{"product_id":"focusrite-red-16line","title":"Focusrite Red 16Line Thunderbolt 3 and Pro Tools HD Audio Interface","description":"\u003cp\u003e\u003cstrong\u003eFocusrite Red 16Line\u003c\/strong\u003e is a 64-in, 64-out \u003cstrong\u003eThunderbolt 3, Pro Tools HD and Dante audio interface\u003c\/strong\u003e with Red Evolution mic preamps, sixteen line inputs and outputs on DB-25, monitor and headphone outputs, ADAT and S\/PDIF.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSixteen analog lines in and out for consoles and outboard racks.\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"vmi-benefit-bar\"\u003eFree shipping nationwide · \u003ca href=\"\/pages\/store-locator\"\u003eFind a dealer\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eOverview\u003c\/h2\u003e\u003cp\u003eRed 16Line is a 64-in\/64-out Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D\/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt™ connections, it's now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface.\u003c\/p\u003e\u003cp\u003eSimply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. High-performance audio converters with over 118dB dynamic range A\/D and 121dB dynamic range D\/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite's best-quality audio interface.\u003c\/p\u003e\u003cp\u003eRed’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes, one using input monitoring to overdub, the other using the DAW for playback, the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the Focusrite Control software mixer) or playing back, with all your plug-ins in place, all the time.\u003c\/p\u003e\u003cp\u003eRed 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name Focusrite give to the sonic signature of the classic transformer ISA preamp.\u003c\/p\u003e\u003ch2\u003eRed 16Line at a Glance\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannel Count\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 64 x 64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine Level Channel Count\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16 In and 16 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine Level Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLine Level Output\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eThunderbolt Channel Count\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 64 In and 64 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eThunderbolt Ports\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePro Tools Channel Count\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 64 In and 64 Out (32 In and 32 Out per connection)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePrimary Port\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2 x Mini DigiLink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003ch2\u003eWho Is the Red 16Line For?\u003c\/h2\u003e\u003cp\u003eProfessional studios interfacing a console or a large outboard rack with Pro Tools HD or Thunderbolt.\u003c\/p\u003e\u003ch2\u003eRed 16Line Specifications\u003c\/h2\u003e\u003ctable\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eSimultaneous inputs \u0026amp; outputs\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannel Count\u003c\/td\u003e\n\u003ctd\u003eUp to 64 x 64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Level Channel Count\u003c\/td\u003e\n\u003ctd\u003e16 In and 16 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Level Input\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Level Output\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eThunderbolt Channel Count\u003c\/td\u003e\n\u003ctd\u003eUp to 64 In and 64 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eThunderbolt Ports\u003c\/td\u003e\n\u003ctd\u003e2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePro Tools Channel Count\u003c\/td\u003e\n\u003ctd\u003eUp to 64 In and 64 Out (32 In and 32 Out per connection)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrimary Port\u003c\/td\u003e\n\u003ctd\u003e2 x Mini DigiLink\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante Channel Count\u003c\/td\u003e\n\u003ctd\u003eUp to 32 In and 32 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante Input And Output\u003c\/td\u003e\n\u003ctd\u003e2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eMicrophone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGain Range\u003c\/td\u003e\n\u003ctd\u003e0-8dB to 63dB in 1dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eElectronically Balanced, Zin = 20kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. Input Level\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+19dBu, min gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 35kHz ±0.2dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD + N\u003c\/td\u003e\n\u003ctd\u003e-102dB (0.0008%) @ -1dBFS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEIN\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-129dBu 'A'-Weighted (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-To-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003e119dB 'A'-Weighted (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCommon-Mode Rejection Ratio\u003c\/td\u003e\n\u003ctd\u003e50\/60Hz CMRR: -70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power\u003c\/td\u003e\n\u003ctd\u003e+48V, independently switchable per channel.