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Allen & Heath WZ4 14:4:2 14-Input 4-Group Analog Console

Allen & Heath WZ4 14:4:2 14-Input 4-Group Analog Console

Allen & Heath

SKU:WZ414:4:2-U

Regular price $2,199.99 USD
Regular price $2,799.99 USD Sale price $2,199.99 USD
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Overview

Allen & Heath WZ4 14:4:2 is a 14-input, 4-group analog console with 10 mic/line inputs on balanced XLR and TRS jack, 2 dual stereo channels, 6 aux sends, a 6x2 matrix and four sub groups with inserts. It runs as a front of house desk, as a monitor desk, or as both at once in Dual mode.

One console that covers front of house and monitors from the same seat.

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The three operating modes are the reason this desk exists. In FOH mode the four groups with inserts, 100 mm faders and XLR outputs route and pan to the LR mix for subgrouping, and the main mix carries inserts, separate left and right faders and XLR outputs. In Monitor mode the aux mixes route to the group and LR faders, inserts and XLR outputs, and the AFL and PFL system switches to the mono output to give the engineer a wedge feed. That makes it a six-mix monitor console with extra outputs from the group busses.

Dual mode is the one that gets used most in practice. Some auxes run as monitor mixes while some subgrouping continues on the main LR outputs, so one engineer covers front of house and a few monitor mixes from a single desk. For a venue that cannot staff two positions, that is the whole argument.

The MixWizard4 preamp was developed by analogue designer Mike Griffin and adapted from the design used in Allen & Heath's large-format analogue consoles. It delivers very low noise, minimal distortion, a wide and smooth gain law, and substantial headroom.

Every MixWizard4 carries six auxes, each with its own master level control and impedance-balanced TRS output. Auxes 1 and 2 are pre-fade for monitors, 3 and 4 switch pre or post-fade for monitors, effects or extra zone feeds, and 5 and 6 are post-fade for effects and aux-fed subs. The pre and post settings change via internal jumpers.

The QCC quick change connector system lets the connector panel move to suit a desktop, a rack or a flightcase, and the hard plastic side trims come off to reveal integral rack ears.

At a Glance

Type 14-input 4-group analog console
Mic/line inputs 10, balanced XLR and TRS jack
Stereo channels 2 dual stereo, independent gain
Sub groups 4, with inserts
Aux sends 6, two pre, two switched, two post
Matrix 6x2
Modes FOH, Monitor, Dual
Faders 100 mm

What Are the Three Operating Modes?

FOH mode routes the four groups to the LR mix for subgrouping, with inserts and XLR outputs on both. Monitor mode routes the aux mixes to the group and LR faders and outputs, and switches AFL and PFL to the mono output as an engineer's wedge feed, giving a six-mix monitor console. Dual mode runs some auxes as monitor mixes alongside subgrouping on the main outputs, so one person covers both roles.

Who Is the WZ4 14:4:2 For?

Venues, houses of worship and production companies that need a console flexible enough to work either position, and installations where one desk has to serve several different event types. The QCC connector system also makes it a common choice for rack and flightcase builds.

How Are the Six Auxes Configured?

Auxes 1 and 2 are pre-fade for monitors, 3 and 4 switch pre or post-fade for monitors, effects or additional recording and zone feeds, and 5 and 6 are post-fade for effects and aux-fed subs. The pre and post settings are changed via internal jumpers.

Can I Rack Mount It?

Yes. The QCC quick change connector system moves the connector panel to suit a desktop, rack or flightcase, and the hard plastic side trims remove to reveal integral rack ears.

Connections

Mic/line inputs 10, balanced XLR and TRS jack
Stereo channels 2 dual stereo, TRS, independent gain, 4-band EQ
Sub groups 4, with inserts and XLR outputs
Aux outputs 6, impedance-balanced TRS
Matrix 6x2
Main outputs XLR with inserts

Why Allen & Heath?

Allen & Heath has built mixing consoles in Cornwall, England since 1969, starting with desks for Pink Floyd, Genesis and The Who. The company still designs its own analog preamps and EQ in house, and the same R&D team works on both the flagship dLive touring systems and the compact ZED range. That is why a small ZED mixer carries preamps developed alongside consoles used on arena tours.

Frequently Asked Questions

Is this a genuine Allen & Heath product?

Yes. Victory is a veteran owned dealer in Miami and units ship new in original packaging with full manufacturer support.

Is this covered by warranty?

Yes. This console carries the full Allen & Heath manufacturer warranty, registered to you as the original purchaser. Call 844-687-4208 for the current term.

Is this a 10-channel or a 14-channel mixer?

Allen & Heath describe it as a 14-input, 4-group console. It has 10 mono mic/line inputs plus 2 dual stereo channels, which together make up the 14 inputs.

Can it run monitors and front of house at once?

Yes. Dual mode uses some auxes as monitor mixes while subgrouping continues on the main LR outputs, so one engineer covers both.

Can the connector panel be moved?

Yes. The QCC system repositions the panel for desktop, rack or flightcase use, and integral rack ears sit behind the removable side trims.

Why Buy From Victory Musical Instruments?

Victory Musical Instruments is a pro audio and musical instrument dealer in Miami, Florida. We support churches, schools, municipalities, studios and working musicians across South Florida and ship nationwide. Every unit is new in the original factory packaging with full manufacturer support. Call 844-687-4208 to check lead time, request a quote for a project or bid, or arrange local pickup.

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