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Warm Audio Premier Series XLR Microphone Cable 100 Foot

Warm Audio Premier Series XLR Microphone Cable 100 Foot

Warm Audio

SKU:PREM-XLR-100

Regular price $189.99 USD
Regular price Sale price $189.99 USD
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Overview

Premier XLR 100 ft is a 100 foot XLR microphone cable from Warm Audio's Premier series, the higher of their two cable tiers, built with the connectors and conductor quality you would expect from a company that also builds the preamps at the other end.

A hundred feet, from the people who build what it plugs into.

Free shipping · Free local pickup in Miami · Financing at checkout

Warm Audio Premier Series XLR 100 ft cable. Warm Audio partnered with Switzerland-based Gotham AG - Europe's top producer of boutique cables - to provide cable stock for our entire line. Our Premier XLR cables offer over-the-top features like gold-plated connectors, StarQuad construction, Double-Reussen shielding and a braided outer wrap. StarQuad construction achieves greater protection from induced noise than traditional XLR cables by using five cores instead of three, and Double-Reussen shielding uses two separate copper shields wrapped in a contrary direction to create the strongest resistance to EMI available. Premier cables also come with a lifetime warranty, bringing you serioues gear that's seriously affordable!

At a Glance

Brand Warm Audio
Model Premier XLR 100 ft
Product type Cable
Warranty Warm Audio limited warranty

What Is the Difference Between Premier and Pro Series?

Premier is the higher tier, using better connectors and conductors. Pro Series covers the same lengths at a lower position. Both are balanced XLR microphone cable.

When Do I Need a 100 Foot Cable?

Stage runs, a live room a long way from the control room, remote recording and installation work. At this length cable quality begins to matter audibly, which is the argument for the Premier tier.

Is It Balanced?

Yes. XLR microphone cable is balanced, which is what allows long runs without picking up noise.

Why Warm Audio

Warm Audio builds recreations of the classic studio hardware most engineers will never get to own, at a fraction of what the originals cost. The company sources premium components, CineMag and custom transformers, Fairchild-grade capacitors, NOS tubes where the design calls for them, and puts them into circuits copied closely from the originals rather than approximated. It has grown from microphones and preamps into compressors, EQs, direct boxes, guitar pedals and cable.

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