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHPF\u003c\/td\u003e\n\u003ctd\u003eHigh-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB\/Octave, independently switchable per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAir Mode\u003c\/td\u003e\n\u003ctd\u003e2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMic Inputs Channel Count\u003c\/td\u003e\n\u003ctd\u003e2 In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMic Input\u003c\/td\u003e\n\u003ctd\u003e2 x Female XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eLine inputs 1-16\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e0 DBFS Reference Level\u003c\/td\u003e\n\u003ctd\u003e+18 or +24dBu (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs 1-16 0 DBFS Reference Level\u003c\/td\u003e\n\u003ctd\u003e+18 or +24dBu (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs 1-16 Type\u003c\/td\u003e\n\u003ctd\u003eElectronically Balanced, Zin = 20kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs 1-16 Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 35kHz ±0.2dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs 1-16 THD + N\u003c\/td\u003e\n\u003ctd\u003e-102dB (0.0008%) @ -1dBFS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs Signal-To-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003e119dB 'A'-Weighted (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Inputs 1-16 Common-Mode Rejection Ratio\u003c\/td\u003e\n\u003ctd\u003e50\/60Hz CMRR: -70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Level Input\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Gain Range\u003c\/td\u003e\n\u003ctd\u003e0-8dB to 63dB in 1dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Type\u003c\/td\u003e\n\u003ctd\u003eZin = 2.3MΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Max. Input Level\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+15dBu, min gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 35kHz ±0.2dB, min gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs THD + N\u003c\/td\u003e\n\u003ctd\u003e-100dB (0.001%) @ -1dBFS (@ 11dB Gain)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Signal-To-Noise Ratio\u003c\/td\u003e\n\u003ctd\u003e117dB 'A'-Weighted (typical), min gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs HPF\u003c\/td\u003e\n\u003ctd\u003e-3dB @ 80 ± 3Hz, 12dB\/Octave, independently switchable per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Air Mode\u003c\/td\u003e\n\u003ctd\u003e2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Channel Count\u003c\/td\u003e\n\u003ctd\u003e2 Channels In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInstrument Inputs Instrument Inputs\u003c\/td\u003e\n\u003ctd\u003e2 x 1\/4\" TS stereo jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eLine outputs 1-16\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs 1-16 0 DBFS Reference Levels\u003c\/td\u003e\n\u003ctd\u003e+18 or +24dBu (switchable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs 1-16 Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 35kHz ±0.2dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs 1-16 THD + N\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-104dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs 1-16 Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e121dB 'A'-weighted (typical), 20Hz - 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Outputs 1-16 Output Impedance\u003c\/td\u003e\n\u003ctd\u003eNominal output impedance = 136Ω balanced (68Ω each phase)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLine Level Output\u003c\/td\u003e\n\u003ctd\u003e2 x DB-25 connectors (AES59)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eMonitor outputs\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs 0 DBFS Reference Levels\u003c\/td\u003e\n\u003ctd\u003e+18dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 35kHz ±0.2dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs THD+N\u003c\/td\u003e\n\u003ctd\u003e-80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e120dB (A-Weighted)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs Output Impedance\u003c\/td\u003e\n\u003ctd\u003eNominal