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Pro Series XLR 100 ft is a 100 foot balanced XLR microphone cable from Warm Audio's Pro series, the working tier of their cable range, for stage runs and studio patching where you need length without paying for the Premier build.
The one you buy six of, rather than one of.
Warm Audio Pro Series XLR 100 ft cable. Warm Audio partnered with Switzerland-based Gotham AG - Europe's top producer of boutique cables - to provide cable stock for our entire line. Our Premier XLR cables offer over-the-top features like gold-plated connectors, StarQuad construction, Double-Reussen shielding and a braided outer wrap. StarQuad construction achieves greater protection from induced noise than traditional XLR cables by using five cores instead of three, and Double-Reussen shielding uses two separate copper shields wrapped in a contrary direction to create the strongest resistance to EMI available. Premier cables also come with a lifetime warranty, bringing you serioues gear that's seriously affordable!
At a Glance
| Brand | Warm Audio |
|---|---|
| Model | Pro Series XLR 100 ft |
| Product type | Cable |
| Warranty | Warm Audio limited warranty |
Pro Series or Premier Series?
Premier uses higher grade connectors and conductors. Pro Series is the working tier, intended for the cables that get coiled, stepped on and replaced. Most studios end up owning both.
Is 100 Feet Too Long for a Microphone?
No. Balanced XLR is designed for long runs and 100 feet is routine in live and installation work. Balanced cable rejects the noise that would make an unbalanced run this long unusable.
What Is It Used For?
Stage runs, connecting a live room to a control room, remote recording, and any installation where the microphone is a long way from the preamp.
Why Warm Audio
Warm Audio builds recreations of the classic studio hardware most engineers will never get to own, at a fraction of what the originals cost. The company sources premium components, CineMag and custom transformers, Fairchild-grade capacitors, NOS tubes where the design calls for them, and puts them into circuits copied closely from the originals rather than approximated. It has grown from microphones and preamps into compressors, EQs, direct boxes, guitar pedals and cable.