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The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically). The SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.
A ribbon hears a room the way your ears do.
- Figure-of-eight pattern
- Natural high-frequency roll off
- Handles loud sources without harshness
- Hand assembled
- Manufacturer warranty
What is the SF-12 Stereo Ribbon Microphone?
Ribbon microphones capture the top end gently rather than exaggerating it, which is why they sit so well on guitar cabinets, brass and drum overheads where a bright condenser turns brittle. The figure-of-eight pattern also rejects sound from the sides, giving useful control over what the microphone does not hear.
At a Glance
| Brand | Royer Labs |
|---|---|
| Model | SF-12 Stereo Ribbon Microphone |
| Type | Ribbon microphone |
| Pattern | Figure of eight |
| Best for | Guitar cabs, brass, overheads |
What are the key details?
| Type | Ribbon microphone |
|---|---|
| Pattern | Figure of eight |
| Best for | Guitar cabs, brass, overheads |
| Phantom | See specification |
| Condition | New, original packaging |
Why choose Royer Labs?
Ribbons are the classic answer to a source that sounds harsh on everything else. They are the difference between taming a guitar amp at the source and fighting it with EQ afterwards.
Frequently asked questions
What is a ribbon microphone good for?
Guitar cabinets, brass, strings and drum overheads. Anywhere a condenser sounds harsh.
Does it need phantom power?
Passive ribbons do not, and phantom can damage some. Active models require it. Check the specification.
Is it fragile?
Modern ribbons are robust, but avoid blowing into them and use a windscreen outdoors.
Do you supply matched pairs?
Yes where listed. Call 844-687-4208 for stereo pairs.
Why buy from Victory Musical Instruments?
Victory Musical Instruments is a veteran-owned pro audio dealer based in Miami, Florida, founded by a working musician. Free U.S. shipping, financing at checkout and local pickup in Miami. Call 844-687-4208.
Volume and project pricing available for studios, schools and institutions.