output impedance = 136Ω balanced (68Ω each phase)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs Channel Count\u003c\/td\u003e\n\u003ctd\u003e2 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor Outputs\u003c\/td\u003e\n\u003ctd\u003e2 x 1\/4\" TRS stereo jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eHeadphone outputs\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs 0 DBFS Reference Levels\u003c\/td\u003e\n\u003ctd\u003e+16dBm ± 0.5dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 20kHz ±0.2dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs THD + N\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-75dB (0.018%) unweighted, 20Hz - 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Dynamic Range\u003c\/td\u003e\n\u003ctd\u003e114dB 'A'-weighted (typical), 20Hz - 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Output Impedance\u003c\/td\u003e\n\u003ctd\u003e10Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Headphone Impedance\u003c\/td\u003e\n\u003ctd\u003e32Ω - 600Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Channel Count\u003c\/td\u003e\n\u003ctd\u003e2 Stereo Channels Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeadphone Outputs Headphone Outputs\u003c\/td\u003e\n\u003ctd\u003e2 x 1\/4\" TRS stereo jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eDigital performance\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Sample Rates\u003c\/td\u003e\n\u003ctd\u003e44.1 \/ 48 \/ 88.2 \/ 96 \/ 176.4 \/ 192 kHz (-4% \/ -0.1% \/ +0.1% \/ +4.167%) at 24 bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eClock Sources\u003c\/td\u003e\n\u003ctd\u003eInternal, ADAT 1, ADAT 2, S\/PDIF, Word Clock, Loop Sync or from Dante Network Master\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Channel Count\u003c\/td\u003e\n\u003ctd\u003eUp to 16 In and 16 Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Input\u003c\/td\u003e\n\u003ctd\u003e2 x TOSLINK connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Output\u003c\/td\u003e\n\u003ctd\u003e2 x TOSLINK connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Channel Assignments @ 44.1 KHz, 48 KHz\u003c\/td\u003e\n\u003ctd\u003ePort 1 = Channels 1 - 8, Port 2 = Channels 9 - 16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Channel Assignments @ 88.2 KHz, 96 KHz\u003c\/td\u003e\n\u003ctd\u003eSMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT Channel Assignments @ 176.4 KHz, 192 KHz\u003c\/td\u003e\n\u003ctd\u003eSMUXII: Port 1 = Channels 1 - 2, Port 2 = Channels 3 - 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd colspan=\"2\"\u003e\u003cstrong\u003eS\/PDIF\u003c\/strong\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eS\/PDIF Channel Count\u003c\/td\u003e\n\u003ctd\u003e2 In and 2 Out (Optical up to 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eS\/PDIF Input\u003c\/td\u003e\n\u003ctd\u003e1 x RCA phono socket (1 x TOSLINK up to 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eS\/PDIF Output\u003c\/td\u003e\n\u003ctd\u003e1 x RCA phono socket (1 x TOSLINK up to 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003ch2\u003eWhy Focusrite?\u003c\/h2\u003e\u003cp\u003eFocusrite is a British pro audio company whose ISA preamp design goes back to the Focusrite Studio Console. Its Scarlett, Clarett+, Vocaster, ISA, Red and RedNet ranges cover everything from a first home recording to Dante networks in broadcast and professional studios.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat connectors are used for line I\/O?\u003c\/h3\u003e\u003cp\u003eTwo DB-25 connectors for inputs and two for outputs.\u003c\/p\u003e\u003ch3\u003eDoes it work with Pro Tools HD?\u003c\/h3\u003e\u003cp\u003eYes, through two Mini DigiLink ports, up to 64 in and 64 out.\u003c\/p\u003e\u003ch3\u003eIs this a genuine Focusrite product?\u003c\/h3\u003e\u003cp\u003eYes. Victory is a veteran owned dealer and units ship new in original packaging.\u003c\/p\u003e\u003ch3\u003eIs it covered by a warranty?\u003c\/h3\u003e\u003cp\u003eYes. It is covered by the Focusrite manufacturer warranty.\u003c\/p\u003e\u003ch2\u003eWhy Victory Musical Instruments?\u003c\/h2\u003e\u003cp\u003eVictory Musical Instruments ships Focusrite interfaces, preamps and Dante equipment nationwide with free shipping. For help choosing an interface or planning a system, call 844-687-4208.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":45242676281395,"sku":"AMS-RED-16-LINE","price":4599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1768\/9095\/files\/REd-16Line-Front_Elevated-2400_x_2400__11486.1677775780.png?v=1793414391","url":"https:\/\/www.victorymusical.com\/products\/focusrite-red-16line","provider":"Victory Musical Instruments","version":"1.0","type":"link"}