003ch2\u003eWhat Is Unison and Why Does It Matter?\u003c\/h2\u003e\u003cp\u003eUnison gives the UAD plug-in bidirectional control over the physical mic preamp, so a Neve or API emulation changes the impedance and gain staging of the analog input stage itself rather than processing the signal after conversion.\u003c\/p\u003e\u003ch2\u003eWhat Does DUO Core DSP Mean?\u003c\/h2\u003e\u003cp\u003eTwo SHARC processors on the interface running UAD plug-ins at near-zero latency. More cores allow more instances at once. The QUAD models carry four.\u003c\/p\u003e\u003ch2\u003eConnections\u003c\/h2\u003e\u003ctable class=\"vmi-spec-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMic\/line inputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2, combination XLR and 1\/4 in., Unison\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1, front panel Hi-Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 stereo output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDigital\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOptical input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eComputer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUSB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch2\u003eWhy Universal Audio?\u003c\/h2\u003e\u003cp\u003eUniversal Audio was founded in 1958 by M.T. \"Bill\" Putnam, the engineer who built the first recording console with integrated equalization and effects sends, and who designed the 1176 and the 610. The company was revived in 1999 by his sons and now does two things: it still hand-builds analog hardware in California, and it licenses and models the classics from Neve, API, Manley, SSL, Lexicon, Studer, Ampex and others rather than emulating them without authorization.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eIs this a genuine Universal Audio product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support, including software registration rights.\u003c\/p\u003e\u003ch3\u003eIs this covered by warranty?\u003c\/h3\u003e\u003cp\u003eYes. This unit carries the full Universal Audio manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.\u003c\/p\u003e\u003ch3\u003eDoes it work on a Mac?\u003c\/h3\u003e\u003cp\u003eUniversal Audio positions the USB Apollo models for Windows. Check UA's current system requirements, and call 844-687-4208 if you want that confirmed.\u003c\/p\u003e\u003ch3\u003eHow many UAD plug-ins can it run?\u003c\/h3\u003e\u003cp\u003eIt carries DUO Core DSP, meaning two SHARC processors. The instance count depends on which plug-ins are loaded, since they vary in DSP cost.\u003c\/p\u003e\u003ch3\u003eHow is it different from the Apollo Twin DUO USB?\u003c\/h3\u003e\u003cp\u003eThis is the Twin X generation. Call 844-687-4208 and we will compare the two directly against what you plan to record.\u003c\/p\u003e\u003ch2\u003eWhy Buy From Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote, or arrange local pickup.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44131392028723,"sku":"APLTWXDU-HE","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/apollo_twin_x_usb_gallery_1_tec.png?v=1774033027"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/collections\/47T1ocEi4RkFkl47w8JcrCc9zXAMu31LsdCcpnTEshbF1oEcK7z97g50VtCgGcFix4pTra3nazGYATjYQC0eRw.webp?v=1774034272","url":"https:\/\/www.victorymusical.com\/collections\/universal-audio.oembed?page=3","provider":"Victory Musical Instruments","version":"1.0","type":"link"}